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Illuminates the nineteenth-century fascination with visual representations of the Arctic. This book traces the story of the long, drawnout exploration of the Northwest Passage and the beginnings of the push toward the North Pole, each expedition producing its own artistic response.

Over the years, Chief Seattle's famous speech has been embellished, popularized, and carved into many a monument, but its origins have remained inadequately explained. Understood as a symbolic encounter between indigenous America, represented by Chief Seattle, and industrialized or imperialist America, represented by Isaac L Stevens, the first governor of Washington Territory, it was first published in a Seattle newspaper in 1887 by a pioneer who claimed he had heard Seattle (or Sealth) deliver it in the 1850s. No other record of the speech has been found, and Isaac Stevens's writings do not mention it Yet it has long been taken seriously as evidence of a voice crying out of the wilderness of the American past.Answering Chief Seattle presents the full and accurate text of the 1887 version and traces the distortions of later versions in order to explain the many layers of its mystery. This book also asks how the speech could be heard and answered, by reviewing its many contexts. Mid-century ideas about land, newcomers, ancestors, and future generations informed the ways Stevens and his contemporaries understood Chief Seattle and recreated him as a legendary figure.

On November 11, 1919, the citizens of Centralia, Washington, gathered to watch former servicemen, local Boy Scouts, and other community groups march in the Armstice Day parade. When the marchers swung past the meeting hall of the Industrial Workers of the World, a group of veterans broke ranks, charged the hall, and were met by gunshots. Before the day was over, four of the marchers were dead and one of the Wobblies had been lynched by the mob.Through a wealth of newly available primary source material including previously sealed court documents, FBI records released under the Freedom of Information Act, and interviews with surviving witnesses, Tom Copeland has pieced together the events of that day and has traced the fate of the men who were accused and convicted of murdering the marchers. Copeland focuses on Elmer Smith, the local attorney who advised the Wobblies that they had the right to defend their hall against an anticipated attack.Although he never belonged to the IWW, Smith sympathized with their interests, championing the rights of working people, and speaking on their behalf. He was originally arrested with the Wobbles and then took up their cause in the courts, beginning a life-long struggle to free the men who were charged with murdering the Centralia marchers. Copeland recounts Smiths disbarment and eventual reinstatement, his run for political office, his speeches throughout the Northwest, and his unyielding support for the workers cause.This book is a balanced treatment of the Centalia tragedy and its legal repercussions written by a practicing lawyer. It is also a compelling human drama, centering on the marginal life of an industrial frontier labor lawyer, a study of radical politics of the 1920s, and a depiction of conditions of life in the lumber camps and towns. It is thus biography as well as legal, political, and social history.

Prolonged violence in the Horn of Africa, the northeastern corner of the continent, has led growing numbers of Ethiopians, Eritreans, and Somalis to flee to the United States. Despite the enmity created by centuries of conflict, they often find themselves living as neighbors in their adopted cities, with their children as class-mates in school. In many ways, they are successfully navigating life in their new home; however, they continue to struggle to bridge old ethnic divisions and find salaam, or peace, with one another. News from home fuels historical grievances and perpetuates tensions within their communities, delaying acculturation, undermining attempts at reconciliation, and sabotaging the opportunity to reach the American Dream.In conversations with forty East African immigrants living in Seattle, Washington, and Portland, Oregon, Sandra Chait captures the immigrants' struggle for identity in the face of competing stories and documents how some individuals have been able to transcend the ghosts from the past and extend a tentative hand to their former enemies.

Today's world is shaped by an obsession with cultural difference that penetrates everyday life and matters of state in unprecedented ways. Culture and cultural difference are commonly used to explain everything that's in the news - from wars to economic development and consumer behavior. This fuels the belief that our world is shaped by clashing cultures, a view that is counterproductive when it assumes falsely that culture is a timeless container that traps nations and ethnic groups.Seeing Culture Everywhere challenges the misguided and dangerous global obsession with cultural difference and directly critiques the popular notion that world affairs are determined by essential civilizations with immutable and conflicting cultures. The book offers an alternative view of a world in which cultural mixing, not isolation, is the norm, but where several historical trends have come together at the beginning of the twenty-first century to produce the current wave of "e;culture think."e; Brimming with concrete examples that move from genocide in Rwanda to schools in Berlin, from the Chrysler boardroom to the war in Iraq, it contemplates how ethnic identity can be mobilized in the service of all kinds of goals - violent or nonviolent, laudable or despicable - and the unintended effects such mobilization invariably produces. The authors suggest ways to remain sensitive to the cultural impacts of policies and decisions without falling into the traps of determinism, essentialism, and misrepresentation.Seeing Culture Everywhere will be useful in the fields of anthropology, law, intercultural communication, and international relations, as well as for general readers interested in ethnicity and travel.

