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Malta has served as a beautiful backdrop for films for nearly as long as there has been a film industry. This entry in the World Film Locations series traces the history of Malta on screen, from bigbudget blockbusters to modest indie pictures. The locations Malta offers range widely, from grand fortified harbours and stunning cliffs to quaint villages and Baroque palaces. That diversity has enabled the island to double for countless locations, including ancient Troy and Alexandria, as well as Greece, Israel, and other Mediterranean and Middle Eastern regions, while its well-known water tanks have proved to be perfect for shooting ocean scenes. Packed with illustrations, World Film Locations: Malta examines a number of films made in Malta, and will be a must-read for tourists, film buffs and scholars alike.

Rome is a city rich in history and culture and imbued with a realism and romanticism that has captured the imaginations of filmmakers throughout the twentieth and twenty-first centuries. With over two and a half thousand years of continuing history, Rome has served as the setting for countless memorable films, creating a backdrop that spans all genres and emotions. World Film Locations: Rome takes the reader on a cinematic journey through the city with stops at key locations that include the Pantheon, Piazza Navona, Via Veneto, Piazza del Popolo, Sant'Angelo Bridge and, of course, the Trevi Fountain, made famous world-wide in its appearances in Federico Fellini's La Dolce Vita and Jean Negulesco's Three Coins in the Fountain. A carefully selected compilation of forty-five key films set in Rome, including The Belly of an Architect, The Facts of Murder, The Bicycle Thief, Roman Holiday and The Great Beauty, is complemented by essays that further examine the relationship between the city and cinema to provide an engaging, colourful and insightful page-turning journey for both travellers and film buffs alike.

Toronto is a changing city that has been a source of reflection and inspiration to writers and artists whose work focuses on the conditions and prospects of human life. A city on the move, it demands policies and regulation, and it offers the pleasures and perils of the massive and the anonymous. As a site of study, the city is inherently multidisciplinary, with natural ties to history, geography, sociology, architecture, art history, literature and many other fields. World Film Locations: Toronto explores and reveals the relationship between the city and cinema using a predominately visual approach. The juxtaposition of the images used in combination with insightful essays helps to demonstrate the role that the city has played in a number of hit films, including Cinderella Man, American Psycho and X-Men and encourages the reader to frame an understanding of Toronto and the world around us. The contributors trace Toronto's emergence as an international city and demonstrate the narrative interests that it has continued to inspire among filmmakers, both Canadian and international. With support from experts in Canadian studies, the book's selection of films successfully shows the many facets of Toronto and also provides insider's access to a number of sites that are often left out of scholarship on Toronto in films, such as the Toronto International Film Festival. The 2014 release of this attractive volume will be a particularly welcome addition to the international celebrations of the city's 180th anniversary.

Celebrating Shanghai's rich cinematic history, the films covered here represent a lengthy time period, from the first Golden Age of Chinese Cinema in the 1930s to the city's status as an international production hub in 2013. Given the enduring status of Shanghai as the 'Paris of the East,' World Film Locations: Shanghai emphasizes the city's cosmopolitan glamour through locations that are steeped in cinematic exoticism, while also probing the reality behind the image by investigating its backstreets and residential zones. To facilitate this study of Shanghai's dual identity through reference to film locations, the book includes films from both the commercial and independent sectors, with a balance between images captured by local filmmakers and the visions of Western directors who have also utilized the city for their projects. With numerous essays that reflect Shanghai's relationship to film and scene reviews of such iconic titles as Street Angel, Temptress Moon, Kung Fu Hustle, and Skyfall, World Film Locations: Shanghai is essential reading for all scholars of China's urban culture.

