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This book studies the representations of working-class women in canonical and popular American fiction between 1820 and 1870. These representations have been invisible in nineteenth century American literary and cultural studies due to the general view that antebellum writers did not engage with their society''s economic and social relaities. Against this view and to highlight the cultural importance of working-class women, this study argues that, in responding to industrialization, middle class writers such as Melville, Hawthorne, Fern, Davies, and Phelps used the figures of the factory worker and the seamstress to express their anxieties about unstable gender and class identitites. These fictional representations were influenced by, and contributed to, an important but understudied cultural debate about wage labor, working women, and class.
This work explores the problems of reading and writing about women and their texts in an increasingly global context of production and reception. These essays examine the reception, both academic and popular, of women writers from countries including India, Bangladesh, Egypt, and Algeria.
This book studies the representations of working-class women in canonical and popular American fiction between 1820 and 1870.
This collection extends the boundaries of global feminism to include Islamic women. Challenging Orientalist assumptions of Muslim women as victims of Islam, these essays focus on women's negotiations for identity, power and agency as participants in cultural movements.
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