This groundbreaking study of a little-explored branch of American literature both chronicles and reinterprets the variety of patterns found within Hawaiis pastoral and heroic literary traditions, and is unprecedented in its scope and theme. As a literary history, it covers two centuries of Hawaiis culture since the arrival of Captain James Cookin 1778. Its approach is multicultural, representing the spectrum of native Hawaiian, colonial, tourist, and polyethnic local literatures. Explicit historical, social, political, and linguistic context of Hawaii, as well as literary theory, inform Stephen Sumidas analyses and explications of texts, which in turn reinterpret the nonfictional contexts themselves. These texts include poems, song lyrics, novels and short fiction, drama and oral traditions that epitomize cultural milieus and sensibilities.Hawaiis rich literary tradition begins with ancient Polynesian chant and encompasses the compelling novels of O.A. Bushnell, Shelley Ota, Kazuo Miyamoto, Milton Marayama, and John Dominis Holt; the stories of Patsy Saiki and Darrell Lum; the dramas of Aldyth Morris; the poetry of Cathy Song, Erick Chock, Jody Manabe, Wing Tek Lum, and others of the contemporary Bamboo Ridge group; Hawaiian songs and poetry, or mele; and works written by visitors from outside the islands, such as the journals of Captain Cook and the prose fiction of Herman Melville, James Fenimore Cooper, Mark Twain, and James Michener. Sumida discusses the renewed enthusiasm for native Hawaiian culture and the controversies over Hawaiis vernacular pidgins and creoles. His achievement in developing a functional and accessible critical and intellectual framework for analyzing this diverse material is remarkable, and his engaging and perceptive analysis of these works invites the reader to explore further in the literature itself and to reconsider the present and future direction of Hawaiis writers.

How Many Machine Guns Does It Take to Cook One Meal? explores the cultural forces that shaped two pivotal events affecting the entire West Coast: the 1919 Seattle General Strike and the 1934 San Francisco General Strike. In contrast to traditional approaches that downplay culture or focus on the role of socialists or communists, Victoria Johnson shows how strike participants were inspired by distinctly American notions of workplace democracy that can be traced back to the political philosophies of Thomas Jefferson and Thomas Paine.Johnson examines the powerful stories and practices from our own egalitarian traditions that resonated with these workers and that have too often been dismissed by observers of the American labor movement. Ultimately, she argues that organized labor's failure to draw on these traditions in later decades contributed to its decreasing capacity to mobilize workers as well as to the increasing conservatism of American political culture.This book will appeal to scholars of western and labor history, sociology, and political science, as well as to anyone interested in the intersection of labor and culture.

Rural fires were an even more persistent scourge than famine in late imperial Russia, as Cathy Frierson shows in this first comprehensive study. Destroying almost three billion rubles worth of property in European Russia between 1860 and 1904, accidental and arson fires acted as a brake on Russias economic development while subjecting peasants to perennial shocks to their physical and emotional condition. The fire question captured the attention of educated, progressive Russians, who came to perceived it as a key obstacle to Russias becoming a modern society in the European model.Using sources ranging from literary representations and newspaper articles to statistical tables and court records, Frierson demonstrates the many meanings fire held for both peasants and the educated elite. To peasants, it was an essential source of light and warmth as well as a destructive force that regularly ignited their cramped villages of wooden, thatch-roofed huts. Absent the rule of law, they often used arson to gain justice or revenge, or to exert social control over those who would violate village norms. Frierson shows that the vast majority of arson cases in European Russia were not peasant-against-gentry acts of protest but peasant-against-peasant acts of "e;self-help"e; law or plain spite.Both the state and individual progressives set out to resolve the fire question and to educate, cajole, or coerce the peasantry into the modern world. Fire insurance, building codes, "e;scientific"e; village layouts, and volunteer firefighting brigades reduced the average number of buildings consumed in each blaze, but none of these measures succeeded in curbing the number of fires each year.More than anything else, this history of fire and arson in rural European Russia is a history of their cultural meanings in the late imperial campaign for modernity. Frierson shows the special associations of women with fire in rural life and in elite understanding of fire in the Russian countryside. Her study of the fire question demonstrates both peasant agency in fighting fire and educated Russians' hardening conviction that peasants stood in the way of Russia's advent into the company of prosperous, rational, civilized nations.

Henry Friedman was robbed of his adolescence by the monstrous evil that annihilated millions of European Jews and changed forever the lives of those who survived. When the Nazis overran their home town near the Polish-Ukrainian border, the Friedman family was saved by Ukrainian Christians who had worked at their farm. Henry, his mother, his younger brother, and a young schoolteacherwho had been hired by his father when Jews were forbidden to attend schoolwere hidden in a loft over the animal stalls at a neighbors farm; his father hid in another hayloft half a mile away.When the family was liberated by the Russians after eighteen months in hiding, Henry, at age fifteen, was emaciated and too weak to walk. The Friedmans eventually made their way to a displaced persons camp in Austria where Henry learned quickly to wheel and deal, seducing women of various ages and nationalities and mastering the intricacies of dealing in the black market. In Im No Hero, he confronts with unblinking honesty the pain, the shame, and the bizarre comedy of his passage to adulthood.The family came to Seattle in 1949, where Henry Friedman has made his home ever since. In 1988 he returned with his wife to Brody and Suchowola, where he succeeded in finding Julia Symchuk, who, as a young girl, had warned his father that the Gestapo was looking for him, and whose family had hidden the Friedmans in their loft. The following year he was able to bring Julia to Seattle for a triumphal visit, where she was honored in many ways, although, as Friedman writes, in her own country she had never been honored with anything except hard work.Like many other survivors, Henry Friedman has found it difficult to confront his past. Like others, too, he has felt the obligation to bear witness. Now retired, he devotes much of his time to telling his story, which he believes is a message of hope, to thousands of schoolchildren throughout the Pacific Northwest. He has received national recognition for his role in establishing the United States Holocaust Museum in Washington, DC, and as a founder of the Washington State Holocaust Education Resource Center.

