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Sacred and Legendary Art is a timeless exploration of the art and iconography of Catholicism, examining the legends and stories behind many of the most famous religious paintings and sculptures. Anna Jameson provides a rich history of these works of art, exploring their origins, symbolism, and cultural significance. With stunning full-color illustrations and engaging text, this volume is an essential addition to any library focused on the history of art and religion.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Eine Analyse des weiblichen Bildes in Kunst und Gesellschaft.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A collection of biographical sketches of women celebrated in ancient and modern poetry. There are many anecdotes of biography and criticism, and many beautiful poetical portraits, scattered through a variety of works, and all tending to illustrate a subject in itself full of interest - the influence which the beauty and virtue of women have exercised over the characters and writings of men of genius.
A professional author of art and literary criticism as well as travel writing, Anna Jameson (1794-1860) journeyed widely in Europe and North America, and moved in the literary circles which included the Brownings and Harriet Martineau. Many of her other works are also reissued in the Cambridge Library Collection. In 1844, she published this book on the great private art collections of London. She begins with an essay on the formation of the collections, from the seventeenth-century earl of Arundel onwards, and then describes in turn the Queen's Gallery, the Bridgewater, Sutherland, Grosvenor and Lansdowne galleries, and the collections of Sir Robert Peel and of the poet Samuel Rogers. For each collection there is an introductory essay, a catalogue raisonnee and a note of the most important items in the collection. This work is a fascinating and valuable guide to mid-nineteenth-century taste and fashion in art.
Published in 1848, this two-volume study of Christian legends represented in Western medieval art is still of importance to art historians. Anna Brownell Jameson (1794-1860) was one of the great art critics of her age, and these richly illustrated volumes demonstrate her careful treatment of religious representations.
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