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The Cornell Yeats edition of the poetry collection, "Responsibilities," features the only surviving example of Ezra Pound and the author collaboratively revising a poem by Yeats.

This edition includes transcriptions and photographs of the surviving manuscripts of the play, reproductions of Yeats's own notes and revisions, and other materials related to stage productions and the resulting changes he made to the text.

The Cornell Yeats edition gives literatim transcriptions and photographic reproductions of all the holographic materials pertaining to the writing, revising, and rewriting of "The Countess Cathleen" from 1889 to 1934.

The Cornell Yeats edition of "The Winding Stair" brings together transcriptions of all extant manuscript materials for the six poems included in the 1929 volume.

This volume brings together all extant manuscripts of "The Hour-Glass," from a handwritten three-page fragment of the 1902 prose version to Yeats's typescripts of the 1922 verse rendition.

The manuscript materials included in the Cornell Yeats edition of "Diarmuid and Grania" provide a full record of the disputes and revisions that culminated in the final draft of the play, which opened at the Gaiety Theatre in Dublin on October 21, 1901.

Yeats's Helmet plays (The Green Helmet, in verse, and its earlier prose version The Golden Helmet) are part of the author's cycle of plays dealing with the life and death of the legendary Irish hero Cuchulain, first conceived in 1907.

This volume of the Cornell Yeats contains manuscript materials for both the prose and verse renditions of "The King of the Great Clock Tower" and all of the drafts that resulted in "A Full Moon in March."

A documentary edition of Yeats's 1932 play that traces multiple textual revisions.

Both At the Hawk's Well (1917) and The Cat and the Moon (1924) dramatize their characters' journeys of the soul to magic wells. The Cornell Yeats edition of these plays presents photographs and transcriptions of the typescripts in various revisions.

Written during a period of illness in 1935-1936, Yeats's play combines frank sexual content with bizarre imagery from the Indian and tribal Irish traditions. This edition provides a full transcription of the only extant manuscript version of the play.

The Cornell Yeats edition of this play contains transcriptions and photographic reproductions of the drafts with variant readings from proofs, typescripts, and notebook entries, as well as other materials pertaining to its writing and performance.

The manuscripts transcribed and reproduced in this volume of the Cornell Yeats were written from spring 1933 through December 1934.

Includes manuscript materials of both "The Only Jealousy of Emer," a turning point in Yeats's career as an artist, and its later (and lesser, according to Yeats) prose version, "Fighting the Waves."

This edition of the manuscripts of "Deirdre" presents the transcription of work from three substantially different versions of the play through its first performance, together with post-performance revisions.

The Cornell Yeats edition of this play about a bard's hunger strike includes the preliminary notes and first prose drafts dictated by Yeats to his patron and collaborator, Lady Gregory, in March and April 1903.

This volume presents the surviving manuscripts, typescripts, and early printed texts for all of the poems W. B. Yeats included at one time or another in these two two remarkably significant and protean collections.

The four short works collected in this book were among the earliest plays to be authored collaboratively by W. B. Yeats and Lady Gregory, written during the pivotal years of the "Irish Literary Theatre" experiment of 1899-1901.