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Reveals how queer activists and theorists have come to challenge basic assumptions of social and political thought.

Despite rumours of its demise in literary theory and practice, realism persists. Why this is, and how realism is relevant to current interdisciplinary debates in gender studies and cultural studies, are the questions underlying this work.

This collection addresses the issues raised by the postcolonial condition, considering nationhood, history, gender and identity from an interdisciplinary perspective.

Calls attention to the crucial difficulties inherent in censorship when it is used as a tool for cultural criticism. These essays move discussions of censorship out of the present discourse of diversity into what might be called a discourse of legitimation.

These fourteen essays tackle a wider range of cultural and political issues than are usually addressed in debates about postmodernism, as well as some long-familiar political and philosophical matters.

Eminent contributors look at the present and future of cosmopolitanism and its relationship to nationalism.Nationalism and the nation-state have recently come under siege, their political dominance gradually eroding under the strain of such forces as ethnic strife, religious fundamentalism, homogenizing global capitalism, and the unprecedented movements of people and populations across cultures, countries, even cyberspace. A resurgent cosmopolitanism has emerged as a viable and alternative political project. In Cosmopolitics, a renowned group of scholars and political theorists offers the first sustained examination of that project, its inclusive and often universalist claims, and its tangled and sometimes volatile relationship to nationalism. Understood generally as a fundamental commitment to the interests of humanity, traditional cosmopolitanism has been criticized as a privileged position, an aloof detachment from the obligations and affiliations that constrain nation-bound lives and move people to political action. Yet, as these essays make clear, contemporary cosmopolitanism arises not from a disengagement, but rather from well-defined cultural, historical, and political contexts. The contributors explore a feasible cosmopolitanism now beginning to emerge, and consider the question of whether it can or will displace nationalism, which needs to be rethought rather than dismissed as obsolete. Intellectually provocative and erudite, this interdisciplinary volume presents a diverse array of critical perspectives, assessing both the ideal enterprise and the current realities of the rapidly developing cosmopolitical movement.

In laboratories all over the world, life, even the idea of life, is changing - and with these changes, come transformations in our social order. This text offers a look at how the mutable forms and concepts of life link the processes of science to those of information, finance, and commodities.

Shrinking budgets, threats to tenure, job shortages for new PhDs, and an increasing reliance on graduate students and adjunct professors for teaching are the harsh reality on campuses all across the country. This study examines the issues behind the developing crisis in the academy.

This work examines theatre and political culture in Cuba and Nicaragua, revealing the tensions and negotiations among different dimensions of society that characterize the socialist project.

A collection of essays on cultural and political innovations in Latin America. The work shows how the penetration of capital and media - known as globalization - into the political and everyday life of Latin America has had far-reaching cultural consequences.

When we read best-selling books, go to movies, visit art museums, go dancing, take in a game, we customarily ignore the political economy that hammers these features of culture into shape; normally, at such times, we\u2019re not thinking about corporate board room votes, lobbyists, public funding for the arts, the end of the Cold War, stock swaps, intellectual property, or the class divisions of public space. This book aims to change that by offering readers a number of ways to link cultural experience to political economy-to become aware of the ways in which political and economic realities and decisions determine the outlines of spaces and activities in everyday life.Unsettling and provocative, Culture Works tears down the imaginary walls separating culture, economics, and politics. Writing across the established borders between anthropology, sociology, art history, economics, communication and media studies, political theory, and performance, the authors seek to show how particular economies and power relations work in familiar and central cultural experiences: art, beer, advertising, dance, sport, shopping, the Web, and media. Their essays provide a series of lucid, critical accounts of various aspects of the political economy of culture and its attendant issues of production, consumption, corporatization, and the struggle for meaning. A refreshing example of a politics of writing and critical thinking that cultural studies and political economic analysis can produce when working together, the result will change the ways in which readers experience, consider, and understand culture works.Contributors: David L. Andrews, U of Maryland; Michael Curtin, Indiana U; Susan G. Davis, U of Illinois; Danielle Fox; Chad Raphael, Santa Clara U; Anna Beatrice Scott, U of California, Riverside; Ben Scott; Inger L. Stole, U of Illinois; Thomas Streeter, U of Vermont.Cultural Politics Series, volume 18  

From the author of "The Order of Mimesis" and "Paris and the Nineteenth-Century", this book provides a collection of essays on Raymond William's theories of cultural materialism.