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A surprising number of Jews lived, literally and figuratively, "e;beyond the Pale"e; of Jewish Settlement in tsarist Russia during the half-century before the Revolution of 1917. Thanks to the availability of long-closed Russian archives, along with a wide range of other sources, Benjamin Nathans reinterprets the history of the Russian-Jewish encounter.In the wake of Russia's "e;Great Reforms,"e; Nathans writes, a policy of selective integration stimulated social and geographic mobility among the empire's Jews. The reaction that culminated, toward the turn of the century, in ethnic restrictions on admission to universities, the professions, and other institutions of civil society reflected broad anxieties that Russians were being placed at a disadvantage in their own empire. Nathans's conclusions about the effects of selective integration and the Russian-Jewish encounter during this formative period will be of great interest to all students of modern Jewish and modern Russian history.

Linking the personal and the political, this book depicts the making of the working class in Britain as a 'struggle for the breeches.' Focusing on Lancashire, Glasgow, and London, it contrasts the experience of artisans and textile workers, demonstrating how each created distinctively gendered communities and political strategies.

In 1666, King Charles II felt it necessary to reform Englishmen's dress by introducing a fashion that developed into the three-piece suit. We learn what inspired this royal revolution in masculine attire--and the reasons for its remarkable longevity--in David Kuchta's engaging and handsomely illustrated account. Between 1550 and 1850, Kuchta says, English upper- and middle-class men understood their authority to be based in part upon the display of masculine character: how they presented themselves in public and demonstrated their masculinity helped define their political legitimacy, moral authority, and economic utility. Much has been written about the ways political culture, religion, and economic theory helped shape ideals and practices of masculinity. Kuchta allows us to see the process working in reverse, in that masculine manners and habits of consumption in a patriarchal society contributed actively to people's understanding of what held England together.Kuchta shows not only how the ideology of modern English masculinity was a self-consciously political and public creation but also how such explicitly political decisions and values became internalized, personalized, and naturalized into everyday manners and habits.

Amid the national shame and subjugation following World War I in France, journalists, novelists, doctors, and legislators worked to rehabilitate what was perceived as an unhealthy social body. This title shows how they attempted to reconstruct the 'bodily integrity' of the nation by pointing to the dangers of homosexuality and pornography.

Examining the period from the Russian Revolution to the fall of Gorbachev, this title demonstrates that Party rituals - which forced each Communist to reflect intensely and repeatedly on his or her "self", an entirely novel experience for many of them - had their antecedents in the Orthodox Christian practices of doing penance in the public gaze.

In a richly layered and beautifully illustrated narrative, Raymond Jonas tells the fascinating and surprisingly little-known story of the Sacre-Coeur, or Sacred Heart. The highest point in Paris and a celebrated tourist destination, the white-domed basilica of Sacre-Coeur on Montmartre is a key monument both to French Catholicism and to French national identity. Jonas masterfully reconstructs the history of the devotion responsible for the basilica, beginning with the apparition of the Sacred Heart to Marguerite Marie Alacoque in the seventeenth century, through the French Revolution and its aftermath, to the construction of the monumental church that has loomed over Paris since the end of the nineteenth century. Jonas focuses on key moments in the development of the cult: the founding apparition, its invocation during the plague of Marseilles, its adaptation as a royalist symbol during the French Revolution, and its elevation to a central position in Catholic devotional and political life in the crisis surrounding the Franco-Prussian War. He draws on a wealth of archival sources to produce a learned yet accessible narrative that encompasses a remarkable sweep of French politics, history, architecture, and art.

This study explains how women composers and librettists gained access to concert halls in the age of the French Revolution. At the same time it aims to demonstrate how the Revolution fostered many dreams and ambitions for women that would be doomed to disappointment in the post-Revolutionary era.

Enlightenment writers, revolutionaries, and even Napoleon discussed and wrote about France's tiny Jewish population at great length. Why was there so much thinking about Jews when they were a minority of less than one percent and had little economic and virtually no political power? In this unusually wide-ranging study of representations of Jews in eighteenth-century France-both by Gentiles and Jews themselves-Ronald Schechteroffers fresh perspectives on the Enlightenment and French Revolution, on Jewish history, and on the nature of racism and intolerance. Informed by the latest historical scholarship and by the insights of cultural theory, Obstinate Hebrews is a fascinating tale of cultural appropriation cast in the light of modern society's preoccupation with the "e;other."e; Schechter argues that the French paid attention to the Jews because thinking about the Jews helped them reflect on general issues of the day. These included the role of tradition in religion, the perfectibility of human nature, national identity, and the nature of citizenship. In a conclusion comparing and contrasting the "e;Jewish question"e; in France with discourses about women, blacks, and Native Americans, Schechter provocatively widens his inquiry, calling for a more historically precise approach to these important questions of difference.

