Bøker i University of Toronto Romance Series-serien

A short essay and never before published photographs by Emile Zola during his self-imposed exile in England in the late nineteenth-century.

Now, for the first time, the whole story of the way in which A la recherche du temps perdu grew during the first six years of its gestation is told in full, both in its general thrust and in its fine details.

Calin develops a synthesis of medieval French and English literature that will be especially useful for classroom study.

In Telling Anxiety, Jennifer Willging examines manifestations of such anxieties in the selected narratives of four women writing in French.

This study outlines and reiterates the relationship of theatre to casuistry, the Jesuit contributions to Spanish literary theory and practice, and the importance of casuistry for the study of early modern subjectivity.

Juxtaposing pre-eminent and popular writers, Cuill reads their fictional works in light of their treatises on art and society, exploring the significance of musical tableaux that have revolutionized the form and function of music in the text.

With this book, David J. Bond provides the first comprehensive study of his work in any language - a study that reveals Chessex's deep ambivalence towards his Calvinist heritage and his efforts to resolve this dilemma through his texts.

As a whole, this work diverges from traditional Pessoa criticism by testifying to the importance of corporeal physicality in his heteronymous experiment and to the prominence of representations of (gendered) sexuality in his work.

In this book, Albert W. Halsall presents the first complete treatment in English of Hugo's plays - a history, plot summary, and detailed analysis of all the dramas, from Cromwel and Torquemada to the juvenilia and the epic melodrama Les Burgraves.

This study sets out to help restore Persiles to pride of place within Cervantes's corpus by reading it as the author's summa, as a boldly new kind of prose epic that casts an original light on the major political, religious, social, and literary debates of its era.

In Marginal Subjects, Akiko Tsuchiya shows how the figure of the deviant woman-and her counterpart, the feminized man - revealed the ambivalence of literary writers towards new methods of social control in Restoration Spain.

Subject Stages argues that the discourses and practices of marital legislation, litigation, and theatrics informed each other in early modern Spain in ways that still have a critical bearing on contemporary events in Spain, such as the legalization of divorce in 1978 and of same-sex marriage in 2005.

Suellen Diaconoff situates French-language texts from Moroccan women writers in a discourse of social justice and reform, arguing that they contribute to the emerging national debate on democracy and help to create new public spaces of discourse and participation.

The Persistence of Presence analyzes the relationship between emblem books, containing combinations of pictures and texts, and Spanish literature in the early modern period.

The Outrageous Juan Rana Entremeses translates a selection of Juan Rana's interludes for the first time, highlighting their literary complexity and providing historical context for the many double meanings and innuendos they contain.

Gretchen Schultz explores how male writers and their readers in late nineteenth-century France took lesbianism as a cipher for apprehensions about sex and gender during a time of social and political upheaval.

Dressed to Kill reconciles Zayas's Desenga os with the age in which it was written, contextualizing the book in baroque poetics, the Spanish honour code, and fifteenth-century martyr saints' lives.

In Forms of Modernity, Rachel Schmidt examines how seminal theorists and philosophers have wrestled with the status of Cervantes' Don Quixote is as an 'exemplary novel', in turn contributing to the emergence of key concepts within genre theory.

On the Defensive considers how our ethical responses to the Nazi camps have unintentionally repressed and denied the experiences of their victims.

Calin explores the 20th-century renaissance of literature in the minority languages of Scots, Breton, and Occitan, and demonstrates that all three literatures have evolved in a like manner, repudiating their romantic folk heritage.

In Exorcism and Its Texts, Hilaire Kallendorf demonstrates how this 'infection' was represented in some thirty works of literature by fifteen different authors, ranging from canonical classics to obscure works by anonymous writers.

Proust and Emotion will appeal to readers interested in an approach to Proust that combines insights from philosophy, psychology, and literary aesthetics and in a poetics of reading that pays particular attention to emotion.

Analyses three important Latin American novels in an attempt to redefine the nature of the picaresque, especially in regard to the roles of spontaneous play and carnivalesque laughter.

The first book-length gay reading of Viaud's corpus, this work will make an important contribution not only to the study of Viaud, but also to the study of gay and lesbian history, culture, and literature.

Cruz examines the treatment of poverty, prostitution, war, and other social concerns in the cultural and literary discourses of early modern Spain.

In The Triumphant Juan Rana, Peter E. Thompson examines the actor's sexuality both on and off the stage and demonstrates that his homosexuality was tolerated, even understood and applauded, by the public.

Objects Observed explores the central place given to the object by a number of poets in France and in America in the twentieth century.

The Writing in the Stars explores Paz's life and ideas by establishing a dialogue between the structure and recurring images of his major poems and the ideas of Carl Jung.

Victims of the Book shows how the adolescent male reader became a subject of grave social concern in late-nineteenth-century France and how a new generation of writers later reworked the novel to subvert cultural norms about masculinity.