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Anthony Thwaite (1930-2021) was one of the most formidable voices in postwar English letters. Deeply esteemed by fellow poets and critics for his original and technically controlled poetry, Thwaite composed in traditional forms, with orderly stanzas, rhyme schemes, and metrical lines that scan. His voice was highly personal, cautiously intimate, and often witty, and he wrote with a gratifying clarity and freedom from abstraction, making him among the most accessible of modern poets. At the Garden's Dark Edge is a collection of a hundred of Thwaite's poems, selected from a span of more than sixty years, exploring his major themes and recurring topics--among them, the consolations of domestic life, the pleasures of language and creativity, and the many humans and other animals in his life. He was inspired by travel and life abroad--most notably Libya, Japan, and the American South--and his poems deeply engage the individuals and cultures he encountered. A lifelong archaeologist, Thwaite also explored the ruins of the past and what we may recover by exploring it. Intriguingly, his work also faces life's most vexing questions from the perspective of a serious Christian faith.This volume contains several poems that have never been reprinted or collected, and one that has never before been published. By making his work more accessible than ever before, At the Garden's Dark Edge aims to introduce Anthony Thwaite to a new generation of readers and preserve his legacy for future generations. A preface by playwright and novelist Michael Frayn accompanies an editor's introduction.
Now that he is eighty-four, Anthony Thwaite says that Going Out is likely to be the last book of poems he publishes in his lifetime, and that the title is apt. The poems range over times and places, commemorating friends (especially the poet Peter Porter), and draw on memories, hard-won faith, self-questioning.
Features personal poems that span a life-time as the author relives moments of childhood, or reassesses his role as son to a dying mother, or gets told how to behave by his grandson. This title is concerned with what lasts and what vanishes: dreams, memories, people and objects.
Philip Larkin (1922-1985) was the best-loved poet of his generation, and the recipient of innumerable honours, including the Queen's Gold Medal for Poetry, and the W H Smith Award. In Larkin at Sixty, a tribute to him on his sixtieth birthday, twenty writers came together to celebrate the man and the poet with specially written pieces.
Poetry remains a living part of the culture of Japan today. The clich s of everyday speech are often to be traced to famous ancient poems, and the traditional forms of poetry are widely known and loved. The congenial attitude comes from a poetical history of about a millennium and a half. This classic collection of verse therefore contains poetry from the earliest, primitive period, through the Nara, Heian, Kamakura, Muromachi and Edo periods, ending with modern poetry from 1868 onwards, including the rising poets Tamura Ryuichi and Tanikawa Shuntaro.
This survey of contemporary British poetry from 1960-1995 provides a succinct overview of British poets, movements and themes, ideal for English courses and the general reader alike. This edition has been revised to include poets who have recently come into prominence.
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