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Michel Serres is one of the rare contemporary philosophers to propose an open vision of the world founded on an alliance between the humanities and science.Randolph Burks is a Michel Serres scholar and translator.

Eugene Thacker is the author of several books, including In The Dust of This Planet. He teaches at the New School in New York

In Language and Reality, originally published in S\u00e3o Paulo, Brazil, in 1964, Vil\u00e9m Flusser continues his philosophical and theoretical exploration into language. He begins to postulate that language is not simply a map of the world but also the driving force for projecting worlds and enters then into a feedback with what is projected.Flusser\u2019s thesis leads him to claim, in a seemingly missed encounter of a dialogue with Wittgenstein, that language is not limited to its ontological and epistemological aspects but rather is at the service of its aesthetic. Traversing a diverse area of research and ruminations on cybernetics to poetry, music, the visual arts, religion, and mysticism, Language and Reality can be viewed as a vital transitional work in Flusser\u2019s emerging thought that will eventually lead to his works in the 1970s and 1980s concerning what we would later consider media theory, design, and digital culture.

How is it that when we think of time, we hardly think of the role affect plays in granting us access to time: the sense of waiting, regret, mourning, melancholy? In Powers of Time, David Lapoujade returns to two central themes that continuously converge throughout the writings of the French philosopher Henri Bergson: durée (duration) and intuition. If duration is synonymous with memory, how are we then capable of thinking an authentic sense of the future? Does this mean that freedom is nothing more than a reprisal of our past?Lapoujade uncovers multiple versions of Bergson: a philosopher of sympathy, a melancholic philosopher, a perspectivist Bergson, a spiritualist Bergson. Leading us beyond simplistic anthropomorphic conceptions of temporality and intuition, Lapoujade''s multiple Bergsons guide us to encounter a rapport with time, memory, and duration that places us in direct contact with the nonhuman flows and movements of the universe.

François Laruelle is professor emeritus at the University of Paris West Nanterre La Défence and the inventor of the science of philosophy, non-philosophy.

In Science Fiction and Extro-Science Fiction, Quentin Meillassoux addresses the problem of chaos and of the constancy of natural laws in the context of literature. With his usual argumentative rigor, he elucidates the distinction between science fiction, a genre in which science remains possible in spite of all the upheavals that may attend the world in which the tale takes place, and fiction outside-science, the literary concept he fashions in this book, a fiction in which science becomes impossible. With its investigations of the philosophies of Hume, Kant, and Popper, Science Fiction and Extro-Science Fiction broadens the inquiry that Meillassoux began in After Finitude, thinking through the concrete possibilities and consequences of a chaotic world in which human beings can no longer resort to science to ground their existence. It is a significant milestone in the work of an emerging philosopher, which will appeal to readers of both philosophy and literature. The text is followed by Isaac Asimov\u2019s essay \u201cThe Billiard Ball.\u201d

Gilbert Simondon (1924–1989)¿was a French philosopher of technology whose work continues to attract new interest within a variety of academic fields.

"Originally published in French as Survivances des lucioles, copyright 2009 by Les aEditions de Minuit . . . Paris"-- Verso title page.

Those who are mad like Antonin Artaud, are they just as mad as he was? Madness, like the plague, is contagious, and everyone, from his psychiatrists to his disciples, family, and critics, everyone who gets close to Artaud, seems to participate in his delirium. Sylv\u00e8re Lotringer explores various embodiments of this shared delirium through what Artaud called \u201cmental dramas\u201d—a series of confrontations with his witnesses or \u201cpersecutors\u201d where we uncover the raw delirium at work, even in Lotringer himself. Mad Like Artaud does not intend to add one more layer of commentary to the bitter controversies that have been surrounding the cursed poet\u2019s work since his death in 1948, nor does it take sides among the different camps who are still haggling over his corpse. This book speaks of the site where \u201cmadness\u201d itself is simmering.