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O'Neill investigates the extent to which narrative discourse subverts the story it tells in foregrounding its own performance.

A sophisticated analysis of Canadian literary writing and its role in national culture that 'worries' over the possibility of a national literature when the very idea of the nation as a viable conceptual/literary category has been called into question.

Marlene Kadar has brought together an interdisciplinary and comparative collection of critical and theoretical essays by diverse Canadian scholars.

O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard.

Using historical and feminist psycho-linguistic studies as a base, Ty explores some of the complexities encountered in the writings of Mary Wollstonecraft, Mary Hays, Helen Maria Williams, Elizabeth Inchbald, and Charlotte Smith

Vald s gives his views of literature, cinema, and art to unravel what he calls, 'the imaginative configuration of the world, the cultural phenomenon of making sense, poetic sense, of life.'

A study of the interactions between poetry and painting in the 20th century, particularly the Cubist painters and the writers who were associated with them, and the later movement of Concrete Poetry.

Paul Ricoeur is one of the most important modern literary theorists and a philosopher of world renown. This collection brings together his published articles, papers, reviews, and interviews that focus on literary theory and criticism.

McLuhan, or Modernism in Reverse thus aims to retrace and synthesize McLuhan's work in order to illuminate his unexpected meaning and value for critical practice today.

Examines the representation of masculinities in the work of some of Canada's most exciting writers, including Michael Ondaatje, and Rohinton Mistry, to show how cross-cultural migration disrupts assumed codes for masculine behaviour and practice.

Drawing on the works of a wide range of authors, including Proust, Tolstoy, Woolf, Lorca, Solzhenitsyn, and Fowles, Vald�s explores the phenomenon of truth-claims from two perspectives: textual semantics and hermeneutics.

In this wide-ranging study, José Manuel Lopes proposes a theoretical framework for analysing the role of description in prose fiction. He offers readings of texts drawn from four national literatures-French, Spanish, Portuguese, and Brazilian-testing his model across a cultural and temporal spectrum.