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Five Greek plays that survived fragmentarily in papyri are published and commentated on here: Aeschylus' Theoroi or Isthmiastai, Hypsipyle, Laïos, Prometheus Pyrkaeus and Sophocles' Inachos. Textual and interpretative remarks made in all these papyri lead to novel and interesting identifications and reconstructions of the stories of the relevant plays.

Fourth-century Attic grave epigrams reflect a transitional phase in the evolution of the genre of epigram. They testify to a shift of interest towards social issues such as the family, the deceased's age and profession. In a turbulent period of restlessness and uncertainty that followed the devastating Peloponnesian war, the commemoration of the departed in private monuments became an effective mechanism of displaying publicly a new set of social concerns. It is within these contexts that special emphasis has been put on the composition of sepulchral epigrams, their gradual autonomization and sophistication. This book explores this decisive phase in the evolution of the epigram by reconstructing as many ancient contexts as possible on the one hand, and studying sepulchral epigrams as a poetic art on the other.

Addresses the performance and dissemination of Greek poems of the seventh to the fifth centuries BC whose premieres were presented by a chorus singing in a ritual context or in secular celebrations of athletic victories. This book also explores how choruses presented themselves.

Agonistic or friendly song exchange in idyllic settings forms the very heart of Roman pastoral. It isalso a key means of metapoetic stance-taking on the part of the long line of authors who have cultivated this "e;traditional"e; genre. The present book examines the motif of song exchange in Roman bucolic poetry under this double aspect: as a central theme with established or constantly forming sub-themes and paraphernalia (thus providing a comprehensive listing, description and analysis of such scenes in the totality of Roman literature), and as the locus where, thanks to its very traditionality, innovative generic tendencies are most easily expressed. Starting from Vergil, and continuing with Calpurnius Siculus, the Einsiedeln Eclogues and Nemesianus, the book focuses on how politics, panegyric, elegy, heroic and didactic poetry function as guest genres within the pastoral host genre, by tracing in detail the evolution of a wide variety of literary, linguistic, stylistic and metrical features.

Deals with various aspects of ancient Greek scholarship and grammar. This book contains articles which discuss questions such as the form of the Alexandrian ekdosis on the basis of the relationship between the library artefact on one hand and the text as an object of editing on the other.

Includes contributions by scholars divided into four sections: the ancient scholars at work, the ancient grammarians on Greek language and linguistic correctness, ancient grammar in historical context and ancient grammar in interdisciplinary context.

Trends in Classics, a series and journal edited by Franco Montanari and Antonios Rengakos, publishes innovative, interdisciplinary work which brings to the study of Greek and Latin texts the insights and methods of related disciplines such as narratology, intertextuality, reader-response criticism, and oral poetics. Both publications seek to publish research across the full range of classical antiquity. The series Trends in Classics - Supplementary Volumes welcomes monographs, edited volumes, conference proceedings and collections of papers; it provides an important forum for the ongoing debate about where Classics fits in modern cultural and historical studies.a The journal Trends in Classics is published twice a year with approx. 160 pp. per issue. Each year one issue is devoted to a specific subject with articles edited by a guest editor.

Crisis on Stage

This volume addresses questionsconcerning Neoanalysis and Oral theory, the two most fruitful schools of thought in Homeric criticism. It explores the development of Greek myth with respect to the Trojan war; the signs of heroic cult in Homeric poetry; the Epic Cycle; the epic of Alpamysh; the Iliad and the Epic of Gilgamesh.

After developing a new definition of the ancient conception of the cento in general, Geta's cento technique and his use of the Vergilian text as well as his relation to theGreek and Roman models for his Medea are examined.

This book consists of a selection of papers which throw new light on old problems in one of Plato's most difficult dialogues. The first set of papers deals with definitions of sophistry from different perspectives (T. The final section with papers by F.

Ever since the papyrus containing Alcman's Partheneion was first published in 1863, classicists have been faced with one of the hardest riddles of their scholarship. Although the language was more or less clear, the meaning of many verses and the character of the poem remained elusive. Therefore it is not surprising that during the century and a half that has elapsed since then, a large bibliography has piled up, disproportionate to the mere 101 surviving verses of the enigmatic poem. This book presents a verse-by-verse commentary to the text with a number of new textual and interpretative proposals based on a detailed inspection of the papyrus. Numerous new readings are made in particular to the Scholia to the Partheneion, greatly elucidating not only questions of interpretation but also problems concerning the composition of the chorus, the number of its members, the identity of the protagonist girls, the social context, as well as questions of performance. The girlish story that lurks in the background but actually forms the framework of the poem now becomes more clear, revealing at the same time the didactic objective of the poet. A new edition of the Partheneion and the Scholia is offered at the end, together with a new translation of the poem.

