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This book looks at how variety television articulated a cosmopolitanism that served to expand televisual constructions of gender and race in the postwar period, demonstrating how the entertaining of racial and ethnic identities by white variety show hosts was achieved through the featuring of people of color, musical performances, and representations of travel--simulated and actual.
Through twelve chapters that historicize and re-evaluate postfeminism as the dominant framework of feminist media studies, this collection maps out new modes of feminist media analysis at both theoretical and critical levels, offering new insights into the visibility and circulation of feminist politics in media and culture.
Through twelve chapters that historicize and re-evaluate postfeminism as the dominant framework of feminist media studies, this collection maps out new modes of feminist media analysis at both theoretical and critical levels, offering new insights into the visibility and circulation of feminist politics in media and culture.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.