Bøker av Andrew Maunder

There is discussion of her most famous series including the Famous Five, the Secret Seven, Malory Towers and Noddy, but attention is also given to lesser-known works including the family stories she published to acclaim in the 1940s and early 1950s, as well as her attempts to become a dramatist.

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.

The short story remains a crucial - if neglected - part of British literary heritage. This accessible and up-to-date critical overview maps out the main strands and figures that shaped the British short story and novella from the 1850s to the present. It offers new readings of both classic and forgotten texts in a clear, jargon-free way.

This New Casebook explores the enduring significance of George Eliot's novels The Mill on the Floss (1860) and Silas Marner (1861).

Through a survey of a diverse range of crimes, criminals, detectives, modes of detection and reportage, the essays in this volume chart the development of crime writing as a genre and the growing dialogue between fact and fiction through Victoria's reign.