What significations did Egypt have for the Romans a century after Actium and afterwards? How did Greek imperial authors respond to the Roman fascination with the Nile? This book explores Egypt's aftermath beyond the hostility of Augustan rhetoric, and Greek and Roman topoi of Egyptian "e;barbarism."e; Set against history and material culture, Julio-Claudian, Flavian, Antonine, and Severan authors reveal a multivalent Egypt that defines Rome's increasingly diffuse identity while remaining a tertium quid between Roman Selfhood and foreign Otherness. Vespasian's Alexandrian uprising, his recognition of Egypt as his power basis, and his patronage of Isis re-conceptualize Egypt past the ideology of Augustan conquest. The imperialistic exhilaration and moral angst attending Rome's Flavian cosmopolitanism find an expressive means in the geographically and semantically nebulous Nile. The rapprochement with Egypt continues in the second and early third centuries. The "e;Hellenic"e; Antonines and the African-Syrian Severans expand perceptions of geography and identity within an increasingly decentralized and diverse empire. In the political and cultural discourses of this period, the capacious symbolics of Egypt validate the empire's religious and ethnic pluralism.

This volume pursues a key topic in the current study of Latin literature - the way in which literary texts of all periods in Latin, while usually written in an identifiable genre, characteristically allude to and interact with other genres.

The categories of classical narratology have been successfully applied to ancient texts in the last two decades, but in the meantime narratological theory has moved on. In accordance with these developments, this title draws out the subtler possibilities of narratological analysis for the interpretation of ancient texts.

Presents a study of "Apuleius' Metamorphoses" to juxtapose the different attitudes towards magic adopted by Lucius and other characters, either in embedded tales or in the main plot, as a key to deciphering the complex dynamics of the work.

Examines how a range of ancient texts in different genres were able to assert their authority and claims to truth, often alluding to one another in subtle ways as they attempted to project their own superiority.

Applies the basic principles of narratology to an ancient Greek tragedy, namely Euripides' Phoenissae.

This volume brings together fifteen papers which address key issues in the field of Hellenistic studies. By reassessing conventional views and methods the volume aims at providing new insights into Hellenistic literature.

Addressing classicists, philosophers, students, and general readers alike, this volume emphasizes the unity of Seneca's work and his originality as a translator of Stoic ideas in the literary forms of imperial Rome. Prominent Seneca scholars publishing in other languages are for the first time made accessible to anglophone readers.

This volume on the three Flavian epic poets (Valerius Flaccus, Statius, Silius Italicus) for the first time critically engages with a unique set-up in Roman literary history: the survival of four epic poems from the same period. Together they offer new perspectives to the still increasing readership of Flavian epic poetry.

This collection of essays explores how epic narratives negotiate, define, and transform genre-specific geographical configurations. A team of international scholars engages in an interdisciplinary discussion about how Greek and Roman epic poetry interacts with the historical and cultural dynamics of geography.

The narrative artistry of Polybius has received relatively little scholarly attention. Critics have tended to discuss his reflections on the various issues presented in his work or to use him as a source of valuable information about the historical period that he records. This volume, which draws on narratology's analytical tools, focuses instead on the narrative of the Histories, exploring the sophisticated narrative techniques that have gone into shaping it. In doing so, it pays particular attention to the ways the formal aspects of the text contribute to promoting Polybius' thematic concerns. Its aim is not only to present the Histories as the work of an author who has taken pains to provide us with a carefully structured story, but also to illustrate how interpretations of this story can be enriched by a sensitivity to factors such as chronological displacements and variations of focalization.

This book examines the dynamics of interfamilial violence in the Oresteia. By reading the play's narrative on interfamilial violence and matricide as a narrative of uncertainties in terms of the role of the mother figure, this book illustrates the complexity of the maternal role of Clytemnestra.

This volume brings together fifteen papers which address key issues in the field of Hellenistic studies. By reassessing conventional views and methods the volume aims at providing new insights into Hellenistic literature.

Plautine Trends brings together experts on Roman comedy in a collective volume, focusing on key issues of modern Plautine research: Plautus's Greek models vs. interactive innovation, comic staging, metatheatrical aspects, as well as questions of language, structure, socio-historical and philosophical context, intertextuality and reception.

The categories of classical narratology have been successfully applied to ancient texts in the last two decades, but in the meantime narratological theory has moved on. In accordance with these developments, Narratology and Interpretation draws out the subtler possibilities of narratological analysis for the interpretation of ancient texts.

This book addresses the performance and dissemination of Greek poems of the seventh to the fifth centuries BC. individuals' and communities' roles in funding performances and securing the circulation of texts; and how such performances contributed to transmission of the poems' texts.