In this study of unwed, divorced, widowed and married women at home across three political regimes, the author traces the transitions from early National Socialism through the war and on to the consolidation of democracy in the West and communism in the East.

An analysis of diffuse underclass anger that simmers in many societies. It takes us to the streets of St Petersburg in 1900-1914 to show us how the phenomenon labeled hooliganism came to symbolize all that was wrong with the modern city: society's failure to "civilize" the poor and the proliferation of violence in public spaces.

This highly original book brings into focus the sexual discourses manifest in a wealth of little-studied source material-medical texts, legal documents, religious literature, dream interpretation manuals, shadow theater, and travelogues-in a nuanced, wide-ranging, and powerfully analytic exploration of Ottoman sexual thought and practices from the heyday of the Ottoman Empire in the sixteenth century to the beginning of the twentieth. Following on the work of Foucault, Gagnon, Laqueur, and others, the premise of the book is that people shape their ideas of what is permissible, define boundaries of right and wrong, and imagine their sexual worlds through the set of discourses available to them. Dror Ze'evi finds that while some of these discourses were restrictive and others more permissive, all treated sex in its many manifestations as a natural human pursuit. And, he further argues that all these discourses were transformed and finally silenced in the last century, leaving very little to inform Middle Eastern societies in sexual matters. With its innovative approach toward the history of sexuality in the Middle East, Producing Desire sheds new light on the history of the Ottoman Empire, on the history of sexuality and gender, and on the Islamic Middle East today.

Eighteenth-century Spanish women were not idle bystanders during one of Europe's most dynamic eras. As Theresa Ann Smith skillfully demonstrates in this lively and absorbing book, Spanish intellectuals, calling for Spain to modernize its political, social, and economic institutions, brought the question of women's place to the forefront, as did women themselves. In explaining how both discourse and women's actions worked together to define women's roles in the nation, The Emerging Female Citizen not only illustrates the rising visibility of women, but also reveals the complex processes that led to women's relatively swift exit from most public institutions in the early 1800s. As artists, writers, and reformers, Spanish women took up pens, joined academies and economic societies, formed tertulias-similar to French salons-and became active in the burgeoning public discourse of Enlightenment. In analyzing the meaning of women's presence in diverse centers of Enlightenment, Smith offers a new interpretation of the dynamics among political discourse, social action, and gender ideologies.

Presents a spectator's-eye view of opera and concert life from the Old Regime to the Romantic era, describing the transformation in musical experience from social event to profound aesthetic encounter. This book offers an analysis of political, musical, and aesthetic factors that produced more engaged listening.

Why would love for their language lead several men in southern India to burn themselves alive in its name? This title analyzes the discourses of love, labor, and life that transformed Tamil into an object of such passionate attachment, producing in the process one of modern India's most intense movements for linguistic revival and separatism.

This is the most comprehensive study available of the popular theater that developed during the last decades of tsarist Russia. Swift examines the origins and significance of the new "e;people's theaters"e; that were created for the lower classes in St. Petersburg and Moscow between 1861 and 1917. His extensively researched study, full of anecdotes from the theater world of the day, shows how these people's theaters became a major arena in which the cultural contests of late imperial Russia were played out and how they contributed to the emergence of an urban consumer culture during this period of rapid social and political change.Swift illuminates many aspects of the story of these popular theaters-the cultural politics and aesthetic ambitions of theater directors and actors, state censorship politics and their role in shaping the theatrical repertoire, and the theater as a vehicle for social and political reform. He looks at roots of the theaters, discusses specific theaters and performances, and explores in particular how popular audiences responded to the plays.

The Emancipation of Writing is the first study of writing in its connection to bureaucracy, citizenship, and the state in Germany. Stitching together micro- and macro-level analysis, it reconstructs the vibrant, textually saturated civic culture of the German southwest in the aftermath of the French Revolution and Napoleon's invasions. Ian F. McNeely reveals that Germany's notoriously oppressive bureaucracy, when viewed through the writing practices that were its lifeblood, could also function as a site of citizenship. Citizens, acting under the mediation of powerful local scribes, practiced their freedoms in written engagements with the state. Their communications laid the basis for civil society, showing how social networks commonly associated with the free market, the free press, and the voluntary association could also take root in powerful state institutions.

