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In this provocative work, Michael Hyde develops a philosophy of communication ethics in which the practice of rhetoric plays a fundamental role in promoting and maintaining the health of our personal and communal existence. He examines how the force of interruption is a catalyst for moral reflection and moral behaviour.
In Managing Vulnerability, Richard C. Marback analyzes the tension surrounding the transition from apartheid to democracy in South Africa through a rhetorical lens. Marback studies the heart of South Africa's desire for reconciliation and contends that this goal could be achieved only through the creation of a language of vulnerability in which former enemies become open to the influence of each other, to the constraints of their respective circumstances, and to the prospects of a shared future. Through a series of informative case studies, Marback illustrates how the cultivation of openness and the management of vulnerability take shape through the circulation of artifacts, symbols, and texts that give empowering expression to virtues of connectedness over the temptations of individual autonomy. Marback discusses the construction and impact of the narrative tours of Robben Island, the silencing of Robert Sobukwe, the debates over a proposed Freedom Monument, a brief gesture of ubuntu from Pumla Gobodo-Madikizela to Eugene de Kock, and the transformation of the title character in the film adaptation of the 1980 novel Tsotsi. Ultimately, Marback contends, finding a means to manage vulnerability is both the immediate success of and the ongoing challenge to South African democracy and is indicative of the nature of rhetoric in democracies in general and in contemporary civic life.
A critical rhetorical history of American Transcendentalists that interprets a selection of their major works between the years 1821 and 1852 as political and ethical responses to the growing crises of their times. Nathan Crick argues that one of the legacies of the Transcendentalist movement is the multifaceted understanding of transcendental eloquence as a distinct rhetorical genre.
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