Bøker i Pacific Presences-serien

This book (vol. 1 of 2) not only enlarges understanding of Oceanic art history and Oceanic collections in important ways, but also enables new reflections upon museums and ways of undertaking work in and around them.

This book (vol. 2 of 2) not only enlarges understanding of Oceanic art history and Oceanic collections in important ways, but also enables new reflections upon museums and ways of undertaking work in and around them.

This multi-sited book is the first to assess the formation, dispersal and contemporary salience of the large and geographically diverse collections taken by the H.M.S Royalist in the Pacific 1890-1893.

This multi-disciplinary book is the first to investigate the significance of Kiribati coconut fibre armour and explore the histories surrounding its presence in UK museum collections.

This multi-disciplinary book is the first to investigate the significance of Kiribati coconut fibre armour and explore the histories surrounding its presence in UK museum collections.

Encounters, exchanges, agency, and colonial collections in 18th-century Oceania and 21st-century museums

Encounters, exchanges, agency, and colonial collections in 18th-century Oceania and 21st-century museums

This book (vol. 1 of 2) not only enlarges understanding of Oceanic art history and Oceanic collections in important ways, but also enables new reflections upon museums and ways of undertaking work in and around them.

This book (vol. 2 of 2) not only enlarges understanding of Oceanic art history and Oceanic collections in important ways, but also enables new reflections upon museums and ways of undertaking work in and around them.

This multi-sited book is the first to assess the formation, dispersal and contemporary salience of the large and geographically diverse collections taken by the H.M.S Royalist in the Pacific 1890-1893.

A virtual reconstruction of the 1804 collection of artefacts from Nuku Hiva made by the Krusenstern expedition.

Through photography, this book revisits the places museum collections were made, and the places they ended up in. It is a meditation on presence and absence.