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The first non-French national to be elected to the Academie francaise, Green authored several novels ( The Dark Journey, The Closed Garden, Moira, Each Man in His Darkness, and the Dixie trilogy), a four-volume autobiography ( The Green Paradise, The War at Sixteen, Love in America and Restless Youth), and his famous Diary.

Sponsler illuminates the role of women during this interesting period by exploring their portrayal in literature. Women in the Medieval Spanish Epic and Lyric Traditions examines the various ways in which women were portrayed in the formative years of medieval society, as well as the development of these views as new social mores evolved.

Written in 1929--1930, when Federico Garcia Lorca was visiting Columbia University, Poet in New York stands as one of the great Waste Land poems of the 20th century.

The twelve essays in this fiorilegio of the work of Otis H.

Jorge de Montemayor's great pastoral novel La Diana (1559), one of the fountainheads of Spanish Renaissance literature, has often been regarded as a work written merely to amuse an effete courtly world.

In the symbolic language of ballads, a lady's costly dress tells of the beauty of the body beneath it or of the wearer's happiness; In focusing on individual motifs as they appear in different ballads, different languages, and different periods, Rogers proves the existence of a reliable lingua franca of symbolism in European balladry.

The Book of the Knight Zifar (or Cifar), Spain's first novel of chivalry, is the tale of a virtuous but unfortunate knight who has fallen from grace and must seek redemption through suffering and good deeds.

Along with Samuel Beckett and Eugene Ionesco, Fernando Arrabal is a major exponent of the Theater of the Absurd. In this study Arrabal's plays are seen as a contemporary expression of a festive form of theater that flourished during the Middle Ages and that had its roots in the drama of Aeschylus and Aristophanes.

Marianne Shapiro treats different traditional feminine roles such as wife, lover, and mother, and places Beatrice in the latter group. The problem of woman is studied within the general context of medieval literature.

In this study, Merle L. Perkins links individual freedom with national power in offering a close reading of Jean-Jacques Rousseau's major texts. He sees in Rousseau's thought an extreme tension and interdependence between the idiosyncrasy of nonconforming character and an almost obsessive concern with the external pressures operating on the state.

Distinguishing figural or typological allegory -- a method adapted from the Christian exegesis of the Old Testament -- from the broader Hellenistic concept of allegory, this book examines its use in representative poems of early Hispanic literature.

The sheer volume of prolific Spanish novelist and playwright Benito Perez Galdos's literary production has rendered overall assessment of his body of work all but impossible. These episodios, Dendle contests, are artistically superior to the earlier volumes and offer a unique opportunity to establish the ideological profile of the mature Galdos.

This collection is the first full-length literary study on Machaut, France's leading poet and musician of the 14th century. Here, author William Calin examines the works for their intrinsic merit and for their historical importance in influencing many writers, most notably Chaucer.

Pietro Antonio Domenico Trapassi (1698--1782) was an Italian poet and librettist, considered the most important writer of opera seria libretti.

After presenting the biographical and historical context of Manrique's poetry, Dominguez examines the poet's love lyrics, describing the large fund of commonplaces and forms that Manrique's verses share with those of other poets of his age.

In the long history of European prose, few works have been more influential and popular than Amadis of Gaul.

With literature, music constituted the most important activity of poet and playwright Federico Garcia Lorca's life. Stanton examines Lorca's theoretical and practical approach to cante jondo, the traditional music of Andalusia, as seen in his lectures on the subject and in the 1922 concurso.

The integration of drama and scholastic moral philosophy was an important aspect of the critical theory of this era, which held that art should both teach and delight. Through close textual analysis of representative plays, this book examines the artistic fusion of natural-law philosophy and drama.

Collected here for the first time in a single volume is a broad and representative sampling of romances in translation that encompasses historical ballads (including those about Spain's greatest folk hero, el Cid), Moorish ballads, and ballads of chivalry, love, and adventure. For the collection, Shasta M.

The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and Calderon de la Barca, to modern stage works by Valle-Inclan, Garcia Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists.

This volume is a sequel to Four Comedies of Calderon (1980), which was hailed by reviewers as superb, faithful, and actable. The three comedies in the present volume are generally counted among Calderon's masterpieces: Casa con dos puertas mala es de guardar (A House with Two Doors Is Difficult to Guard);

Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius - the comedia. A History of Spanish Golden Age Drama presents the history of the comedia, with special emphasis on critical approaches developed during the past ten years.

The Nouvelles Recreations et Joyeaux Devis of Bonaventure des Periers are here translated for the first time into modern English. The translators have been successful in retaining the vitality of this important French Renaissance satirist, turning his colloquial sixteenth-century French into equally colloquial and lively American.

The literary cult of Astraea persisted in the sixteenth century as writers saw in Elizabeth I of England the imperial Astraea who would lead mankind to peace through universal rule. This and other late flowerings of the Astraea myth should not be taken as the final phases of her history.

The later novels of Machado de Assis -- notably Dom Casmurro and Esau and Jacob -- are well known in this country, but the earlier novels have never been translated.

Les Soeurs Vatard, described by its author as a "lewd but exact" slice of life, was J.-K.

The libro de los buenos proverbios, a key work in the medieval didactic tradition, is presented here for the first time in a western translation.

The last of four novels that preceded Machado de Assis's famous trilogy of realistic masterpieces, Iaia Garcia belongs to what critics have called the Brazilian author's "romantic" phase.