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This volume collects together for the first time the introductions and reviews which D. H. Lawrence wrote between 1911 and 1930, including the magisterial Memoir of Maurice Magnus of 1921-2. The texts, some previously unpublished in Britain in uncensored form, are edited and supplied with an introduction and explanatory notes.

The First 'Women in Love' is one of Lawrence's greatest works, and is the only full length work of fiction which he completed between The Rainbow and the extensively revised Women in Love. The novel's existence as an independent text has been ignored, and has not been published until now.

Lawrence's rewriting of a tale by the part-time author Mollie Skinner, converted her production into an ambitious, powerful novel. A study of all the extant textual documents has revealed a process of composition and revision which qualifies the novel to be treated unequivocally as part of the Lawrence canon.

These thirteen short stories were written between 1924 and 1928. Eleven were collected in The Woman Who Rode Away (1928), though 'The Man Who Loved Islands' appeared in the American edition only and the other two in The Lovely Lady (1933). An unpublished fragment 'A Pure Witch' is also included.

Love Among the Haystacks and Other Stories gathers together all of Lawrence's short stories not collected in the Prussian Officer volume. Each story in this edition appears in a new, authoritative text based on the manuscripts, typescripts, corrected proofs and early printings.

The fourteen stories collected in this volume were written between 1913 and 1921. The texts aim to recover Lawrence's own intentions, which editors and publishers all too frequently ignored or altered.

Apocalypse is a radical criticism of our civilisation and a statement of Lawrence's belief in man's power to create 'a new heaven and a new earth'. This edition is the first to reproduce Lawrence's final corrected text on the basis of a thorough examination of the surviving manuscript and typescript.

Studies in Classic American Literature (1923) provides a cross-section of D. H. Lawrence's writing on American literature, including landmark essays on Benjamin Franklin, James Fenimore Cooper, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville and Walt Whitman. This volume offers the final 1923 version of the text, and a host of related materials.

This is the first ever edition of the early version of Sons and Lovers, D. H. Lawrence's highly popular autobiographical novel. It is very different from Sons and Lovers, less polished but full of powerful, spontaneous, dramatic writing. The volume also contains documents by Lawrence's girlfriend Jessie Chambers, facsimile pages, maps and scholarly apparatus.

In his last years D. H. Lawrence often wrote for newspapers; he needed the money, and clearly enjoyed the work. He also wrote several substantial essays during the same period. This meticulously-edited collection brings together major essays such as Pornography and Obscenity and Lawrence's spirited Introduction to the volume of his Paintings; a group of autobiographical pieces, two of which are published here for the first time; and the articles Lawrence wrote at the invitation of newspaper and magazine editors. There are thirty-nine items in total, thirty-five of them deriving from original manuscripts; all were written between 1926 and Lawrence's death in March 1930. They are ordered chronologically according to the date of composition; each is preceded by an account of the circumstances in which it came to be published. The volume is introduced by a substantial survey of Lawrence's career as a writer responding directly to public interests and concerns.

D. H. Lawrence wrote his last and perhaps most famous novel, Lady Chatterley's Lover, three times, producing three very different texts. This 1999 book contains a critical edition of the two early versions of the novel. The text is printed from its manuscript source, with a detailed introduction and explanatory notes.

D. H. Lawrence's best-known late fictions are presented in this volume, which is dominated by two powerful novellas, The Virgin and the Gipsy and The Escaped Cock (also known as The Man Who Died). In the first, a young woman from a restrictive English rectory discovers further dimensions to life through her contact with a gipsy; in the second, an unnamed man - in fact Lawrence's vision of Christ - is resurrected and escapes from his tomb. Both novellas deal with the themes of escape and sexual awakening, which are echoed in the four short stories and three fragments also collected here. This edition restores Lawrence's final texts, before the changes introduced by censorship, mistakes in transmission and various other forms of interference, with variants recorded. The introduction traces the history of the stories, while the notes offer help with allusions, contexts and other points of potential difficulty or interest.

