Gjør som tusenvis av andre bokelskere
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.Du kan når som helst melde deg av våre nyhetsbrev.
Nico Vela Page's Americón is a collection of poems in Spanglish that weaves a space for the queer, trans body to know the land, and itself, as extensions of each other. The land is the desert of Northern New Mexico, the forgotten Pan-American Highway, the space between our thighs, the quaking cordillera of Chile, the moans of elk, and the ripe fruit waiting to be picked. Through archive, attention, and erotic ecopoetics, Page's debut collection of poems extends far across the page, the gender binary, language, and the Americas to find out who we are by asking where we are. Nico Vela Page's Americón is the 2020 Open Reading Period Book Prize winner, and was selected by guest judge Renee Gladman.
"In his seventh book of poems, Salms, Aaron McCollough navigates the ancient, vexed lyric landscape of the Biblical Psalm, where gratitude is arrived at through complaint and yearning is smuggled in alongside tribute. It is a place of recovery and discovery, "all silent but newly charted/ territory we would recognize," as McCollough writes. In this vision, The God of the Biblical Psalter is sustained by praise much as its creatures are sustained by food. Salms adopts the probative, endangered position of the occupants of this psychic and spiritual ecology, "pinched down and hived into an insect of attention," and "Being seen to show the world one's insides." At the same time, McCollough explores the paradox, long noted, that the Psalter is rife with grieving, imploring, and cruel fantasies of retribution. The path the Biblical psalms takes is a circuitous journey James L. Crenshaw recently described as moving from "grief to thanksgiving, from lament to praise," and it is a path that McCollough's salms follows, in the gently subversive tradition of the great early seventeenth century poet George Herbert, for whom language offered both "the soul in paraphrase" and an "[e]ngine against th' Almighty." Formally restless and diverse, McCollough's poems move from flinty Anglo-Norman terseness through folktale to long-lined journal-like confessional, blending high modern solemnity and postmodern negation. Like its near namesake, Salms is a heterodox gathering, an erudite and poetically masterful work of lyric intensity and raw confrontation with God and self. Its sounds and forms bind to the divine histories of the western lyric tradition at points of fragility and potential disintegration. "When I kept silence, my bones roared,/ says the psalmist, whose heart also melts/ like wax": McCollough's salms, heartbroken and resilient, raise their voices in a world grown suspicious of sacred congress. Still, they keep singing, ragged and dense, "listening for an / undone drone/ to rise between / sound blooms.""
The debut poetry collection by queer writer and spoken word artist Michael Mullen. Lay Down with Dogs is a paean of working class life, queer triumph and the sensual power of poetry; a sample of the work recently won the Edwin Morgan Poetry Award 2022.
First published in 1667, Milton''s awe-inspiring epic poem is considered by many to be the greatest in the English language.
The book remains one of the pillars upon which the European literary tradition has been built.
Arcturus has sold over 1 million copies of its Ornate Classics series.
Liturgy incarnates unseen realities in concrete forms - bread, wine, water, the architectural arrangement of religious buildings. Uncovering a nineteenth-century fascination with liturgy, Joseph McQueen here shows how Romantic and Victorian writers used such forms in their work to invest ordinary material life with spiritual and ethical meaning.
Death Benefits deepens and extends David R. Slavitt's sublime, lyric confrontation with mortality--and does so in a plainspoken and marvelously entertaining, conversational way. His poetry encourages us to recognize our own predicaments, as we see ourselves reflected as fellow sufferers entrapped by daily circumstance. In his new collection, Slavitt presents a sequence of one hundred sonnets, each one loaded with life, observation, and quicksilver wit. Readers will delight in looking on with wonder, at every turn of the page, to see how the poet will pull it off this time and what kind of linguistic magic he will use to fend off the mortal pain of getting through each day. His voice plays over the grid of the meter in utterly natural intonations. His music squarely faces the dark, but its enduring note is faith in common sense and the pleasure that poetry provides, rather than cynicism or despair.
As the hell year of 2020 was drawing to a close, and the collective anxieties of every able-minded person in America were making their threat whispers to never, ever go away no matter how many times you brushed your teeth, Jeffrey Eugene Hoch (the author of this book) had an idea. He would write a poem - or something approximating one - for every calendar day of the upcoming year of 2021. The main reason he wanted to do this was to keep his artistic conscience from atrophying across another potential year of emotional isolation, illness avoidance, and embarrassing cult stupidity.There was some distant hope that something positive would come out of the process, but that something was unknowable and not even particularly hoped for by the author. A year of video games, whiskey, dates, and deli orders later, Useless Musings was "finished." More accurately, it could just no longer be truthfully worked on because 2021 was over.Anyway, the results of this year-long whatever-it-was are documented here for you to read and maybe have some sort of emotional reaction to. These "musings" felt pretty "useless" as I was writing them (Hi, it's me, Jeff), but maybe you'll enjoy them. That would be cool.
A delightful rhyming story taking readers on a journey through the world of British garden birds and their unique nests, exploring the diversity of nature and the importance of individuality. The Best Nest Contest promises educational fun, with colourful illustrations bringing this enchanting story to life.
At Least We'll Always Have Spring is a collection of poetry discussing grief, addiction, and mental health in honour of Rachel Ella "Fenway" Balfour. Please consider donating to harm reduction charities, such as Prairie Harm Reduction, to further honour her life.
Under a sky the colour of extinctionyou choose your own conclusion. The Earth might have already done so...and ten thousand years of civilisationwill shrink to an unrepeated moment. The Colour of Extinction is a collection for our times: taking all of nature into its focus, these carefully crafted lines leave the reader mulling over our interaction with - and overuse of - the natural world. Split into four strands, focusing on the climate crisis, birds, Australia and the melting polar caps, The Colour of Extinction forces us to confront the possible futures of the planet that we are destroying yet are so reliant on.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.