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This is the second instalment of Browning's great murder-story set in the Italy of the 1690s, The Ring and the Book, a poem which Henry James called a 'monstrous magnificence'. Here Browning lets the central characters of his poem - the corrupt aristocrat and murderer Franceschini, his victim, and her rescuer - tell the story in their own words.
This scholary edition of Browning's greatest and perhaps best-known collection of short poems contains new research which throws light on the composition and dates of such famous pieces as "Fra Lippo Lippi" and "Childe Roland to the Dark Tower Came".
This volume contains some of Browning's finest and best-loved poetry. All significant textual variants are recorded, and each of the "Bells" is accompanied by an introduction and full annotation.
This is an edition of the first third of Browning's 21,000-line masterpiece The Ring and the Book, a poem which Henry James called a `monstrous magnificence'. The editors throw new light on how the poet wrote this Italian murder story and give all the background annotation needed to understand it.
Volume IV in the series on Browning, under the general editorship of Ian Jack, contains the remainder of the remarkable "Bells and Pomegranates" pamphlets, dramatic romances and the lyrics, "Luria" and "A Soul's Tragedy".
A high-level scholarly edition of the late poetry of Robert Browning, and the final volume of OUP's 15-volume Poetical Works of Robert Browning (General Editor: Michael Meredith).
Hawlin and Burnett present the final volume in this three volume Oxford edition of Browning's great murder-story, The Ring and the Book, a poem which Henry James called a 'monstrous magnificence'. Browning concludes his poem with the monologues of Pope Innocent XII and of Guido in his prison-cell prior to execution, and then the witty, ironic envoi of Book XII.
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