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Cultural Writing. SHIFTING BORDERS, NEGOTIATING PLACES is a compilation of papers presented at the international conference on cultural studies held at the University of Rome "La Sapienza" in 2000 and indicate some of the many directions scholars working in cultural studies have taken. Presented in both English and Italian (without translation), these papers present investigations sparked by European political and economic unification, globalization, and the place of cultural studies in apprehending and theorizing transnational change. Cultural studies may have taken hold in Italy later than it did in Great Britian and North America, but Italian academia now includes both many enthusiastic practitioners and a committed audience, as the diverse proceedings of this intellectually satisfying conference indicate.

"In a rural New Jersey town, on the eve of WWII, young Marie Genovese looks out from her apartment window above the Five & Ten and wonders how she'll save the failing store she's inherited from her mother. Forced to bake for extra money, Marie dabbles in herbs, and hopes to change her fate. But when a herb-laced cake causes a wealthy local banker and Marie to fall in love, her troubles only compound-a family friend plots to take the store, her brother is involved in a fascist hate crime, and Marie becomes pregnant by her married lover. Enter the mysterious Aunt Ada from Italy, who brings a skill with herbs and knowledge of the family's Italian past. Soon Marie will face a choice: accept the protection of her wealthy lover, or defiantly break cultural norms by remaining independent. In a time similar to today, full of fear, economic uncertainty, and the controlling behavior of men, a powerful line of women, living and dead, helps Marie decide. ITALIAN LOVE CAKE is a story of a rare feminist awakening in 1939"--

"In this historical novel, a Sicilian immigrant navigates the spheres of workers rights and organized crime in his adopted homeland"--Kirkus Reviews.

... Ciabattari brims with brio in this fanciful, cannily humorous look at the jungles of darkest Manhattan. Twenty-one brief "dreams" or vignettes introduce Rizzoli, a modern Everyman who tries to do his work, retain a shred of dignity, and, maybe, find a little affection. But life is tough in the big city.-Publishers Weekly

Palazzeschi is indeed a rare personality; in him a cool detachment does not stop sympathy; he scrutinizes, questions, even challenges convention without ever rejecting it. His outlook on life seems to combine that of a small boy at a circus (and probably one who has sneaked under the canvas) with that of a sage who knows that wisdom begins but does not necessarily stop at melancholy.-Thomas G. Bergin Aldo Palazzeschi is surely Italy's most neglected major twentieth century author . . . he ranks high as a poet and writer of fiction.-Nicolas J. Perella I found these translations of a major literary voice of the twentieth century, who has yet to enjoy much fame outside of Italy, to be faithful to the spirit of the originals and most capable in effectively rendering difficult texts. These most welcome translations are accompanied by critical essays by leading Palazzeschi scholars that help orient readers through the Futurist manifestos that lie at the foundation of Palazzeschi's career as a "tragicomic writer" and capture "the essence of his spiritual outlook" as well as his ambivalent relationship with Futurism throughout his literary career.-Mark Pietralunga

Anna Citrino has woven the story of Italian immigrants-their small joys and compelling heartaches-into a moonlit tapestry. Thread by poetic thread, this book is an exquisite fabric of personal journeys, cultural insights, and little known Italian American history. I loved entering this "space between," created with great love and profound grace.-Catherine Ann Lombard A Space Between is that rarity in books of poetry, a book that coheres, where everything is of a piece. . . . The book brings vividly alive the immigrant experience. The differences between the two worlds that the characters inhabit are rendered with skill and delicacy . . . A Space Between has epic sweep rendered in a wide range of voices, each distinctive, each compelling.-Michael L. Newell A massive, ambitious effort of epic proportions that rewards with its interweavings of history, consequence, heritage, and legacy. How heartening it is to witness in these poems the resonance through generations of immigration and sacrifice to provide for living, surviving, prospering. -Nicholas Samaras

This volume is a compilation of memoirs and poems of the author and his Sicilian immigrant family.

Poetry. Joseph V. Ricapito is a professor of Spanish, Italian, and Comparative Literature at Louisiana State University and holds the Joseph S. Yenni Distinguished Chair for the Department of Italian Studies. He holds degrees from Brooklyn College, CUNY, University of Iowa, and a PhD in Romance Languages from the University of California at Los Angeles. He is the author of FLORENTINE STREETS AND OTHER POEMS, published by Bordighera and recently published his first novel, Fratelli: A Novel, with AuthorHouse of Bloomington, Indiana.

Mormino presents an overview of the history of Italians in Florida, creditingthe Italian-Americans with the state's growth and development.

"Federico F." is a semi-fictional novel that chronicles the last nine months of Italian film director Federico Fellini's life, from January to October 1993. Angelucci reveals how creatively Fellini treated personal events, as if they were screenplay ideas to be developed.

Talarico's poetry bridges the gap between the scientific approach to life andthat advocated by the humanities.

