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Love beneath the Napalm is James D. Redwood's collection of deeply affecting stories about the enduring effects of colonialism and the Vietnamese War over the course of a century on the Vietnamese and the American and French foreigners who became inextricably connected with their fate. These finely etched, powerful tales span a wide array of settings, from the former imperial capital of Hue at the end of the Nguyen Dynasty, to Hanoi after the American pullout from Vietnam, the Chinese invasion of Vietnam in 1979, contemporary San Francisco, and Schenectady, New York. Redwood reveals the inner lives of the Vietnamese characters and also shows how others appear through their eyes. Some of the images and characters in Love beneath the Napalm-the look that Mr. Tu's burned and scarred face always inflicts on strangers in the title story; attorney and American Vietnam War-veteran Carlton Griswold's complicated relationship with Mary Thuy in "e;The Summer Associate"e;; Phan Van Toan's grief and desire, caught between two worlds in "e;The Stamp Collector"e;-provide a haunting, vivid portrayal of lives uprooted by conflict. Throughout, readers will find moments that cut to the quick, exposing human resilience, sorrow, joy, and the traumatic impact of war on all those who are swept up in it.

On Saint Patrick's Day, an Irish American writer visiting Dublin takes a day trip around the city and muses on death, sex, lost love, Irish immigrant history, and his younger days as a student in Europe. Like James Joyce's Ulysses, Thomas McGonigle's award-winning novel St. Patrick's Day takes place on a single day, combining a stream-of-consciousness narrative with masterful old-fashioned storytelling, which samples the literary histories of both Ireland and America and the worlds they influence. St. Patrick's Day relies on an interior monologue to portray the narrator's often dark perceptions and fantasies; his memories of his family in Patchogue, New York, and of the women in his life; and his encounters throughout the day, as well as many years ago, with revelers, poets, African students, and working-class Dubliners. Thomas McGonigle's novel is a brilliant portrait of the uneasy alliance between the Irish and Irish Americans, the result of the centuries-old diaspora and immigration, which left unsettled the mysteries of origins and legacy. St. Patrick's Day is a rollicking pub-crawl through multi-sexual contemporary Dublin, a novel full of passion, humor, and insight, which makes the reader the author's accomplice, a witness to his heartfelt memorial to the fraught love affair between ancestors and generations. McGonigle tells the stories both countries need to hear. This particular St. Patrick's Day is an unforgettable one.

Winner of the Notre Dame Review Book Prize, this ambitious collection of poems evokes the cultural and environmental history of the Mississippi watershed and meditates on how its rivers are ceaselessly shaping, and shaped by, the lives around them. John Shoptaw guides us from the Mississippi's headwaters in Lake Itasca to its delta in the Gulf of Mexico, weaving together episodes in the life of the river system-the New Madrid earthquakes, the 1927 flood, the EPA's eradication of the dioxin-laced town of Times Beach-with his own memories of growing up in the Missouri Bootheel: picking cotton, being baptized in a drainage ditch, and working in a lumber mill. Formally renovative, the poems in Times Beach ring the changes on the big muddy place and hymn its everlasting possibilities.

The Rivers Are Inside Our Homes handles themes of loss and exile, aging generations, fable and fairy tale, marriage and hurt, with the island of Cuba at its heart.These incandescent poems by Cuban American poet Victoria María Castells explore how we can salvage our notion of paradise in an overspent Eden. In thwarted homes located in Havana and Miami, Rapunzel and her prince, persecuted nymphs, Morgause, and Bluebeard¿s wife speak to us directly, all in need of returning to safety. Confronting machismo, illness, heartbreak, and isolation, the poems depict how women are at the mercy of men, either husband or oligarch. Yet all generations of Cubans are bombarded with this need to return or to leave, to have both, to have neither.Meanwhile, hurricane seasons add further instability to shelter and family, growing fiercer every year. Exile and displacement are accepted as permanent conditions. Latin America will mirror Cubäs violent struggles as conquered land and despotic object. From the colonial desecrations to fraught revolutionary aftermath, the search for home is lyrically charted by this contradictory land of suffering and dreams. Through these poems, dictators, grandmothers, mythical characters, and buccaneers are given voices of equal strength, challenging what constitutes truth under a prism of fantasy and desire.