Bøker av Anna Arutunyan

Evgeny Prigozhin emerged as one of the most dangerous warlords in the world and as one of Vladimir Putin's chief rivals in Russia's tumultuous political climate, exiled after leading Wagner's attempted coup and killed in a mysterious plane crash. But what is the truth about this enigmatic figure, his role in the war with Ukraine, and the chaos unleashed across Russia by his turn against Putin? And, the aftermath of his death, what is next for Russia in the new stage of late Putinism that Prigozhin's life forged?Drawing on years of research, this book traces the rise of Russia's most prominent non-state actor and examines the political climate that propelled a convicted gangster with no government office to the formidable role he has come to occupy. An essential story of Russia's recent history, The Warlord is also a compelling insight into its likely future.

This study demonstrates how the emergence of private property and a market economy after the Soviet Union's collapse enabled a degree of freedom while simultaneously supporting authoritarianism. Based on case studies, Vladimir Shlapentokh and Anna Arutunyan analyze how private property and free markets spawn feudal elements in society. These elements are so strong in post-Communist Russia that they prevent the formation of a true democratic society, while making it impossible to return to totalitarianism. The authors describe the resulting Russian society as having three types of social organization: authoritarian, feudal and liberal. The authors examine the adaptation of Soviet-era institutions like security forces, the police and the army to free market conditions and how they generated corruption; the belief that the KGB was relatively free from corruption; how large property holdings merge with power and necessitate repression; and how property relations affect government management and suppression.

Focusing on how the Government has traditionally controlled the media through censorship, financial involvement, and relations between media moguls and the State, the book analyses to what extent the Russian media has become 'free' since the fall of Communism.