Bøker av Andrew Shapland

The catalog of the the first major UK exhibition to focus solely on Knossos, at The Ashmolean, Oxford, running from February to July, 2023It will provide an up-to-date guide to the archaeology, and history of discovery, of the Palace and wider areaThe 20+ contributors are all experts in their fieldCrete was famous in Greek myth as the location of the labyrinth in which the Minotaur was confined in a palace at somewhere called 'Knossos'. From the Middle Ages travelers searched unsuccessfully for the Labyrinth. A handful of clues that survived, such as a coin with a labyrinth design and numerous small bronze age items. The name Knossos had survived - but it was nothing but a sprinkling of houses and farmland so they looked elsewhere. Finally, in 1878, a Cretan archeologist, Minos Kalokairinos discovered evidence of a Bronze Age palace. British Archaeologist and then Keeper of the Ashmolean Arthur Evans came out to visit and was fascinated by the site. Between 1900 and 1931 Evans uncovered the remains of the huge palace which he felt must be the that of King Minos, and he adopted the name 'Minoans' for its occupants. He employed a team of archeologists, architects and artists, and together they built up a picture of the Bronze Age community that had occupied the elaborate building. They imagined a sophisticated, nature-loving people, whose civilization peaked, and then disintegrated. Evans's interpretations of his finds were accurate in some places, but deeply flawed in others. The Evans Archive, held by the Ashmolean, records his finds, theories and (often contentious) reconstructions.

This book provides a new way of understanding some of the most famous examples of Minoan art, long admired for their naturalism, as the outcome of human-animal relations, drawing on approaches from anthropology and Human-Animal Studies.