Bøker av Alain Badiou

* Alain Badiou is one of the most widely read and influential philosophers in France today. * This volume brings together Badiou s writings on cinema from the last fifty years. The topics range from the key filmmakers of modernity (Tati, Oliveira, Antonioni, Godard, etc.

This concise and accessible book is the perfect introduction to Badiou s thought. Responding to Tarby s questions, Badiou takes us on a journey that interrogates and explores the four conditions of philosophy: politics, love, art and science.

Plato's Republic is one of the most well-known and widely discussed texts in the history of philosophy, but how might we get to the heart of this work today, 2500 years after it was originally composed? Alain Badiou invents a new genre in order to breathe fresh life into Plato's text and restore its universality.

Twenty years ago, Alain Badiou's first Manifesto for Philosophy rose up against the all-pervasive proclamation of the "end" of philosophy. In lieu of this problematic of the end, he put forward the watchword: "one more step". The situation has considerably changed since then.

Two controversial thinkers discuss a timeless but nonetheless urgent question: should philosophy interfere in the world? Nothing less than philosophy is at stake because, according to Badiou, philosophy is nothing but interference and commitment and will not be restrained by academic discipline.

Seeks to provide a theory of the subject for Marxism through a study of Lacanian psychoanalysis, offering a major contribution to Marxism, as well as to the larger debate regarding the relationship between psychoanalysis and philosophy. This book also offers a history and theory of structuralism and poststructuralism.

The political regime of global capitalism reduces the world to an endless network of numbers within numbers, but how many of us really understand what numbers are? In Number and Numbers Badiou offers an philosophically penetrating account of the attempts made over the last century to define the special status of number.

Everywhere, the twentieth century has been judged and condemned: the century of totalitarian terror, of utopian and criminal ideologies, of empty illusions, of genocides, of false avant-gardes, of democratic realism everywhere replaced by abstraction.

A collection of essays of the author. Beginning with a sustained critique of the so-called 'end of philosophy', it goes on to propose a definition of philosophy, one that is tested with respect to both its origin, in Plato, and its contemporary state.

Published in 1973, "e;L'Etourdit"e; was one of the French philosopher Jacques Lacan's most important works. The book posed questions that traversed the entire body of Lacan's psychoanalytical explorations, including his famous idea that "e;there is no such thing as a sexual relationship,"e; which seeks to undermine our certainties about intimacy and reality. In There's No Such Thing as a Sexual Relationship, Alain Badiou and Barbara Cassin take possession of Lacan's short text, thinking "e;with"e; Lacan about his propositions and what kinds of questions they raise in relation to knowledge. Cassin considers the relationship of the real to language through a Sophist lens, while the Platonist Badiou unpacks philosophical claims about truth. Each of their contributions echoes back to one another, offering new ways of thinking about Lacan, his seminal ideas, and his role in advancing philosophical thought.

Martin Heidegger was an ordinary Nazi and a loyal member of the provincial petty bourgeoisie. He was also a seminal thinker of the Continental tradition and one of the twentieth century's most important philosophers. How are we to make sense of this dual life? Should we factor Heidegger's domestic and political associations into our understanding of his thought, or should we treat his intellectual work independently of his abhorrent politics? How does any thinker reconcile the mundane with the ideal or the pursuit of philosophical inquiry with the demands of civic engagement?In Heidegger, Alain Badiou and Barbara Cassin immerse themselves in the philosopher's correspondence with his wife Elfride to answer these questions as they relate to Heidegger and all thinkers vulnerable to the politics of their times. They focus on Heidegger's tormented relationship with his wife, with Hannah Arendt, and with numerous other women, bringing an unusual level of intimacy to his personal and intellectual worlds.