Moliere's anticlerical comedy Tartuffe is the unique prism through which Sheryl Kroen views postrevolutionary France in the years of the Restoration. Following the lead of the French men and women who turned to this play in the 1820s to make sense of their world, Kroen exposes the crisis of legitimacy defining the regime in these years and demonstrates how the people of the time made steps toward a democratic resolution to this crisis. Moving from the town squares, where state and ecclesiastical officials orchestrated their public spectacles in favor of the monarchy, to the theaters, where the French used Tartuffe to mock the restored monarch and the church, this cultural history of the Restoration offers a rich and colorful portrait of a period in which critical legacies of the revolutionary period were played out and cemented. While most historians have characterized the Restoration as a period of reaction and reversal, Kroen offers convincing evidence that the Restoration was a critical bridge between the emerging practices of the Old Regime, the Revolution, and the post-1830 politics of protest. She re-creates the atmosphere of Restoration France and at the same time brings major nineteenth-century themes into focus: memory and commemoration, public and private spheres, politics and religion, anticlericalism, and the formation of democratic ideologies and practices.

In the two decades after World War II, Germans on both sides of the iron curtain fought vehemently over American cultural imports. Uta G. Poiger traces how westerns, jeans, jazz, rock 'n' roll, and stars like Marlon Brando or Elvis Presley reached adolescents in both Germanies, who eagerly adopted the new styles. Poiger reveals that East and West German authorities deployed gender and racial norms to contain Americanized youth cultures in their own territories and to carry on the ideological Cold War battle with each other. Poiger's lively account is based on an impressive array of sources, ranging from films, newspapers, and contemporary sociological studies, to German and U.S. archival materials. Jazz, Rock, and Rebels examines diverging responses to American culture in East and West Germany by linking these to changes in social science research, political cultures, state institutions, and international alliance systems. In the first two decades of the Cold War, consumer culture became a way to delineate the boundaries between East and West. This pathbreaking study, the first comparative cultural history of the two Germanies, sheds new light on the legacy of Weimar and National Socialism, on gender and race relations in Europe, and on Americanization and the Cold War.

Cholera terrified and fascinated 19th-century Europeans more than any other modern disease. This text explores the dynamics of class relations through an investigation of the responses to two cholera epidemics in Paris.

In the space of six years early in the seventeenth century, the Ottoman Empire underwent such turmoil and trauma. This work offers a reinterpretation of a major event in Ottoman history.

Exploring how Renaissance Venice, a city renowned for its political freedom, also became a centre of religious dissent, this study offers a recreation of the social and cultural worlds of the Venetian heretics, and explores the connection between religious belief and social experience.

Explores the largely unknown world of rural crime and justice in post-emancipation Imperial Russia. This title offers a major reassessment of the interactions between peasantry and the state in the decades leading up to World War I.

This account of the female revolutionaries during the French Revolution describes their lives within political, social, historical and gender-specific contexts. It highlights the importance of these women in creating their political and social roles as female citizens within the New Republic.

Achille Mbembe is one of the most brilliant theorists of postcolonial studies writing today. In On the Postcolony he profoundly renews our understanding of power and subjectivity in Africa. In a series of provocative essays, Mbembe contests diehard Africanist and nativist perspectives as well as some of the key assumptions of postcolonial theory. This thought-provoking and groundbreaking collection of essays-his first book to be published in English-develops and extends debates first ignited by his well-known 1992 article "e;Provisional Notes on the Postcolony,"e; in which he developed his notion of the "e;banality of power"e; in contemporary Africa. Mbembe reinterprets the meanings of death, utopia, and the divine libido as part of the new theoretical perspectives he offers on the constitution of power. He works with the complex registers of bodily subjectivity - violence, wonder, and laughter - to profoundly contest categories of oppression and resistance, autonomy and subjection, and state and civil society that marked the social theory of the late twentieth century. This provocative book will surely attract attention with its signal contribution to the rich interdisciplinary arena of scholarship on colonial and postcolonial discourse, history, anthropology, philosophy, political science, psychoanalysis, and literary criticism.

This work explores the changing meaning of furniture from the mid-17th to the early-20th century. Analyzing furniture makers, sellers, buyers and arbiters, the book reveals how the aesthetics of everyday life were as integral to political events as economic and social transformations.

In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory.Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural history as it moved out of the universities and into sixteenth- and seventeenth-century scientific societies, religious orders, and princely courts. Findlen argues convincingly that natural history as a discipline blurred the border between the ancients and the moderns, between collecting in order to recover ancient wisdom and the development of new textual and experimental scholarship. Her vivid account reveals how the scientific revolution grew from the constant mediation between the old forms of knowledge and the new.

Suitable for students, teachers, and general readers interested in the future of history, this book includes such topics as diverse as parades in 19th-century America, 16th-century Spanish texts, English medical writing, and the visual practices implied in Italian Renaissance frescoes.

A cultural history of Italian fascism, this work traces the narrative path that accompanied the making of a regime and the construction of Mussolini's power. The author reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism.

During the colonial period, Africans told each other terrifying rumors that Africans who worked for white colonists captured unwary residents and took their blood. Providing the stories that Africans told to describe colonial power, this book presents an epistemological inquiry into the nature of historical truth and memory.