This book is a scholarly edition of the first stories D. H. Lawrence wrote, with full textual apparatus, explanatory notes and detailed introduction. With this volume, all Lawrence's extant short fiction is now published in the Cambridge edition of his works.

This edition of the original Quetzalcoatl, an early version of The Plumed Serpent, includes a record of all revisions and an introduction outlining its compositional history. Its publication here means that all Lawrence's novels, in their first, intermediate and final versions, are now available in the Cambridge edition.

The first-ever critical edition on Lawrence's poems presents, in two volumes, Lawrence's published and manuscript verses in their original forms, restoring uncensored versions and correcting errors. The texts are accompanied by explanatory notes, and a comprehensive study of the poems' composition, publication and reception.

This book is a critical edition of D. H. Lawrence's complete essays about Mexican and Southwestern Indians. The texts are informed by all extant manuscripts, typescripts, and early publications, with a full textual apparatus revealing Lawrence's revisions. The volume includes extensive notes and appendices with information on Mesoamerican mythology and history.

This first complete edition of Lawrence's plays contains eight full-length plays and two fragments. Until now, the plays have existed only in faulty or incomplete texts. This edition, drawn from Lawrence's manuscripts, makes it possible for the first time to read and to stage Lawrence's plays as he wrote them.

This edition of D. H. Lawrence's poems includes his uncollected poems and many early versions; versions in his first two collections, Love Poems and Others and Amores, are published in full. This chronologically ordered and fully annotated collection forms the fortieth and final volume in The Cambridge Edition of the Works of D. H. Lawrence.

The Cambridge edition of Lady Chatterley's Lover is the first ever to restore to Lawrence's most famous novel the words that he wrote. Removing corruptions and errors and including hundreds of new words, phrases and sentences - this is the only text that can be read or quoted with confidence.

The manuscript of Lawrence's second novel, The Trespasser, survives, and this edition presents the text for the first time as Lawrence wrote it, restoring his sentence-structure and punctuation and correcting numerous errors. Elizabeth Mansfield's introduction explores the background of the novel, presents the publishing history and the novel's reception.

Written in the years following the First World War, Aaron's Rod questions many of the accepted social and political institutions of Lawrence's generation. The Cambridge edition of the novel, based on the only authoritative surviving typescript, restores these cut passages and eliminates the errors and house-styling of previous editions.

This edition of Women in Love clears the text of literally thousands of accumulated errors allowing its readers to read and understand the novelist's work as Lawrence himself created it. The introduction gives a full history of the novel's composition, revision, publication and reception, and notes explain allusions and references.

This edition of The Lost Girl uses the manuscript which D. H. Lawrence wrote in Sicily in 1920 to recapture his direct relationship with the text and so for the first time, the novel is printed in a text corresponding to Lawrence's expectations.

This 1989 edition of D. H. Lawrence's The Rainbow gives the composition history and collates the surviving states of the text.

A critical edition of Kangaroo, D. H. Lawrence's eighth novel, set in Australia.

The Plumed Serpent, one of Lawrence's most vivid novels, is set in Mexico in the 1920s and centres on the religion of the ancient Aztecs. The Cambridge edition establishes for the first time a meticulously edited text based on the manuscript, typescript and proof material, nearly all of which survives.

This edition consists of the long novella St Mawr and four short stories, two unfinished. The texts are newly edited from Lawrence's original manuscripts and typescripts, eliminating errors and alterations made by publishers and printers. In some cases whole lines of text, omitted in earlier editions, have been restored.

The Cambridge edition of Lawrence's first novel The White Peacock uses the final manuscript to faithfully recover Lawrence's words and punctuation from the layers of publishers' house-styling and their errors. Andrew Robertson's introduction sets out the history of Lawrence's writing and revision, and the novel's generally favourable reception.

One of the great works of twentieth-century literature, now printed in full.

The Prussian Officer contains some of the greatest stories Lawrence ever wrote: 'Odour of Chrysanthemums', 'Daughters of the Vicar', 'The Prussian Officer', and 'The White Stocking'. This edition, based on Lawrence's manuscripts, typescripts and corrected proofs, is the first to remove the corruptions introduced by copyists, typists and printers.