Bøker i Phoenix Poets-serien

Now, from the sweet fragrance of roses, bitterness stings our nostrils. The bay's withdrawn from us, the beach is littered with broken things - splintered oars, bits of old clay pipe from a long ago shipwreck, fragments of china plates. Enchanting, those days my townspeople scavenged rare cargo, furnishing their long winters with random wares.

"Tracy Fuad's second collection of poems, PORTAL, documents a life in which even the most intimate experiences are mediated by the flattening interface of technology and a world in which language is no longer produced solely by humans but by artificial intelligences as well. The poems circle the topics of replication, reproduction, and inheritance, and the way these processes are born out in language, history, and biology. In these poems, a baby is born; the world shrinks into tiny pockets under the new logic of contagion; two people are wed; the roses which washed up ashore centuries ago are blooming up and down the cape. All of this is set against a backdrop of ecological ruin, of decimated chestnut trees and a beached baby whale. The collection mirrors the restless spirit of the present, shifting between voices and forms. At times the poems take the form of experimental essays, and elsewhere the sonnet is reimagined and reinvented as a disembodied voice from the distant future. A portal can be a way out or a way in-or a website at the center of many networked websites. These poems take delight in the strangeness of contemporary life, even as they grieve something intangible which has been lost"--

Guided by a moral vision to document human experience, this unique collection takes raw historical materials--newspaper articles, autobiography and letters, court testimony, a convict ledger, and even a menu--and shapes them into sonnets, ballads, free verse, and prose poems.

What obsesses Halliday in Losers Dream On is how to recognize reality without relinquishing the pleasure and creativity and courage of our dreaming. Halliday's poetry exploits the vast array of dictions, idioms, rhetorical maneuvers, and tones available to real-life speakers (including speakers talking to themselves).

A collection intent on worrying the boundaries between natural and unnatural, human and not, Unlikely Designs draws far-ranging source material from the back channels of knowledge making: the talk pages of Wikipedia, the personal writings of Charles Darwin, the love advice doled out by chatbots, and the eclectic inclusions on the Golden Record time capsule. It is here we discover the allure of the index, what pleasure there is in bending it to our own devices. At the same time, these poems also remind us that logic is often reckless, held together by nothing more than syntactical short circuits--well, I mean, sorry, yes--prone to cracking under closer scrutiny. Returning us again and again to these gaps, Katie Willingham reveals how any act of preservation is inevitably an act of curation, an outcry against the arbitrary, by attempting to make what is precious also what survives.

This moving prose poem tells the story of an aged man who suffers a prolonged and ultimately fatal illness. From initial diagnosis to remission to relapse to death, the experience is narrated by the man's son, a practicing doctor. Charles Bardes, a physician and poet, draws on years of experience with patients and sickness to construct a narrative that links myth, diverse metamorphoses, and the modern mechanics of death. We stand with the doctors, the family, and, above all, a sick man and his disease as their voices are artfully crafted into a new and powerful language of illness.

It has been seventeen years since Lloyd Schwartz has published a book of original poems, so there is much anticipation from his fans. In "Little Kisses," Schwartz takes his characteristic tragi-comic view of life to some unexpected and sometimes disturbing places. Here we find heart-breaking and comic poems about personal loss (the mysterious disappearance of his oldest friend, for example, or his mother s failing memory, or a precious gold ring gone missing); uneasy love poems and poems about family; and poems about identity, travel, and art with all their potentially recuperative powers. The book also contains some memorable translations, jokes, and wordplay, as well as formal surprises, all of which Schwartz s readers have come to relish in his verse. His books have been all too few and far between; this new one after so very long is sure to be greeted by an eager readership."

Connie Voisine's third book of poems, "Calle Florista," centers on the border between the US and Mexico and celebrates the stunning, if severe, desert landscape. Southern New Mexico's proximity to Mexico (indeed, it was "still" a part of Mexico until 167 years ago) is also an occasion for Voisine to explore themes of splitting and friction in both human and political contexts. Through a combination of directness and excision, the poems in this book oscillate between describing complex, private sensibilities, on the one hand, and, on the other, cracking the private self open (and vulnerable) to the wider world. The focus on the Mexico-US border is also a way for Voisine to experiment with the speaking voice in the poems: whose space is this border, she asks, and what voice can properly tell the story of this place?

Includes poems that sift layers of natural and human history across several continents, observing paintings, archaeological digs, cityscapes, seascapes, landscapes. Employing an impressive array of traditional meters and various kinds of free verse, this title celebrates communities both invented and real.

Features an extended poem with a bold political dimension and great intellectual ambition. This book fuses the poet's point of view with Walt Whitman's to narrate a decentered time-traveling collage about Rock Creek, a tributary of the Potomac that runs through Washington, DC.

This volume brings together James McMichael's poetry and includes works that have previously remained unpublished. James McMichael is the recipient of a Eunice Tietjens Memorial Prize, a Guggenheim fellowship and a Whiting Foundation Writer's Award.

Features poems that are haunted by the afterlife of Thom Gunn (1929-2004), one of the most beloved gay literary icons of the twentieth century.

A book about belief - not belief in the unknowable but belief in what seems bewilderingly plain. Pondering the bodies we inhabit, the words we speak, these poems aims to discover infinitude in the most familiar places.

A meditation on the body as a source of joy, anxiety, and regeneration, this collection extends the capacity of the lyric to articulate human feeling while considering the complications of love, both human and divine, and the distinctions between them. It is more deeply an attempt to focus on the process of human creativity in general.

A book of poems that takes us on a journey through wartime America, showing our personal costs and inextricable complicities.

A collection of poems that focus on feelings of intimacy and familiarity.

A collection of eight sequences and sixteen individual poems, which leap from the public realm of urban decay and outsourcing to the intimacies of family life, from a street mime to a haunting dream, from elegy to lyric evocation.

From Tuscaloosa west to Mississippi then north to Memphis through country as unmusical as I was unloved by the decorous ardor of the South and the voice of one whose griefs were Cherokee, absentee, left in the Chevy and secret. She didn't love my love like Shiva's everywhere and blue and many-handed, some with knives and some with billet-doux.

From the Baltimore Catechism to the great noir films of the last century to today's Elvis impersonators and Paris Hilton, this book tracks the snares, abrasions, and hijinks of personal identities in our society of the spectacle, a place where who we say we are, and who we think we are, fade in and out of consciousness.

Offers a collection of formal poems and measured free verse unified by its investigation of our poetic, mythic, and scientific fascination with birds of prey: hawks, eagles, owls, vultures, and falcons. Drawing on his own experience working at a raptor rehabilitation center, the author shows these killing birds to be mirrors for humanity.