Bøker i Postcolonialism Across the Disciplines-serien

The riots that broke out in various British port cities in 1919 were a dramatic manifestation of a wave of global unrest that affected Britain, parts of its empire, continental Europe and North America during and in the wake of the First World War.

Bringing together a wide range of literary material from Africa, Australia, Canada, the Caribbean, New Zealand and South Asia, the book also considers the different, but sometimes related, cultural contexts within which the key debates in postcolonial studies - e.g.

In the late 1990s, Postcolonial Studies risked imploding as a credible area of academic enquiry. This volume provides a tool for students and scholars outside French departments seeking a way into the study of Francophone colonial postcolonial debates. It supplies scholars in French with an overview of ideas and intellectuals in this area.

Explores the troubled relationship between postcolonial theory and 'politics', both in the sense of a radical, revolutionary politics associated with anti-colonial struggle, and the almost inevitable implication of literary writers in institutional discourses of power.

Uses a range of narratives to explore contemporary South African culture and illuminate a cultural 'state of the nation' in terms of violence, gender, human rights and democracy.

Rhetorics of Belonging describes the formation and operation of a category of Palestinian and Israeli "world literature" whose authors actively respond to the expectation that their work will "narrate" the nation, invigorating critical debates about the political and artistic value of national narration as a literary practice.

Pioneering study offering a `new comparatism' - a new world-systems' approach to the `world' in `world literature'.

Demonstrates the ways post colonial studies has adapted Bourdieu's sociology of literature to examine the institutions that structure the creation, dissemination, and reception of world literature; the foundational values of postcolonialism as a field and its sometimes ambivalent relationship to the popular; and more.

This volume is the first sustained attempt to provide an overview of the First World Festival of Negro Arts, held in Dakar in 1966, and of its multiple legacies.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. This book sets out to understand how the meaning of 'literature' was transformed in the Global South in the post-1945 era.