Bøker i Wisconsin Poetry Series-serien

In these poems, well-known spaces both reassure and imperil, and language both anchors and disorients. Molly Spencer's speakers navigate the landscape of human experience, building upon the cycles of a household throughout the seasons of the year.

'Fanged and feathered', Laura Villareal fights against expectations imbedded in her existence - the expectations bound in being a woman, being queer, being Latinx - and claws her way to her own identity.

In this striking and nostalgic collection, Emily Rose Cole unearths the fragility and resilience of daughterhood through indelible imagery that evokes new senses of the body: swallowing keys, rain lashing eyelids, unzipping of flesh.

A woman falls in love - literally - with a house; Werner Heisenberg confronts his own uncertainty; a rat (the rodent kind) runs for president; Hamlet has trouble with his prostate; Superman battles senility and more in this new poetry collection from the winner of the 1999 Felix Pollak Prize for poetry.

Reactor gives voice to beloved and ruined American landscapes through extended meditations of an urban mystical wanderer.

Joshua Nguyen's sharp, songlike, and often experimental collection compartmentalizes past trauma- sexual and generational - through the quotidian. These poems aim to confront the speaker's past by physically, and mentally, cleaning up.

In his powerful debut, Christopher Nelson examines the progenitors and forms of violence in the twenty-first century, from Cain and Abel to the damming of rivers. We see glimpses of the speaker's quest to find and know God, seeking answers everywhere, from Spanish cathedrals filled with holy relics to withered winter fields.

In her startling debut, Anna Knowles lays bare the suburban violence and wrenching pain that bely clean white picket fences and houses neatly aligned down neighbourhood streets. Her poetry explores how fear, pain, and anguish can unexpectedly take hold and settle into the smallest spaces within us.

In her stunning second collection, Carlina Duan illuminates unabashed odes to lineage, small and sacred moments of survival, and the demand to be fully seen 'spangling with light'. Tracing familial lore and love, Duan reflects on the experience of growing up as a diasporic, bilingual daughter of immigrants.

In these visceral poems, Diane Kerr reckons with dark trauma. Retracing memories from girlhood that she once felt compelled to keep secret, perspectives shift as the lens of adulthood brings the past into sharp clarity.

This gorgeous and wry debut firmly claims physical strength, toughness, and authority for femininity. Ambalila Hemsell's poems speak from a place of empowerment as well as wonder. They address the insatiable fear of motherhood and the violence embedded in natural processes of creation, birth, and survival.

Bruce Snider's third poetry collection grapples with what it means to be childless in a world obsessed with procreation. Poems move between the scientific and the biblical, effortlessly sliding from the clinical landscape of a sperm bank to Mount Moriah as Abraham prepares Isaac for sacrifice.

Charles Hood shows us a strange and perplexing world that runs on sadness, microbrews, snack cakes, and inexplicable magic. Brimming with natural history and bright flashes of language, his poems focus on transformations.

With his trademark self-deprecating wit, honesty, and sparkling language, John Brehm's latest collection invites readers along on his spiritual journey. No Day at the Beach traces a progression from loneliness and the pull of the past to the grace that is found through immersion in the present and the melancholy beauty of impermanence.

Ganbatte is a Japanese word that means ""do your best"". In this vivid debut collection, Sarah Kortemeier wrestles with striving to meet this goal. Shifting between continents, languages, and remembered violences, she explores what it means to experience history as a tourist.

The bluesy, rich, and vital poems in House of Sparrows look for grace and beauty not outside of the suffering world but within it. Betsy Sholl explores the shifting ironies and contradictions in the stories we tell - how the apple is both medicinal and poison, and how the poor are spiritually rich.

The poems of Rebecca Hazelton's contemporary American fantasyland revel in the constructed realities of movie sets and marriage. Keen, wry, and playful, Hazelton's poems poke fun at the savagery buzzing underneath life's slicked-back surfaces and crack the veneer on our most brightly jarring cultural constructions.

These poems trace the speaker's emotional biography from a wild and impoverished rural childhood through tender and terrifying adulthood. Rooted in the heart and the messy organs of our mortality, Melissa Crowe's work is epistolary in tone but gritty in texture.

Crafting raw memories into restrained and compact verse, D.M. Aderibigbe traces the history of domestic and emotional abuse against women in his family. A witnessing son, grandson, nephew, and brother, he rejects the tradition of praise songs for the honoured father, refusing to offer tribute to men who dishonour their wives.

In sparse, powerful lines, Shara Lessley recalls an expat's displacement, examines her experience as a mother, and offers intimate witness to the unfolding of the Arab Spring. Veering from the strip malls and situation rooms of Washington to the markets and mines of Amman, Lessley confronts the pressures and pleasures of other cultures, exploring our common humanity.

What is good fortune? The Golden Coin asks - and answers - this question in poems about youth, conflict, travel, family love, and the joys and fears of getting old. Aboard his sailboat, Feldman draws lessons from the sea about time and history. His gaze is tempered not by nostalgia or longing but by satisfaction and happiness.

With macabre humour, You, Beast explores the roots and limits of human empathy. Nick Lantz examines our strange, absurd, and often brutal relationship with other animals, from roaches scuttling across the kitchen floor to pigs whose heart valves can replace our own.

Traversing time, cities, and voices, The Apollonia Poems finds its central aesthetic in place: physical and locational, perceptual and imagined. Employing narratives and lyrics, songs and reports, and a short verse-play in three voices, Judith Vollmer's meditations are by turns elegiac and celebratory, colloquial and lyrical.