Havana is among the world's leading cinematic locales. In films made beyond the island as well as those created by local cineastes, Havana is depicted as a vibrant Caribbean city. The quantity and quality of the works representing this tropical cityscape attest to the prominence of this film location and underscore the need for a book dedicated to it. World Film Locations: Havana situates Havana as a modern city in pre-Revolutionary times, noting the architectural and cultural shifts evident during the revolution, and comments on recent reconfigurations of the city and its inhabitants in the wake of global forces. Among the forty-six scene reviews chosen to show the city in all its multifaceted-glory, films such as Our Man in Havana, I Am Cuba, Hello Hemingway, Habana Blues and Chico and Rita are bookended by seven insightful essays. The essays look at the history of revolutionary cinema in Cuba and consider documentary films, from the Latin American Newsreel to avant-garde experimental work, including the island's documentary tradition showcasing local faces and places that have paved the way for present-day media and audio-visual art. The essays also explore the multifaceted film culture of the capital, the cine club movement, historic cinemas and film venues around the city, the abundance of film festivals such as the International Festival of New Latin American Cinema and film-themed cafeterias, restaurants, bookstores and markets.

Founded by the Puritans in 1630 and the site of many of the American Revolution's major precursors and events (including the Boston Massacre, the Boston Tea Party and Paul Revere's midnight ride, among others), Boston has played - and continues to play - an influential role in the shaping of the historic, intellectual, cultural and political landscapes of the United States. And Boston has a significantly rich tradition of cinematic representation. While Harvard is central to many of the films set in the Greater Boston area, World Film Locations: Boston considers the full spectrum of Boston's abundant aesthetic potential, reviewing films located within as well as far beyond Harvard's hallowed halls and ivy-covered gates. Many iconic American classics, blockbusters, romantic comedies and legal thrillers, as well as films examining Boston's criminal under-side, particularly in juxtaposition to the city's elitist high society, were filmed on location in the city's streets and back lots. World Film Locations: Boston looks in depth into a highly select group of forty-six films such as Love Story, Good Will Hunting, The Friends of Eddy Coyle, and The Social Network, among many others, presented at the intersection of critical analysis and stunning visual critique (with material from the films themselves as well as photographs of the contemporary city locations). Featuring articles and film scene reviews written by a variety of leading contemporary film writers, critics and scholars, this book is a multimedia resource that will find a welcome audience in movie lovers in Beantown and beyond.

There are very few preserved filmic depictions of Moscow from pre-Revolutionary years. World Film Locations: Moscow compares and contrasts images from the past and present, giving the forty-six carefully selected scene reviews and seven spotlight essays a historical focus. It also provides an inside look at the city's film studio, Mosfilm.

Though the creative community of Reykjavik, Iceland, has a well-deserved reputation for its unique artistic output, Reykjavik's filmmakers have received less attention than they merit. This book sheds new light on the role of cinema in a country that produces more films per capita than any other in the world.

From Tokyo Story to Godzilla, World Film Locations: Tokyo presents a kaleidoscopic view of one of the world's most exciting cities through the lens of cinema. Illustrated throughout with dynamic screen shots, this volume spotlights 50 key scenes from classic and contemporary films shot in Tokyo, accompanied by insightful essays.

Offers an illustrated, insightfully written survey of movies shot in Chicago from 1897 to 2012. Featuring films from beloved classics to modern blockbusters and obscure silents, this book celebrates the unique character of Chicago on the big screen and is written by a range of contributors who are experts on the subjects of cinema and Chicago.

Collecting essays and articles about Washington film history and locations, this book features the explorations of carefully chosen film scenes and historical periods. It examines themes, directors, and depictions and is illustrated with evocative movie stills, city maps, and location photographs.

A collection that takes readers on a virtual tour of Sydney, from Kings Cross, the city's red light district and frequent film location, to the famous beaches to explore how representations in movies have both played into and influenced how we think of these spaces and those that frequent them.

Covering the myths that surround Singaporean film and exploring the realities of the movies that come from this exciting city, World Film Locations: Singapore introduces armchair travellers to a rich, but less known, national cinema.

World Film Locations: Florence explores Florence as it is manifested in the minds of filmmakers and filmgoers. Contributors consider a wide range of topics and provide scene reviews of films to delve deeper into the makeup of the city, looking at both familiar and unfamiliar locations through the lens of filmmakers such as Roberto Rossellini.

