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Published in cooperation with the Medieval and Renaissance Studies program at the University of Pittsburgh, this collection of essays explores the interconnectedness of pilgrimage and crusade, and the central role of these enterprises for the history of European society and thought.

This volume concentrates on the medieval English Loathly Lady tales, written a little later than the Irish tales, and developing the motif as a vehicle for social ideology.

The essays that make up this collection offer several provocative interpretations of the rivalrous and rebellious spirits that inhabit the worlds of Chaucer's tales. The volume is intended for the dedicated teacher of Chaucer as well as for the specialist in medieval English studies.

collection represents most of the papers delivered on the conference theme of the Fifth Meeting (1991) of the International Society of Anglo-Saxonists, which was the first ISAS meeting in the United States.

Collection of essays in honor of John Leyerle. As a teacher, scholar, and administrator, Leyerle has been a leader in the rise and renewal of medieval studies on this continent in the past thirty years. Essays reflect his broad academic interests and interdisciplinary approach to scholarship, international contributors.

From Shakespeare's manipulation of his medieval source material to Protestant responses to medieval Catholicism, essays explore the ways that early modern writers responded to the medieval English literary and historical record, dealing with topics such as historiographic bias, print history, intertextuality and cultural history.

Thirteen essays, constituting a series of chapters in the history of preaching. The essays present a diversity of historical periods, audiences, and methodologies. Ranging in time from the 700s to 1511, from Johannes Herolt's Germany to Ramon Llull's Mallorca, from Bede's England to the Italy of Bernadino of Siena and Egidio da Viterbo.

Focusing on language's political power, these essays discuss how representation, through language norms, plays and court spectacles, manipulations and adaptations of texts and images, both constitutes and reflects a cultural milieu.