Bøker i Studies in Literature and Religion-serien

Victims and the Postmodern Narrative suggests that reading and writing about literature are ways to gain an ethical understanding of how we live in the world.

Reluctant Witnesses: Jews and the Christian Imagination is an analysis of the ancient Christian myth that casts Jews as a 'witness-people', and this myth's presence in contemporary religious discourse.

The central themes of this collection of essays are the mystery of time past, present and future, and the problem of redemption. Hell and madness are never far away, yet the refiguration of time and the breaking in of the transcendent continue to suggest theological possibilities beyond the wastelands of the twentieth century.

Twelve essays responding to the proposed title, 'Dissent and Marginality', each with a specific perspective and solid research, are brought together here.

Taking three terms from the letters of Paul as a thematic guide, Kevin Mills investigates the respective roles of faith, hope and love in language and interpretation, and uses them to uncover and to question some of the key assumptions in deconstructive and postmodernist discourse.

Chapters deal with specific texts from Euripides to contemporary fiction, and with the traditions of cultural theory from Nietszche to Benjamin, to Derrida and what David Klemm identifies as the tragedy of present theology.

The essays in this collection fall into three groups. The contributors represent a wide range of academic disciplines and religious traditions, providing significant pointers for further developments in Biblical criticism and interpretation theory.

Outlining the four fundamental concerns in the study of theology with representation, history, ethics and transcendence, this book examines each of these concerns in the light of contemporary critical theory.

The Apocalypse of John is perhaps the most alluring and dangerous text in any scripture. Yet in the post-Christian re-writings of Revelation by Shelley and Blake, John's own dynamic of unveiling comes to life, subverting the structures of power and reading built on the visions of Patmos.

This study provides one indication that as aesthetics begins to be reconcieved, which is starting to happen on many fronts, it can play a more significant role both in philosophy and in religious reflection.

Outlining the four fundamental concerns in the study of theology with representation, history, ethics and transcendence, this book examines each of these concerns in the light of contemporary critical theory.

This book considers Emerson and Nietzsche primarily as post-theological religious thinkers and treats their understanding of the nature of religion and language.

The introduction to a series of interdisciplinary titles, both monographs and essays, concerned with matters of literature, art and textuality within religious traditions founded upon texts and textual study.

The essays in this collection fall into three groups. The contributors represent a wide range of academic disciplines and religious traditions, providing significant pointers for further developments in Biblical criticism and interpretation theory.

These readings of Kierkegaard begin with a series of reflections on the background to his thought and writings, examining Romanticism, German Idealism and Danish intellectual history in the early 19th century. The author analyzes the role of indirect communication in Kierkegaard's authorship.

From a basis in recorded experience it rethinks the nature of spirit and relates spirit to the human mind, and it questions the unprovable assumptions underlying contemporary objectivist and scientific approaches to intelligence, language and knowledge.

This book argues that the writing of autobiography raises crucial issues of conscience as an author tries to know, assess, and represent character. Individual chapters explore such issues as the nature of truthfulness, characterization, the virtues, shame, and the religious dimensions of conscience.

The Apocalypse of John is perhaps the most alluring and dangerous text in any scripture. Yet in the post-Christian re-writings of Revelation by Shelley and Blake, John's own dynamic of unveiling comes to life, subverting the structures of power and reading built on the visions of Patmos.

Allegory in America surveys the history of American allegorical writing from the Puritans through the period of American romanticism to postmodernism. In a series of theoretical chapters the cultural function of allegory is discussed in relation to the mythology of American exceptionalism.

If imagination is understood to be a human response to the self-revelation of God, what practical results might this have for the work both of literary criticism and theology?

Chapters deal with specific texts from Euripides to contemporary fiction, and with the traditions of cultural theory from Nietszche to Benjamin, to Derrida and what David Klemm identifies as the tragedy of present theology.