The Incident at Antioch is a key play marking Alain Badiou's transition from classical Marxism to a "e;politics of subtraction"e; far removed from party and state. Written with striking eloquence and extraordinary poetic richness, and shifting from highly serious emotional and intellectual drama to surreal comic interlude, the work features statesmen, workers, and revolutionaries struggling to reconcile the nature and practice of politics.This bilingual edition presents L'Incident d'Antioche in its original French and, on facing pages, an expertly executed English translation. Badiou adds a special preface, and an introduction by the scholar Kenneth Reinhard connects the play to Paul Claudel's The City, Saint Paul and the early history of the Church, and the innovative mathematical thinking of Paul Cohen. The translation includes Susan Spitzer's extensive notes clarifying allusions and quotations and hinting at Badiou's intentions. An interview with Badiou encompasses the play's settings, themes, and events, as well as his ongoing literary and conceptual experimentation on stage and off.

Pocket Pantheon is an invitation to engage with the greats of postwar Western thought, such as Lacan, Sartre and Foucault, in the company of one of today's leading political and philosophical minds. Alain Badiou draws on his encounters with this pantheonhis teachers, opponents and alliesto offer unique insights into both the authors and their work. These studies form an accessible, authoritative distillation of continental theory and a capsule history of a period in Western thought.

';We know that communism is the right hypothesis. All those who abandon this hypothesis immediately resign themselves to the market economy, to parliamentary democracythe form of state suited to capitalismand to the inevitable and ';natural'character of the most monstrous inequalities.'Alain BadiouAlain Badiou's ';communist hypothesis,'first stated in 2008, cut through the cant and compromises of the past twenty years to reconceptualize the Left. The hypothesis is a fresh demand for universal emancipation and a galvanizing call to arms. Anyone concerned with the future of the planet needs to reckon with the ideas outlined within this book.

What Is a People? seeks to reclaim "e;people"e; as an effective political concept by revisiting its uses and abuses over time. Alain Badiou surveys the idea of a people as a productive force of solidarity and emancipation and as a negative tool of categorization and suppression. Pierre Bourdieu follows with a sociolinguistic analysis of "e;popular"e; and its transformation of democracy, beliefs, songs, and even soups into phenomena with outsized importance. Judith Butler calls out those who use freedom of assembly to create an exclusionary "e;we,"e; while Georges Didi-Huberman addresses the problem of summing up a people with totalizing narratives. Sadri Khiari applies an activist's perspective to the racial hierarchies inherent in ethnic and national categories, and Jacques Ranciere comments on the futility of isolating theories of populism when, as these thinkers have shown, the idea of a "e;people"e; is too diffuse to support them. By engaging this topic linguistically, ethnically, culturally, and ontologically, the voices in this volume help separate "e;people"e; from its fraught associations to pursue more vital formulations.Together with Democracy in What State?, in which Giorgio Agamben, Alain Badiou, Daniel Bensaid, Wendy Brown, Jean-Luc Nancy, Jacques Ranciere, Kristin Ross, and Slavoj iek discuss the nature and purpose of democracy today, What Is a People? expands an essential exploration of political action and being in our time.

English-speaking readers might be surprised to learn that Alain Badiou writes fiction and plays along with his philosophical works and that they are just as important to understanding his larger intellectual project. In Ahmed the Philosopher, Badiou's most entertaining and accessible play, translated into English here for the first time, readers are introduced to Badiou's philosophy through a theatrical tour de force that has met with much success in France. Ahmed the Philosopher presents its comic hero, the "e;treacherous servant"e; Ahmed, as a seductively trenchant philosopher even as it casts philosophy itself as a comic performance. The comedy unfolds as a series of lessons, with each "e;short play"e; or sketch illuminating a different Badiousian concept. Yet Ahmed does more than illustrate philosophical abstractions; he embodies and vivifies the theatrical and performative aspects of philosophy, mobilizing a comic energy that exposes the emptiness and pomp of the world. Through his example, the audience is moved to a living engagement with philosophy, discovering in it the power to break through the limits of everyday life.

In this dialogue, Alain Badiou shares the clearest, most detailed account to date of his profound indebtedness to Lacanian psychoanalysis. He explains in depth the tools Lacan gave him to navigate the extremes of his other two philosophical "e;masters,"e; Jean-Paul Sartre and Louis Althusser. Elisabeth Roudinesco supplements Badiou's experience with her own perspective on the troubled landscape of the French analytic world since Lacan's death-critiquing, for example, the link (or lack thereof) between politics and psychoanalysis in Lacan's work. Their exchange reinvigorates how the the work of a pivotal twentieth-century thinker is perceived.