Literary Nonfiction. LGBT Studies. Italian American Studies. Edited by Joseph Anthony LoGiudice and Michael Carosone. OUR NAKED LIVES: ESSAYS FROM GAY ITALIAN AMERICAN MEN includes essays by Michael Carosone, John D'Emilio, Charles Derry, George De Stefano, Joseph A. Federico, Joseph Anthony LoGiudice, Michael Luongo, David Masello, Tommi Avicolli Mecca, Joe Oppedisano, Felice Picano, Frank Anthony Polito, Michael Schiavi, Frank Spinelli, and Tony Tripoli.The impetus for this book derived from Michael's thesis on the marginalization of Italian American literature for his master's degree in English. While conducting his research, Michael stumbled upon two books of gay Italian American writings. The only two books! At first, Michael was excited with his discovery. Then disappointment and anger erased the excitement when he realized that Gay Italian American identities and voices were not represented in literature, especially Italian American literature and Queer literature. So, we talked about how both of our identities--Gay and Italian American--never appeared throughout our years of formal education. Those two characters were never written in the scenes; those two actors were never given roles on the stage. And we wondered how much longer this would continue, and how much more we were able to tolerate. The purpose of this book is to present these essays that inform on the experiences of these men and their lives as part of the diverse fabric of American society. The lives of these writers are complex because they are forced to conform into a society that demands that they do not express their sexual and ethnic identities, with pride, in positive ways. As sexual and ethnic minorities, these men experience double discrimination. Many people will ask why this book is important and unique, and why this grou

"Only Sons" begins at an Italian-American wedding in the 1960s and reaches into the new millennium through the story of two families, the Salvaggis and Maresciallos, living near each other in the mountains of northeastern Pennsylvania.

Fiction. "With deadpan humor, THE POPE STORIES takes on Catholicism, family dynamics, personal paranoia, and the best and worst of our troubled times--a book filled with subtle insights and clever turns of phrase."--Brad Barkley, author of Money, Love and Alison's Automotive Repair Manual

This collection of Tuscan recipes and poetry includes contributions from Ernie Wormwood, Katherine Williams, Christine Sostarich, Rose Solari, and Vivian Shipley.

OThis unique and remarkable catalogue may well represent the cornerstone of a long-needed Italian-American Archive, the entry point to the social, political, and literary micro-history of one of the largest migrations in modern times.ONPeter Carravetta, Alfonse M. D'Amato Professor of Italian and Italian American Studies, SUNY at Stony Brook.

This new novel completes what will inevitably be called the Anabasis Trilogy, and removes any doubt of Rimanelli's place in American literature.--Fred L. Gardaph, from the Introduction.

Fagiani's) muse is Italian-American memory. These are poems of origins and belonging, of family, culture, and politics. They function as archival records, a museum of language in which a gallery of characters and objects and moments are captured in lines that vibrate with a sound, a touch, a presence.--Edvige Giunta, author of "Writing with an Accent."

This volume is the result of 10 long conversations the author held with d'Aquino, who contributes a Preface to the volume. The interviews were originally published in "America Oggi," the daily newspaper of Italians living on the East Coast of the United States.

Young painter Mario Minitti and several others--Fillide Meladrone, Archbishop Pietero Aldrobondini, Ranuccio Tomassoni, and Nunzio Pulzone--came to Rome at the turn of the century in 1600 to find fame and fortune. Their stories intersect as they fall in love with one another and share a common bond: they were painted by the great Caravaggio.

Literary Nonfiction. Italian American Studies. Women's Studies. "Since the 1960s Daniela Gioseffi has been an irrepressible and unforgettable voice in many of the key debates in American culture. Her...advocacy has given a special validity to her work in the fields of civil rights and of anti-war activism no less than in the struggles against mafia stereotypes and for an Italian American literary tradition. This book displays the depth and range of her commitment and contribution."--Robert Viscusi, Author: Astoria and Ellis Island, Founding President: The Italian American Writers Association

Literary Nonfiction. Memoir. On these pages, fans of Michael Parenti's insightful political and historical writings are given a revealing picture of his early years as a youth in New York's East Harlem, along with some of the influences that helped shape his lifelong commitment to activism and social justice. Written with style and dash, WAITING FOR YESTERDAY is devilishly enjoyable and sometimes very touching. It provides delightful vignettes about growing up in a three-generation, working-class, Italian family, along with the amusing predicaments of a street kid's life. The book offers a cast of diverse and colorful characters, brought to life on the gritty streets where Parenti played as a boy, set against a backdrop of impoverished tenements, stoops, punitive classrooms, and a neighborhood church with its ornate celestial offerings. This book is graced with both vivid imagery and sharp political observation. Parenti challenges many of the stereotypes faced by Italian Americans and other ethnic groups. Here is a story that is both personal and broad-ranging, often sweet and occasionally bitter, the human comedy at its best.

(Pasquale) has an ability to create what the reader needs to feel and wants to know. He lifts us with an ecstatic imagination, placing us exactly there, happily at the center, as if we've found the right dream.--Grace Calavieri.

As a boy in the 1960s, Zweig had a rare opportunity: every summer, he would leave his home in America and make extended visits to his mother's birthplace of Naples, Italy. During each visit, he'd uncover new mysteries about the parents he thought he knew.

Poetry. Translated to the Italian by Elisa Biagini, Luigi Bonaffini, Ned Condini, Luigi Fontanella, and Irene Marchegiani. Daneila Gioseffi's BLOOD AUTUMN/AUTUNNO DI SANGUE features selected poems and new work by the poet in both the original English and Italian translation. "Visionary and powerful. Tremendous vitality. A gifted and graceful writer"-Galway Kinnell. "A pleasure to read...Gioseffi's work is brilliant, compassionate, and timely"-D. Nurkse. SPD also carries WORD WOUNDS & WATER FLOWERS and GOING ON, as well as the Gioseffi-edited anthology WOMEN ON WAR: INTERNATIONAL WRITINGS.

Poetry. Goerge Guida's first collection of poems, LOW ITALIAN, shows that he ..".is a comic genius who is writing some of the funniest, most successfully satiric poems about Italian American behavior and culture, and by extension, ethnicity in general. His work has the self-assurance of a master: his voice can be assertive, ironic, self-reflexive, harlequinesque, self-depricating, and noble, all the time remaining spontaneous, unified, and faithful to its own unique vision"--John Paul Russo, Co-Editor of the ITALIAN AMERICANA.