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The life of the Sixth Dalai Lama does not end with his supposed death at Kokonor in November 1706, on the way to Beijing, and an audience with the Manchu Emperor Kangxi. This book, the so-called Hidden Life, presents a very different Tsangyang Gyamtso, neither a louche poet nor a drinker, but a sober Buddhist practitioner, who chose to escape at Kokonor and to adopt the guise of a wandering monk, only appearing some years later, after many fantastical and mystical adventures, in what is today Inner Mongolia, where he oversaw monasteries and lived as a Buddhist teacher. The Hidden Life was written by a Mongolian monk in 1756, ten years following the death of the lama, his spiritual teacher, whom he identifies as Tsangyang Gyamtso, and in whose identity as the Sixth Dalai Lama he clearly has complete faith. However, as one might imagine, there is nowadays no agreement among the wider Tibetan, Mongolian and Tibetological scholarly community as to whether this man was a charlatan or deluded, or whether he was indeed the Sixth Dalai Lama. The text is divided into four parts. The first part gives an account of the background and birth of the Sixth Dalai Lama, while the opening section of the second part (which is in direct speech, dictated by the lama) continues on, through the political intrigue in Lhasa at the end of the seventeenth century, to the lama's escape at Kokonor. The remainder of the second part consists of a visionary narrative, in which the lama travels through Tibet and Nepal, and in which he encounters divine figures, yetis, zombies and a man with no head, all of which is presented as fact. The third and longest part is an account of the final thirty years of the lama's life, and his activity in Mongolia as an influential Buddhist teacher, including a lengthy and moving description of his death. The final part includes a list of his students and, most interestingly perhaps, a theological and philosophical justification for the coexistence of the Sixth and Seventh Dalai Lamas.

The Nine-Eyed Agate seeks to break stereotyped images of Tibet and Tibetans inside the PRC today, and in the diaspora, by presenting an outstanding personality who survived childhood during the Cultural Revolution, then going on to lead a rich and somewhat controversial career within the PRC. As a free-wheeling, restless traveller in samsara (the cycle of existence), Jangbu has explored every corner of the Tibetan plateau with a view to understanding the culture and history of his people, their plight, and the key issues that Tibet faces today. Widely read in world literature through Chinese translation he has traveled around the world, attending international poetry meetings and film festivals, taking part in university conferences and developing his passion for film. This rich diversity is reflected in his poems and prose, the subject matter ranging through eternal themes such as love and betrayal, fantasy and magical realism, mystical flight and biting social satire. His poetry is experimental, presenting a panorama of styles with examples in modern free-verse, classical Indo-Tibetan metrical poetics (though this is rare), and more characteristically, in the dense obscure poetry of the post-Cultural Revolution years in China (1980s onwards), for which Jangbu is particularly well known. His work is often semi-autobiographical, written in a docu-fictional mode, announcing Jangbus growing fascination for the screen.

The life of the Sixth Dalai Lama does not end with his supposed death at Kokonor in November 1706, on the way to Beijing, and an audience with the Manchu Emperor Kangxi. This book, the so-called Hidden Life, presents a very different Tsangyang Gyamtso, neither a louche poet nor a drinker, but a sober Buddhist practitioner, who chose to escape at Kokonor and to adopt the guise of a wandering monk, only appearing some years later, after many fantastical and mystical adventures, in what is today Inner Mongolia, where he oversaw monasteries and lived as a Buddhist teacher. The Hidden Life was written by a Mongolian monk in 1756, ten years following the death of the lama, his spiritual teacher, whom he identifies as Tsangyang Gyamtso, and in whose identity as the Sixth Dalai Lama he clearly has complete faith. However, as one might imagine, there is nowadays no agreement among the wider Tibetan, Mongolian and Tibetological scholarly community as to whether this man was a charlatan or deluded, or whether he was indeed the Sixth Dalai Lama. The text is divided into four parts. The first part gives an account of the background and birth of the Sixth Dalai Lama, while the opening section of the second part (which is in direct speech, dictated by the lama) continues on, through the political intrigue in Lhasa at the end of the seventeenth century, to the lama's escape at Kokonor. The remainder of the second part consists of a visionary narrative, in which the lama travels through Tibet and Nepal, and in which he encounters divine figures, yetis, zombies and a man with no head, all of which is presented as fact. The third and longest part is an account of the final thirty years of the lama's life, and his activity in Mongolia as an influential Buddhist teacher, including a lengthy and moving description of his death. The final part includes a list of his students and, most interestingly perhaps, a theological and philosophical justification for the coexistence of the Sixth and Seventh Dalai Lamas.

The Labrang Tibetan Buddhist Monastery in Amdo and its extended support community are one of the largest and most famous in Tibetan history. This crucially important and little-studied community is on the northeast corner of the Tibetan Plateau in modern Gansu Province, in close proximity to Chinese, Mongol, and Muslim communities. It is Tibetan but located in China; it was founded by Mongols, and associated with Muslims. Its wide-ranging Tibetan religious institutions are well established and serve as the foundations for the community's social and political infrastructures. The Labrang community's borderlands location, the prominence of its religious institutions, and the resilience and identity of its nomadic and semi-nomadic cultures were factors in the growth and survival of the monastery and its enormous estate. This book tells the story of the status and function of the Tibetan Buddhist religion in its fully developed monastic and public dimensions. It is an interdisciplinary project that examines the history of social and political conflict and compromise between the different local ethnic groups. The book presents new perspectives on Qing Dynasty and Republican-era Chinese politics, with far-reaching implications for contemporary China. It brings a new understanding of Sino-Tibetan-Mongol-Muslim histories and societies. This volume will be of interest to undergraduate and graduate student majors in Tibetan and Buddhist studies, in Chinese and Mongol studies, and to scholars of Asian social and political studies.