"e;Is it meaningful to call oneself a democrat? And if so, how do you interpret the word?"e;In responding to this question, eight iconoclastic thinkers prove the rich potential of democracy, along with its critical weaknesses, and reconceive the practice to accommodate new political and cultural realities. Giorgio Agamben traces the tense history of constitutions and their coexistence with various governments. Alain Badiou contrasts current democratic practice with democratic communism. Daniel Bensaid ponders the institutionalization of democracy, while Wendy Brown discusses the democratization of society under neoliberalism. Jean-Luc Nancy measures the difference between democracy as a form of rule and as a human end, and Jacques Ranciere highlights its egalitarian nature. Kristin Ross identifies hierarchical relationships within democratic practice, and Slavoj Zizek complicates the distinction between those who desire to own the state and those who wish to do without it.Concentrating on the classical roots of democracy and its changing meaning over time and within different contexts, these essays uniquely defend what is left of the left-wing tradition after the fall of Soviet communism. They confront disincentives to active democratic participation that have caused voter turnout to decline in western countries, and they address electoral indifference by invoking and reviving the tradition of citizen involvement. Passionately written and theoretically rich, this collection speaks to all facets of modern political and democratic debate.

The eminent French philosopher "dialecticizes” five of the artist Jean-Luc Moulène's objects with five conceptual formations from the history of Western philosophy.In this unique essay, first delivered as a lecture during a panel discussion with the artist and philosopher Reza Negarestani, Alain Badiou identifies and "dialecticizes” five of the artist Jean-Luc Moulène's objects with five conceptual formations from the history of Western philosophy. Aristotle's complex of matter and form is called to mind to describe the inner logic of a hard foam sculpture. A bronze statue with holes activates Plato's notion of participation of the concrete world in the "injured Idea of the Beautiful.” A small metallic and incomplete "angel” engages Leibniz's affirmation that "everything that exists is composed of an infinity of things.” Badiou's musings go on to pair a broken and repaired plastic chair with Victor Hugo; a terrible hand made of concrete with the Freudian unconscious; and a large-scale "red and blue monster” with rudimentary mechanisms of the Cartesian cogito, the famous "I think, therefore I am,” with unexpected inversions and variations.Badiou refrains, of course, from claiming that Moulène thinks about any of these philosophers when making his specific works. What he points to, however, in this richly illustrated bilingual volume, is that the artist and his art are "on the side of philosophy.”

The Rational Kernel of the Hegelian Dialectic is the last in a trilogy of political-philosophical essays, preceded by Theory of Contradiction and On Ideology, written during the dark days at the end of the decade after May '68. With the late 1970's "triumphant restoration" in Europe, China and the United States, Badiou and his collaborators return to Hegel with a Chinese twist. By translating, annotating and providing commentary to a contemporaneous text by Chinese Hegelian Zhang Shi Ying, Badiou and his collaborators attempt to diagnose the status of the dialectic in their common political and philosophical horizon. Readers of Badiou's more recent work will find a crucial developmental step in his work in ontology and find echoes of his current project of a 'communist hypothesis'. This translation is accompanied by a recent interview that questions Badiou on the discrepancies between this text and his current thought, on the nature of dialectics, negativity, modality and his understanding of the historical, political and geographical distance that his text introduces into the present.

"Alain Badiou's first major work, Le Concept de modele, originally published in 1969 and long out of print, establishes a solid mathematical basis for a rational materialism, which undermines the implicit assumptions of a predominating 'bourgeois epistemology'. Readers familiar with Badiou will no doubt find within this early text the lineaments of his later radical developments. The translation will be published with an accompanying interview with Badiou wherein he elaborates on the connections between this early work, the subsequent developments and his most recent position"--Provided by publisher.