Dikt

In Ecotheology and Love: The Converging Poetics of Sohrab Sepehri and James Baldwin, Bahar Davary points to the interrelation of religion, poetry, and ecology from a comparative perspective with an emphasis on decoloniality. This work shows how authors Sohrab Seperhi and James Baldwin sought social justice by building their work on love and an authentic way of knowing the world based on an interconnected knowledge of the self. The layers of depth in Sepehri and Baldwin's works and their immediacy for our time has yet to be fully understood, but through Ecotheology and Love, Davary takes a significant step towards achieving such a fuller understanding.

Edited collection on Richard Barnfield, a lesser known but important early modern English poet who was a contemporary of Shakespeare and wrote homoerotic verse.

A meditation on the centrality of predation to the Western lyric tradition.  In dialogue with Wittgenstein's "On Certainty," Ovid's Metamorphoses, Shakespeare's Hamlet, and Thomas Wyatt's "Whoso List to Hunt," among other works, Kristen Case's poems and lyric essays unearth the ways violence both disrupts and enables our ways of knowing-or approximating knowledge of-one another.

Poems exploring the relationship between joy and elegy. In Perishable, Stelios Mormoris asks incisive questions about the nature of human connection: Where does memory live-in the body, in the mind, or elsewhere? What happens when the objects that surround us-a wedding ring, an empty purse, a harp-reveal necessary truths about ourselves and those we love? As the book unfolds, lush sensory details and unmatched lyricism are brought to bear on these lingering concerns in a style as neoclassical as it is contemporary. In poems that radiate with intelligence, Mormoris combines understated elegance with finely tuned music and evocative imagery.

Formally daring poems that ask a compelling question: if fate can never be changed, how can we embrace its weaving? The realm that belongs to Nebulous Vertigo is both visceral and vibrant, and it is mysteriously familiar. If you come close to it, you will hear how rains eat, how a silken tofu revolts, how the Chinese word for "beans" turns into a speaking persona, and how a telephone bridges the surviving and the afterlife. In Nebulous Vertigo, everyday life is inevitably lost to the inevitable fate. And yet, with unexpected quivers, our fate and life keep surprising us.  Traveling through the cha chann teng in Hong Kong, you can hear how Mrs. Suen, Mr. Yuen, and Waiter Kuen carry out intriguing conversations; astounded by the night sky in Paris, you will see how constellations narrate the lovers' quirky destiny; and all the way through the Sayama Hills in Tokorozawa, you will be surprised by the turnings and upturnings of the myths told by a Japanese Uncle. Nebulous Vertigo, as its title beckons, "sighs an unreal cloud / for the fated sun to rise." If fate can never be changed, how can we embrace its weaving? Every attempt, as the poems suggest, can be calmingly adventurous, unobvious yet magnanimous.

A powerful account of the symbolic murder of the poet's mother. From the first poem in this bilingual edition of The Men Who Killed My Mother, it is evident that the mother in "Our Mother" ("Nuestra Madre") is not only Fernando Valverde's. The soulful refrain of "mother/madre" might be anyone's mother whose suffering is palpable in a world legislated over by men. Issues such as orphanhood, abuse, violence, manipulation, and fear are treated with the rawness of someone who has tasted the venom of betrayal. This is a lyrical dark garden of faith and family, exposing treachery and cruelty, and anger at injustice, from the voice of a son with deep love for his mother-for her honor, dignity, and dreams.  Valverde leads us into a forest full of wolves and serpents under the governance of civil society. He has received many awards for his poetry and is recognized as one of the most highly acclaimed poets of his generation in Spain. This heartfelt English translation by Gordon E. McNeer captures the power of Valverde's poetic cadences and its haunting evocative lyricism.

Mycocosmic offers intricately woven incantations-prayers, hexes, and charms-all of which call for a transformation of language, grief, and the self. "Good things come to you through fire," a Tarot reader told Lesley Wheeler as she was composing what became her sixth poetry collection, Mycocosmic. But how could that be true, while the planet was burning and life slamming her with one loss after another? Then she learned about pyrophilic fungi that lurk in soil until activated by fire. Enter mycelia and a teeming underground world that metabolizes death, changing what remains so that life can begin anew. Mycocosmic offers intricately woven spell poems-prayers, hexes, charms, and invocations-that call for transformation. A parent's death gives Wheeler the freedom to reveal difficult truths about family violence and her sexuality; a midlife mental health crisis transforms her sense of self. Incantatory language channeled through a wide variety of forms-including free verse, litany, sonnets, the bref double, the golden shovel, and the villanelle-empowers these shifts. Beneath these poems runs a book-length essay in verse, "Underpoem [Fire Fungus]," sending tendrils across the footer of each page. This poetic mycelium nourishes metamorphosis and highlights its urgency. As Merlyn Sheldrake writes in Entangled Life, "Mycelium describes the most common of fungal habits, better thought of not as a thing but as a process: an exploratory, irregular tendency." Poetry is rooted in real and imagined communities and conversations. Mycocosmic demonstrates how interdependence binds us together.