The majestic beauty of Mount Rainier, which dominates the Seattle and Tacoma skyscapes, has in many ways defined the Pacific Northwest. At the same time, those two major cities have strongly influenced the development of Rainier as a national park. From the late 1890s, when the Pacific Forest Reserve became Mount Rainier National Park, the evolving relationship between the mountain and its surrounding residents has told a history of the region itself. That story also describes the changing nature of our national park system.From the late nineteenth century to the present, park service representatives and other officials have created policies, built roads and hotels, and regulated public use of and access to Mount Rainier. Conflicting interests have shaped the decision-making process and characterized human interaction with the park. The Rainier National Park Company promoted Paradise Inn as a destination resort for East Coast tourists; Cooperative Campers of the Pacific Northwest developed backcountry camps for working-class recreationists; Asahel Curtis of the Good Roads Association wanted a road encircling the mountain; The Mountaineers promoted free public campgrounds and a roadless preserve; others focused on managing and protecting the upper mountain. The National Park Service mediated among the various parties while developing their own master plan for the park.In an engaging and accessible style, historian Theodore Catton tells the story of Mount Rainier, examining the controversies and compromises that have shaped one of America's most beautiful and beloved parks. National Park, City Playground reminds us that the way we manage our wilderness areas is a vital concern not only for the National Park Service, but for all citizens.

From the river valleys of interior British Columbia south to the hills of northern Oregon and east to the continental divide in western Montana, hundreds of cliffs and boulders display carved and painted designs created by ancient artists who inhabited this area, the Columbia Plateau, as long as seven thousand years ago.Expressing a vital social and spiritual dimension in the lives of these hunter-gathers, rock art captivates us with its evocative power and mystery. At once an irreplaceable yet fragile cultural resource, it documents Native histories, customs, and visions through thousands of years.This valuable reference and guidebook addresses basic questions of what petroglyphs and pictographs are, how they were produced, and how archaeologists classify and date them. James Keyser identifies five regions on the Columbia Plateau, each with its own variant of the rock art style identifiable as belonging exclusively to the region. He describes for each region the setting and scope of the rock art along with its design characteristics and possible meaning. Through line drawings, photographs, and detailed maps he provides a guide to the sites where rock art can be viewed.In western Montana, rock art motifs express the ritualistic seeking of a spirit helper from the natural world. In interior British Columbia, rayed arcs above the heads of human figures demonstrate possession of a guardian spirit. Twin figures on the central Columbia Plateau reveal another belief--the special power of twins--and hunting scenes celebrate success of the chase. The grimacing evocative face of Tsagiglalal, in lower Columbia pictographs, testifies to the Plateau Indians death cult response to the European diseases that decimated their villages between 1700 and 1840. On the southeastern Plateau, images of horse-back riders mark the adoption, after 1700 of the equestrian and cultural habits of the northwestern Great Plains Indians.Despite geographic differences in emphasis, similarities in design and technique link the drawings of all five regions. Human figures, animals depicting numerous species on the Plateau, geometric motifs, mysterious beings, and tally marks, whether painted or carved, appear throughout the Columbia Plateau.

Autobiographical texts are rare in the Sephardi world. Gabriel Aris writings provide a special perspective on the political, economic, and cultural changes undergone by the Eastern Sephardi community in the decades before its dissolution, in regions where it had been constituted since the expulsion from Spain in 1492. His history is a fascinating memoir of the Sephardi and Levantine bourgeoisie of the time. For his entire life, Ariteacher, historian, community leader, and businessmanwas caught between East and West. Born in a small provincial town in Ottoman Bulgaria in 1863, he witnessed the disappearance of a social and political order that had lasted for centuries and its replacement by new ideas and new ways of life, which would irreversibly transform Jewish existence.A Sephardi Life in Southeastern Europe publishes in full the autobiography (covering the years 1863-1906) and journal (1906-39) of Gabriel Ari, along with selections from his letters to the Alliance Isralite Universelle. An introduction by Esther Benbassa and Aron Rodrigue analyzes his life and examines the general and the Jewish contexts of the Levant at the end of the nineteenth and the beginning of the twentieth centuries.

Reprint of the first paperback edition published in 2007.