Bøker i Routledge History of Photography-serien

This collection explores the cultural fascination with social media forms of self-portraiture, "selfies," with a specific interest in online self-imaging strategies in a Western context.

Emphasizing the medium's reception among several Chinese constituencies, this book explores photography's impact within new discourses on science, as well its effects in social life, visual modernity and the media during China's transition from imperial to republican government.

Focusing on the creation of the concept of whiteness, this study links early photographic imagery to the development and exploitation that was common in the colonial Atlantic World of the mid- to late-nineteenth century.

Through a variety of case studies by global scholars from diverse fields of study, this book explores photographic album practices of historically marginalized figures from a range of time periods, geographic locations, and socio-cultural contexts.

By entering and critically re-activating the Zionist photographic archive established by the Division of Journalism and Propaganda of the Jewish National Fund, this research examines its rippling impact on civil landscapes prior to 1948 in Palestine, and its lasting impact on the region to date.

This collection explores the cultural fascination with social media forms of self-portraiture, "selfies," with a specific interest in online self-imaging strategies in a Western context.

Emphasizing the medium's reception among several Chinese constituencies, this book explores photography's impact within new discourses on science, as well its effects in social life, visual modernity and the media during China's transition from imperial to republican government.

This book explores the territories where manual, graphic, photographic, and digital techniques interfere and interlace in sciences and humanities.

This book examines the photography's unique capacity to represent time with a degree of elasticity and abstraction. Part object-study, part cultural/philosophical history, it examines the medium's ability to capture and sometimes "defy" time, while also traveling as objects across time-and-space nexuses.