Lyrical insights from an immigrant son navigating love, death, acceptance, and belonging along the United States and Mexico border.   With a narrative voice that translates the unforgettable into something lyrical and magical, The Lost Nostalgias demonstrates Esteban Rodríguez's exploration of familial moments that move between the tragic, the trivial, and the triumphant. A mother's decaying teeth lead to questions of self-care and beauty; a quinceañera becomes a meditation on masculinity; a visit to the bank illuminates a father's existential fears; and a rave suddenly becomes a reflection on migration and survival. Because nothing is off the table under Rodríguez's tender lens, everything and everyone becomes deserving of admiration, dignity, and love.

An unflinching look at the intimate, dwindling natural world and our desire for human connection. Noah Davis's The Last Beast We Revel In coalesces around love for one's romantic partner, family, community, and the natural world. As the Appalachian Mountains continue to suffer from environmental catastrophes and abuses, the need to discover joy within the human and greater-than-human world is essential. In these poems, we travel with black bears and brook trouts, exploring old tunnel mines, summer rivers, the remains of meth houses, and tasting the sweetness of August tomatoes. Davis's poems balance revery, mourning, lust, and love while wading the rivers and meandering through the deep hollows of Appalachia's enduring landscape.

A hybrid collection that explores the dual nature of water as both a destructive and healing force, mirroring the experiences of Black women and girls. Nadia Alexis's Beyond the Watershed is a collection of poetry and award-winning photography--two mediums that speak to each other and expand the watershed moments influenced by life-changing events. Alexis delves into trauma, identity, healing, and survival through the lens of a Haitian American mother and daughter's experiences. These poems depict journeys from abuse to freedom, including the moments of joy in between, while contemplating the connection between the Black female experience and the natural world. Even though "there's no choice / in how the wounding is served," this striking poetic and visual account is a story of survival through love.

While a lot of research has been done on the relationship between Percy Bysshe Shelley and Robert Browning, virtually nothing has been said about the links between Mary Shelley and Robert Browning, and very little on the connections between the Shelleys and Elizabeth Barrett Browning.

Poems that explore literary and religious depictions of grief to honor the loss of a mother. Requiem is a collection anchored in personal and collective grief, remembrance, and commemoration, journeying through the loss of a mother in a series of elegies, fugues, and lamentations that draw from the Church's canonical hours of prayer as collected in a breviary. Historical and religious mourning rites, and the grief work of John Donne, Gerard Manley Hopkins, Roland Barthes, Emily Dickinson, and Mozart, among others, establish a lyric dialogue around aesthetic representations of grief, invoking a doubleness between the griever and the grieved; a mutuality and interconnectedness that illuminate the role of witness in poetry, mortality, and transcendence. Requiem enacts our deepest longing: to honor and immortalize the beloved.

Poems that center on the sinister American cryptid, the Goatman of Pope Lick. In her sixth collection Goat-Footed Gods, award-winning poet, essayist, and teacher Kathleen Driskell seeks to rehabilitate the reputation of the infamous Goatman of Pope Lick, identified by The Washington Post as one of the deadliest cryptids in America. The Goatman or Pope Lick Monster, a legendary creature long rumored to roam the woods around Driskell's Kentucky home, is alleged to have caused the deaths of at least five young people at Pope Lick Trestle, a railroad bridge with a ninety-foot drop at its center. The Goatman lyrics are braided with poems about Driskell's child's traumatic injury from a fall. Always at the heart of Driskell's poetry is her insistence that the path to the sacred is found not through the doctrine of ancient gods, but in walking clear-eyed through the dark woods of our historical past and exploring the never-ending wonder of the natural world.

The first English translation of Olga A. Smirnitskaya's influential 1994 Russian work on Anglo-Saxon and Old Norse studies. In 1994, Moscow State University professor Olga A. Smirnitskaya published a significant work in the field of Old Germanic Philology entitled The Verse and Language of Old Germanic Poetry (???? ? ???? ???????????????? ??????). The book was lauded as one of the most important contributions from the Russian school of Anglo-Saxon and Old Norse studies to the worldwide scholarship in that field. It covers the emergence and evolution of Old Germanic verse forms from the earliest runic inscriptions to the pinnacles achieved in Old English Beowulf and Old Norse skaldic poetry. This translation is a fundamental piece of scholarship that will be in great demand by non-Russian-speaking scholars working in the fields of Old English and Old Norse language and literature all over the world, as well as by wider scholarly audiences involved in any aspect of studies of Old Germanic languages and literature, especially poetry and meters.

A prominent Hindi poet's compelling testament to the struggles and resilience of India's marginalized communities. A voice of the marginalized and a staunch critic of the establishment, Alok Dhanwa brilliantly captures the ethos of a turbulent era in India through his poetry. Born in 1948, in Munger, Bihar, he witnessed the rise and fall of political movements and wrote against the backdrop of the Maoist and Naxalite struggles. This collection, the first book-length translation of his work into English, brings a glimpse of a volatile nation coming to grips with its own existence to new readers.   His poetry highlights the ongoing fight for justice and identity in an ever-changing state that remains starkly relevant to the contemporary Indian polity. Dhanwa's writing is a beacon for the working class, a testament to resistance, and a reminder that the struggle for a better world is both eternal and essential. In his universe, love, rebellion, armed resistance, and the everyday coexist. With World Is Made Up Every Day, he paints a vivid portrait of rural India's landscapes and humanity's capacity to defy power in all its forms. This book is not just a collection of poems; it is a call to keep the spirit of resistance alive and to live meaningfully in a world that constantly evolves but often remains unchanged.