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Acknowledging the significance of Edward Said¿s Orientalism for contemporary discourse, the contributors to this volume deconstruct, rearrange and challenge elements of his thesis, looking at the new conditions and opportunities offered by globalization.
Reconstructing the Social Sciences and Humanities is the first full-length book devoted to Joseph Antenor Firmin. It reexamines the importance of his thought and legacy, and its relevance for the twenty-first century's culture of humanism, and the continuing challenge of race and racism
This volume presents an interdisciplinary dialogue between sociology, geography, political sciences, history, and literary, cultural and media studies. Together, they contribute to current debates on the (re-)imagining of forms of human responsibility that meet the challenges created by humanity entering an age of scalar complexity.
This volume seeks to investigate the representation of the migrant and migration in literary texts and the arts.
A collection of essays that investigates Charles Dickens¿ views about the uses and abuses of the tenets of Christian faith that imbue English Victorian culture, regarding a myriad of controversial social issues relevant to the Victorians as well as to current readers/viewers of neo-Victorian multi-media representations
This book¿s premise is not only the commonly accepted cultural relativity of economic concepts, but also the observation that the current shift in the meaning of concepts like ¿market,¿ ¿currency,¿ ¿exchange¿ and ¿money¿ suggests that culture is undergoing a change with unpredictable economic and political consequences.
Migrating Minds contributes to the prominent interdisciplinary domain of Cosmopolitan Studies with twenty innovative essays by humanities scholars from all over the world that re-examine theories and practices of cosmopolitanism from a variety of perspectives.
This collection of essays explores cultural narratives of care in the contexts of ageing and illness
This collection includes the work of authors of both sides of the Atlantic ocean who propose a cross-cultural, transdisciplinary dialogue upon the idea, the geography and the representation of the American West.
Language, Style and Variation in Contemporary Indian English Literary Texts is a volume which examines the linguistic and stylistic forms of Indian English in new fictional texts to explore the power of language to construct meaning, express identity, and convey ideology. Specifically, this study proposes the elaboration and application of postcolonial stylistics, i.e. an interdisciplinary methodology that uses different disciplines, such as literary linguistics and postcolonial studies as a critical lens to read contemporary Indian authors like Jeet Thayil, Deepa Anappara, Avni Doshi, Tabish Khair, and Megha Majumdar. The linguistic fabric of their fiction is investigated in a series of case studies, observing the stylistic rendition of a wide range of themes and tropes, such as the representation of Otherness, drug discourse, lament and the senses, which cumulatively portray aspects of the current Indian narrative scenario. The book develops ideas growing out of several disciplines to reach a fuller understanding of cultural phenomena in the postcolonial context, and by extension in the social world.
This book brings together a model of time and a model of language to generate a new model of narrative, where different stories with different temporalities and non-chronological modes of sequence can tell of different worlds of human - and non-human - experience, woven together (the 'texture of time') in the one narrative. The work of Gerald Edelman on consciousness, J.T. Fraser on time, and M.A.K. Halliday on language is introduced; the categories of systemic functional linguistics are used for detailed analysis of English narrative texts from different literary periods. A summary chapter gives an overview of previous narrative studies and theories, with extensive references. Chapters on 'temporalization' and 'spatialization' of language contrast the importance of time in narrative texts with the effect of 'grammatical metaphor', as described by M.A.K. Halliday, for scientific discourse. Chapters on prose fiction, poetry and the texts of digital culture chart changes in the 'texture of time' with changes in the social context: 'narrative as social semiotic'.
This work explores the interrelationships between contemporary female musicians and eighteenth- and nineteenth-century art, music, and literature by women and men, interrogating how each sheds light on the other, and how women have appropriated, responded to, and been inspired by the work of authors from previous centuries.
Aimed at a non-specialist readership, this survey of early modern English literature examines how writers represented Islam. Many aimed to foment hostility or to encourage friendship. Anyone interested in how stereotypes are perpetuated and can be challenged today in an increasingly Islamophobic Western world will profit from reading it.
The Affects of Pedagogy in Literary Studies considers the ways in which teachers and students are affected by our encounters with literature and other cultural texts in the higher education classroom. The essays consider the range of emotions and affects elicited by teaching settings and practices: those moments when we in the university are caught off-guard and made uncomfortable, or experience joy, anger, boredom, and surprise. Featuring writing by teachers at different stages in their career, institutions, and national or cultural settings, the book is an innovative and necessary addition to both the study of affect, theories of learning and teaching, and the fields of literary and cultural studies.
I argue for the importance of Günter Grass as a political thinker in addition to his status as a novelist and public intellectual, capable of forming ethical responses to issues like neoliberalism and place of the petit bourgeoisie in politics. I define Grass's political trajectory through his novels and speeches.
Interpreting Violence examines the ethics of engaging with representations of violence from a broad hermeneutic perspective. It offers multidisciplinary perspectives on the sense-making involved in interpreting violence in its various forms, from blatant physical violence to less visible forms
Temporal Experiments uses literature, music, and visual art to think through the subtle workings of time in our intellectual and pragmatic lives. The book is an investigation of the tactile figures in which time is embodied, and of the role these figures play in shaping our sense of the possible.
Exploring the history and range of memoirs focusing on illness, death, displacement, and other experiences of trauma, this book includes studies of intergenerational trauma; the therapeutic potential of trauma memoir; its ethical challenges; and trauma memoir giving voice to minority experiences.
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