Bøker i The Works of Mark Twain-serien

A title that follows Clemens from his first days as a resident journalist in California, late in May 1864, through the end of his first full year as a California resident, 1865. In this twenty-month period he wrote most of his work for the San Francisco Golden Era, the Morning Call, the Dramatic Chronicle, and the Californian.

Offers a generous sampling from Mark Twain's most imaginative journalism, a few set speeches, a few poems, and hundreds of tales and sketches recovered from more than fifty newspapers and journals, as well as two dozen unpublished items of various description-the main body of what can now be found of his early literary and more.

Mark Twain's humorous account of his six years in Nevada, San Francisco, and the Sandwich Islands is a patchwork of personal anecdotes and tall tales, many of them told in the "e;vigorous new vernacular"e; of the West. Selling seventy five thousand copies within a year of its publication in 1872, Roughing It was greeted as a work of "e;wild, preposterous invention and sublime exaggeration"e; whose satiric humor made "e;pretension and false dignity ridiculous."e; Meticulously restored from a variety of original sources, the text is the first to adhere to the author's wishes in thousands of details of wording, spelling, and punctuation, and includes all of the 304 first-edition illustrations. With its comprehensive and illuminating notes and supplementary materials, which include detailed maps tracing Mark Twain's western travels, this Mark Twain Library Roughing It must be considered the standard edition for readers and students of Mark Twain.

What is Man? and Other Philosophical Writings.

This is a small sampling of Mark Twains life-long fulminations against the editors, printers, and proofreaders who, subtly or grossly, altered his work and shrouded his intentions as they transmitted his writing from manuscript to type. Through unauthorized changes and inadvertent errors, Mark Twains first publishers brought out texts full of thousands of errors in form and content. Later publishers then based their reprints on these corrupt editions and added errors of their own. It is the aim of the Iowa-California edition to strip away this accretion of error and present texts faithful to the authors intention.By comparing all the life-time version of Mark Twains works, the editors are able to isolate the authors revisions from the printers and publishers changes. The record of this comparison supplies not only the evidence for editorial decisions, but also the history of the authors efforts to shape his work. In addition, these volumes include previously uncollected work, work that has long been out of print, and such unpublished writing as related drafts, working notes, and marginalia.The texts are established at the Center for Textual Studies at the University of Iowa or at the Mark Twain Papers in The Bancroft Library at the University of California, Berkeley.The costs for editorial work have been met by generous support from the Editing Program of the National Endowment for the Humanities, an independent federal agency, and other institutional and private donors. The edition is published by the University of California Press with financial assistance from the Graduate College at the University of Iowa. All volumes are submitted to the Center for Editions of american Authors, or to its successor, the Committee for Scholarly Editions, for examination and approval

Includes maps of the Mississippi River valley, explanatory notes, glossary, and several documentary appendixes such as Twain's literary working notes, facsimile manuscript pages, facsimile reproductions of the author's revisions for his public reading tours, and contemporary advertisements and announcements.

A Connecticut Yankee is Mark Twain's most ambitious work, a tour de force with a science-fiction plot told in the racy slang of a Hartford workingman, sparkling with literary hijinks as well as social and political satire. Mark Twain characterized his novel as "e;one vast sardonic laugh at the trivialities, the servilities of our poor human race."e; The Yankee, suddenly transported from his native nineteenth-century America to the sleepy sixth-century Britain of King Arthur and the Round Table, vows brashly to "e;boss the whole country inside of three weeks."e; And so he does. Emerging as "e;The Boss,"e; he embarks on an ambitious plan to modernize Camelot-with unexpected results.

"e;What am I writing? A historical tale of 300 years ago, simply for the love of it."e; Mark Twain's "e;tale"e; became his first historical novel, The Prince and the Pauper, published in 1881. Intricately plotted, it was intended to have the feel of history even though it was only the stuff of legend. In sixteenth-century England, young Prince Edward (son of Henry VIII) and Tom Canty, a pauper boy who looks exactly like him, are suddenly forced to change places. The prince endures "e;rags & hardships"e; while the pauper suffers the "e;horrible miseries of princedom."e; Mark Twain called his book a "e;tale for young people of all ages,"e; and it has become a classic of American literature. The first edition in 1881 was fully illustrated by Frank Merrill, John Harley, and L. S. Ipsen. The boys in these illustrations, Mark Twain said, "e;look and dress exactly as I used to see them cast in my mind. . . . It is a vast pleasure to see them cast in the flesh, so to speak."e; This Mark Twain Library edition exactly reproduces the text of the California scholarly edition, including all of the 192 illustrations that so pleased the author.