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Provides a close analysis and evaluation of Villaurrutia's poetry. The book moves from the specific to the more abstract, from commentary on lexicon and syntax through metrics and figurative language to a consideration of the poet's major themes: love, death, and oppressive solitude.
Jacob's reputation has traditionally been that of a verbal acrobat. This book is an analysis of the major stylistic devices of his poems and prose poems: puns, parody, and imagery. This beautifully unified study reveals the richness and complexity of Jacob's lyrical style and considerably changes the traditional concept of his poetry.
A collection of essays from a symposium held in April 1974, at the University of North Carolina at Chapel Hill, this volume analyses Beckett's philosophy, rhetoric, poetry, and novels.
Volume 172 in the North Carolina Studies in the Romance Languages and Literatures series.
This is a collection of essays dealing with the editing, in theory and practice, of medieval manuscripts.
This study seeks to demonstrate an influential relationship between Moliere's classical reading and his character, Tartuffe. The work is divided into five sections: Introduction, The Satiric Element in "Tartuffe," Moliere's "Tartuffe," An Interpretation Based on Significant Parallels with the Traditions in Roman Satiric Literature, and Conclusion.
Volume 176 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 177 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 178 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 180 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 183 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 184 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 186 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 187 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 188 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 189 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 190 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 191 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 195 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 196 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 197 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 200 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 202 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 206 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 207 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 211 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 214 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 215 in the North Carolina Studies in the Romance Languages and Literatures series.
Volume 219 in the North Carolina Studies in the Romance Languages and Literatures series.
The years 1930 to 1950 were a period of considerable activity in the Argentine novel, in great part as a reaction and response to the military coup of September 1930 that inaugurated the "Infamous Decade" of Argentine social history. In this work, David Foster offers a reassessment of social realism in the Argentine literature of the time.
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