Looks at Buenos Aires (the second-largest in South America) as a stage for sociopolitical transformations and a key location in the international imagination as a site of cultural export. This book uncovers the many reasons why Buenos Aires attracts not only tourists but also artists and filmmakers who explore the city and its iconography.

Takes readers to film locations in the central historical district with excursions to the periphery of Athens - popular neighborhoods, poor suburbs, and slums often represented in postwar neorealist films - and then on to garden cities and upper class suburbs, especially those preferred by the auteurs of the 1970s.

Barcelona is one of the world's most beautiful cities. Great directors from all over the world - among them Woody Allen, Pedro Almodovar, and Michelangelo Antonioni - have set their films there. This book explores the rich cinematic history of this seductive Catalonian city.

Outside of London, no other British city has attracted more film-makers than Liverpool. Sometimes standing in for other cities or acting as a version of its own past, Liverpool is an adaptable filmic backdrop. From the earliest makers of moving images - among them the Lumiere brothers - Liverpool has endured as a cinematic destination for years.

The rapid development of Hong Kong has occasioned the demolition of buildings and landscapes of historic significance, but film acts as a repository for memories of these lost places, vanished vistas, and material objects. This book offers a glimpse into the history of film production practices in Hong Kong.

The first comprehensive guide to filmic representations of Sao Paulo, this book serves as an introduction to the city for film enthusiasts, visitors and tourists while simultaneously opening scholarly debates on global concerns such as marginalization, rapid urbanization and child poverty.

An extraordinarily beautiful city that has been celebrated, criticized, and studied in many films, San Francisco is both fragile and robust. Gathering more than forty short pieces on specific scenes from San Franciscan films, this book includes essays on topics that dominate the history of filmmaking in the city.

Exploring legendary Prague landmarks as they appear on-screen - including the Charles Bridge, Old Town, Mala Strana, Liechtenstein Palace, Wenceslas Square, and Prague Castle, this book discusses the intersection of the capital city and its cinematic representations; Prague and the Czech New Wave; and the iconic Barrandov Studios.

Cinematic representations of Helsinki range from depictions of a northern periphery to a space of cosmopolitanism, from a touristic destination to a substitute for Moscow/St Petersburg during the Cold War. This volume on Europe's northernmost capital, Helsinki, explores the relationship between the city and cinema and Finnish cultural history.

Marseilles, France's oldest city, has a significant cinematic culture, dating back to the 1890s when Lumiere brothers shot many films there. This book features maps of film scenes, high quality screengrabs, and images of movie locations as they appear today, accompanied by original texts penned by leading international film scholars and critics.

World Film Locations: Vancouver offers insight into how the city functions as the fourth largest film and television production center in North America. This book provides new perspectives on the relationship between the movies and the metropolis, using analyses of different film scenes and spotlight essays to highlight Canadian filmmaking.

Extensively illustrated with maps, film stills and present-day location photos, World Film Locations: Venice provides both a colourful guide to, and an incisive examination of, the floating city on film.

World Film Locations: Glasgow explores Scotland's biggest city and the many locations in which its films are viewed, set and shot. Taking in the important moments and movements in its rich cinematic history, this book seeks to discover the city's culture, character and comedy through its cinematic identity.

Presents reviews of 46 film scenes in their encounters with Parisian topography as it intersects with characters, plots, and narrative. This volume examines how the "City of Light" is reinvented through each director's lenses: successive representations add magic to the already mythical city.

Includes articles that provide an examination of the significance of Istanbul in the critically acclaimed director Nuri Bilge Ceylan's cinema, the city's representation in films made in the West and in Turkey in different periods. This title also features articles that focus on key locations, such as the famous train station Haydarpasa and more.

World Film Locations: Dublin offers an engaging look at the many incarnations of the city onscreen through 50 synopses of the key scenes - either shot or set in Dublin - accompanied by a generous selection of full-colour film stills. Sophisticated yet accessible, this volume will undoubtedly take its place on the shelves of film buffs and those interested in Irish culture.