Bøker i TransCanada-serien

Twenty literary critics engage a variety of genres - essay, life writing, testament, polemic, poetry - to explore the ways Canadian cultural production has been shaped by social and historical relations and can be given new and various forms to decolonize the institutions associated with the creation of this country's vision of Canadian literature.

The 1980s and 1990s are a historically crucial period in the development of Asian Canadian literature. Slanting I, Imagining We: Asian Canadian Literary Production in the 1980s and 1990s contextualizes and reanimates the urgency of that period, illustrates its historical specificities, and shows how the concerns of that momentfrom cultural appropriation to race essentialism to shifting models of the statecontinue to resonate for contemporary discussions of race and literature in Canada. Larissa Lai takes up the term Asian Canadian as a term of emergence, in the sense that it is constantly produced differently, and always in relation to other termsoften whiteness but also Indigeneity, queerness, feminism, African Canadian, and Asian American. In the 1980s and 1990s, Asian Canadian erupted in conjunction with the post-structural recognition of the instability of the subject. But paradoxically it also came into being through activist work, and so depended on an imagined stability that never fully materialized. Slanting I, Imagining We interrogates this fraught tension and the relational nature of the term through a range of texts and events, including the Gold Mountain Blues scandal, the conference Writing Thru Race, and the self-writings of Evelyn Lau and Wayson Choy.