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This work seeks to broaden the comprehension of the student of Italian Renaissance painting by concentrating not on the works of art themselves, but on the various artistic theories which influenced them or were expressed by them. The text includes the writings of Michelangelo and Vasari.
A landmark account of the work, thought, and life of the seventeenth-century French painter In this book, Anthony Blunt presents a rich account of the paintings, life, and development of the great seventeenth-century French classicist Nicolas Poussin (1594-1665), addressing the artist's entire oeuvre alongside his theory of art. Blunt shows why Poussin holds a central place in the great French humanist line that produced Racine, Molière, Voltaire, the Parnassians, and Mallarmé. At the same time, he examines how Poussin looks back to Raphael and ancient Rome, while pointing forward to Ingres, Cézanne, the Cubists, and Picasso.
This elegant and concise introduction to the baroque and its flowering in Rome was first published in an anthology of essays in 1978, not long before Blunt died, and represents a summation of his teaching. It is republished here separately, copiously illustrated with contemporary engraved views and measured drawings.
At first glance, Borromini's architecture is a flight of Baroque fantasy, the product of limitless imagination. A closer look reveals an almost ruthlessly logical geometry underlying his creation. Blunt shows how the combination of revolutionary inventiveness and intellectual control gives Borromini's work its great appeal.
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