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Silvia Bermudez's fascinating study reveals how Spanish popular music, produced between 1980 and 2013, was the first cultural site to engage in critical debate about ethnicity and race in relation to the immigration patterns that have been changing the social landscape of Spanish society since the late 1970s.

Patricia Keller analyses the aesthetics of haunting and the relationship between ideology and image production by revisiting twentieth-century Spanish history through the camera's lens.

Cognitive Disability Aesthetics explores the invisibility of cognitive disability in theoretical, historical, social, and cultural contexts.

In Edging Toward Iberia Jean Dangler proposes a combination of network theory by Manuel Castells and World-Systems Analysis as devised by Immanuel Wallerstein to show how network and system principles can be employed to conceptualize and analyze nonmodern Iberia.

Beyond Sight, edited by Ryan D. Giles and Steven Wagschal, explores the ways in which Iberian writers crafted images of both Old and New Worlds using the non-visual senses (hearing, smell, taste, and touch).

In Josep Pla, Joan Ramon Resina teases out the writer's deep-seated intellectual concerns and challenges the assumption of Pla as an anti-intellectual.

In Moors Dressed as Moors, Javier Irigoyen-Garcia draws on a wide range of sources to reveal the currency of Moorish clothing in early modern Iberian society.

In Confessional Cinema, Jorge Perez analyzes how cinema engaged the shifting role of religion during the last fifteen years of Francisco Franco's dictatorship.

In The Epic of Juan Latino, Elizabeth R. Wright tells the story of Renaissance Europe's first black poet and his epic poem on the naval battle of Lepanto, Austrias Carmen (The Song of John of Austria).

In Cervantes and the Literature of War, Stephen Rupp connects Cervantes's complex and inventive approach to literary genre and his many representations of early modern warfare.

Michael Scham uses Cervantes's Don Quijote and Novelas ejemplares as the basis for a wide-ranging exploration of early modern Spanish views on recreations ranging from cards and dice to hunting, attending the theater, and reading fiction.

In Inscribed Power, Ryan D. Giles explores the function of amuletic prayers, divine names, and incantation formulas that were inscribed and printed on parchment, paper and other media, and at the same time inserted into classic literary works in Spain.

Arkinstall's study makes a major contribution to our understanding of the central role of women in late-nineteenth and early-twentieth-century democracy in Spain.

In this fascinating book, Evelina Guzauskyte uses the names Columbus gave to places in the Caribbean Basin as a way to examine the complex encounter between Europeans and the native inhabitants.

In the first in-depth study of the interconnected relationships among public theatre, custodial institutions, and women in early modern Spain, Margaret E. Boyle explores the contradictory practices of rehabilitation enacted by women both on and off stage.

Stephanie Sieburth's Survival Songs explores how a genre of Spanish popular music, the copla, as sung by legendary performer Conchita Piquer, helped Republican sympathizers to survive the Franco regime's dehumanizing treatment following the Spanish Civil War (1936-39).

Law and History in Cervantes' Don Quixote illustrates how Cervantes' art highlighted the inconsistencies of juridical-historical texts and practice, as well as anticipated the ultimate resolution of their paradoxes.

These essays examine a variety of cultural objects described or alluded to in books from the Golden Age of Spanish literature, including clothing, paintings, tapestries, playing cards, monuments, materials of war, and even enchanted bronze heads.

Topographies of Fascism offers the first comprehensive exploration of how Spanish fascist writing - essays, speeches, articles, propaganda materials, poems, novels, and memoirs - represented and created space from the early 1920s until the late 1950s.

Cervantes, Literature, and the Discourse of Politics convincingly re-engages the ancient roots of political theory in modern literature by situating Cervantes within a long line of political thinkers.

In Ficino in Spain, Susan Byrne uses textual and bibliographic evidence to show the pervasive impact of Ficino's writings and translations on the Spanish Renaissance.