Bøker i The Steven and Janice Brose Lectures in the Civil War Era-serien

Explores the popular yet troubling phenomenon of "ghost tours", frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the US South. Examining popular sites and stories from these tours, Tiya Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain.

Exploring gender relations during the Civil War, this book compares broad ideological constructions of masculinity and femininity among Northerners and Southerners. It finds that rhetoric on both sides connected soldiers' reasons for fighting to the women left at home.

At the close of the Civil War, it was clear that the military conflict that began in South Carolina and was fought largely east of the Mississippi River had changed the politics, policy, and daily life of the entire nation. In an expansive reimagining of post-Civil War America, the essays in this volume explore these profound changes not only in the South but also in the Southwest, in the Great Plains, and abroad. Resisting the tendency to use Reconstruction as a catchall, the contributors instead present diverse histories of a postwar nation that stubbornly refused to adopt a unified ideology and remained violently in flux. Portraying the social and political landscape of postbellum America writ large, this volume demonstrates that by breaking the boundaries of region and race and moving past existing critical frameworks, we can appreciate more fully the competing and often contradictory ideas about freedom and equality that continued to define the United States and its place in the nineteenth-century world. Contributors include Amanda Claybaugh, Laura F. Edwards, Crystal N. Feimster, C. Joseph Genetin-Pilawa, Steven Hahn, Luke E. Harlow, Stephen Kantrowitz, Barbara Krauthamer, K. Stephen Prince, Stacey L. Smith, Amy Dru Stanley, Kidada E. Williams, and Andrew Zimmerman.

When the Civil War began, Northern soldiers and civilians sought a framework to help make sense of the chaos that confronted them. Many turned first to Antoine Henri Jomini's classic military text, Summary of the Art of War. As Carol Reardon shows, Jomini's work was only one voice in what ultimately became a lively and contentious national discourse about how the North should conduct war.