The Social Life of Tibetan Biography explores the creation of Tibetan religious authority in Tibetan cultural areas throughout East, Inner, and South Asia through engaging with the relationship between textual biography and social community in the case of the Eastern Tibetan yogi Tokden Shakya Shri (18531919). It explores the different mechanisms used by Shakya Shri's community in the creation of his biographical portrait to develop his lineage, including the use of biographical tropes, details of interpersonal connections, educational and patronage networks, and representations of sacred site creation and maintenance. In doing so, this study decenters Tibetan and Himalayan religious history through recognizing that peripheries could act as alternative centers of authority for diverse Tibetan Buddhist communities.

This book presents a case study of the ascendancy of Goenpo Namgyel, a minor Tibetan chieftain in Kham who had a great impact on Sino-Tibetan relations in the nineteenth and twentieth centuries.

This is the first book-length study to appear in English on the literary, cultural and political roots of modern Tibetan literature. While existing scholarship on modern Tibetan writing takes the 1980s as its point of ';birth' and presents this period as marking a ';rupture' with traditional forms of literature, this book goes beyond such an interpretation by foregrounding instead the persistence of Tibet's artistic past and oral traditions in the literary creativity of the present. While acknowledging the innovative features of modern Tibetan literary creation, it draws attention to the hitherto neglected aspects of continuity within the new. This study explores the endurance of genres, styles, concepts, techniques, symbolisms, and idioms derived from Tibet's rich and diverse oral art forms and textual traditions. It reveals how Tibetan kavya poetics, the mgur genre, life-writing, the Gesar epic and other modes of oral and literary compositions are referenced and adapted in novel ways within modern Tibetan poetry and fiction. It also brings to prominence the complex and fertile interplay between orality and the Tibetan literary text. Embracing a multidisciplinary approach drawing on theoretical insights in western literary theory and criticism, political studies, sociology, and anthropology, this research shows that, alongside literary and oral continuities, the Tibetan nation proves to be an inevitable attribute of modern Tibetan literature.

This book weaves together the life stories of five extraordinary contemporary Tibetans involved in environmental protection (as well as a host of secondary characters): Tashi Dorje, a well-known and celebrated environmentalist; Karma Samdrup, a philanthropist, businessman, and environmentalist; Rinchen Samdrup, Karma's brother, another extraordinary environmentalist; Gendun, a painter, historian, and researcher from Amdo; and Musuo, a Tibetan from the Dechin area of northwest Yunnan who founded the Khawakarpo Culture Society. In the politically fraught and ever-worsening situation for Tibetans within China today, it is often said that the only possible path for a better solution will be through a change in the way that the majority Chinese society thinks about and understands Tibetans, their aspirations, histories, and desires. This book provides the first such account by drawing readers in with beautiful narrative prose and fascinating stories, and then using their attention to demystify Tibetans, cultivating in the reader a sense of empathy as well as facts upon which to rebuild an intercultural understanding. It is the first work that seriously aims to let the Chinese public understand Tibetans as both products of an admirable culture and as complex individuals negotiating religious ideals, economic change, and sociopolitical constraints. In short it opens up a whole new way of understanding Tibet.

Tibetan Subjectivities on the Global Stage provides a comprehensive account of the ways Tibetans are reimagining their sense of belonging in the realms of politics, religion, and development. Drawing on sources and examples from Tibet and its diaspora, this book offers an image of Tibetan identity as a multifaceted, living, and changing entity.

This book examines the role of Muslims in Amdo society. The contributors challenge established stereotypes of Tibetan-Muslim relations and explore historical, socio-economic, political, religious, and linguistic aspects of Tibetan, Muslim, and Chinese interactions in this borderland region.

This book examines the role of Muslims in Amdo society. The contributors challenge established stereotypes of Tibetan-Muslim relations and explore historical, socio-economic, political, religious, and linguistic aspects of Tibetan, Muslim, and Chinese interactions in this borderland region.

Written in the 1990s after retirement from his services as a doctor and discovered by his daughter in the loft of their house in Darjeeling in India in 2017, this memoir of Dr. Tsewang Yishey Pemba provides an intricate portrayal of early twentieth-century Tibet. With his finger on the pulse of the Tibetan ethos, Pemba offers glimpses into the traditional sociology of Tibet and occasionally its snail-paced reforms, as well as the British Raj in India, while recollecting his young days in his native country. Pemba also draws information from prized sources like his fathers diaries and his conversations with Tibetan and British officials as well as people at the grassroots. His own metamorphosis, as he leaves Tibet in 1949 for higher education abroad, foreshadows the metamorphosis of Tibet and its inescapable fate in the decade that followed.