Bøker i Topics in Kentucky History-serien

The conflicts of the Civil War continued long after the conclusion of the war: jockeys and Thoroughbreds took up the fight on the racetrack. A border state with a shifting identity, Kentucky was scorned for its violence and lawlessness and struggled to keep up with competition from horse breeders and businessmen from New York and New Jersey. As part of this struggle, from 1865 to 1910, the social and physical landscape of Kentucky underwent a remarkable metamorphosis, resulting in the gentile, beautiful, and quintessentially southern Bluegrass region of today.In her debut book, How Kentucky Became Southern: A Tale of Outlaws, Horse Thieves, Gamblers, and Breeders, former turf writer Maryjean Wall explores the post--Civil War world of Thoroughbred racing, before the Bluegrass region reigned supreme as the unofficial Horse Capital of the World. Wall uses her insider knowledge of horse racing as a foundation for an unprecedented examination of the efforts to establish a Thoroughbred industry in late-nineteenth-century Kentucky. Key events include a challenge between Asteroid, the best horse in Kentucky, and Kentucky, the best horse in New York; a mysterious and deadly horse disease that threatened to wipe out the foal crops for several years; and the disappearance of African American jockeys such as Isaac Murphy. Wall demonstrates how the Bluegrass could have slipped into irrelevance and how these events define the history of the state. How Kentucky Became Southern offers an accessible inside look at the Thoroughbred industry and its place in Kentucky history.

This in-depth study offers a new examination of a region that is often overlooked in political histories of the Bluegrass State.

The life and work of a sculptor who pushed both aesthetic and social boundaries at the turn of the twentieth century is explored in this in-depth study.Working in the late nineteenth and early twentieth centuries, Louisville-born sculptor Enid Yandell developed a distinctly physical and masculine style that challenged the gender norms of artistic practice. An award-winning sculptor with numerous commissions, she was also an activist for women's suffrage and other political movements. This study examines Yandell's evolution from a young, Southern dilettante into an internationally acclaimed artist and public figure.Yandell found early success as one of a select group of female sculptors at the World's Columbian Exposition in Chicago in 1893. She was then commissioned to create a twenty-five foot figure of Pallas Athena for Nashville's Centennial Exposition in 1897. Yandell's command of classical subject matter was matched by her abilities with large-scale, figurative works such as the Daniel Boone statue in Cherokee Park, Louisville.Part of the art worlds of New York and Paris, Yandell associated with luminary sculptors like Frederick MacMonnies and Auguste Rodin. She became one of the first female members of the National Sculpture Society in 1898. This authoritative study explores the many ways in which Yandell was a pioneer.