Bøker av Angela McRobbie

A feminist analysis of young women and popular culture and a forceful critique of male domination in youth culture.Feminism, Young Women and Cultural Studies: Birmingham Essays from 1975 Onwards by Angela McRobbie brings together the Birmingham University Centre for Contemporary Cultural Studies (CCCS) essays of the 1970s and ‘80s with a new introductory chapters and four new chapters of updated analysis on music, magazines, vintage fashion and youth culture. The early work provides both a feminist analysis of young women and popular culture as well as a forceful critique of male domination in youth culture and the ways in which an ideology of adolescent femininity functioned so as to subdue and restrain young women in passive and subordinate gender unequal positions. These chapters also shine a light on the kinds of methodologies being developed at Birmingham University CCCS as cultural studies was emerging as a distinct field of study. These essays when first published found their way onto the university undergraduate curriculum across the world and were translated into many languages. Adopting an intersectional perspective and engaging with questions such as the “category of the girl,” the new chapters extend the field of study in a lively and accessible sociological voice. The book will be of keen interest for students in Sociology, Media and Cultural Studies and Literary Studies.

Mit dieser fulminanten Studie über den gegenwärtigen Zustand des Feminismus und seiner Verhandlung in der Populärkultur nimmt Angela McRobbie das zeitgenössische Aufatmen über das ,Ende des Feminismus¿ kritisch ins Visier. Nicht zuletzt sei dies auch eine Folge davon, dass boshafte Retraditionalisierungen von Geschlechterregimes die (kulturelle) Oberhand gewinnen. McRobbie analysiert empirisch, wie sich Konsum- und Populärkultur Rhetoriken und Bilder von weiblicher Freiheit und Autonomie aneignen und damit vordergründig den Erfolg von Frauen zu unterstützen scheinen.Doch McRobbies Tiefenbohrungen in die Welten von Bridget Jones und Heidi Klum zeigen, dass Frauen faktisch in neue, post-feministische ,neurotische¿ Abhängigkeiten gedrängt und (wieder einmal) degradiert werden. Scharfzüngig analysiert die Autorin kulturelle Phänomene und deren widersprüchliche Wirkungen im Alltag von Frauen: Modephotographie, Fernsehserien, die ,Bearbeitung¿ des Körpers und deren Zusammenhang mit Essstörungen, ,sinnloser Wut¿, Körperhysterie. Angela McRobbie wird mit diesem Buch ihrer Position als prominente feministische Stimme und Klassikerin der Cultural Studies einmal mehr gerecht.

In contrast to more pessimistic readings of the possibilities of postmodernity, this work engages with postmodernity as a space for social change and political transformation. McRobbie views everyday life as an eclectic and invigorating arena for the interplay of different cultures and identities.

This welcome second edition of a classic text brings together six essays from the original edition with two co-authored pieces and a lively new introduction and concluding chapter that considers the changes over the last twenty years impacting on young women today.

Stressing the social context of cultural production, McRobbie focuses on British fashion and its graduate designers as products of youth street culture.

Drawing on a wealth of material from film, television, art and popular culture, Angela McRobbie tackles the so-called 'end' of feminism.

This book offers an introduction to the theory and practice of cultural studies through a critical engagement with the work of six foundational theorists: Hall, Bhabha, Butler, Gilroy, Bourdieu and Jameson. By looking at the key themes and central dynamics of their writings, McRobbie introduces their work and their contribution.

Angela McRobbie's new collection of essays considers the social consequences of cultural proliferation and the social basis of aesthetic innovation.