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Respected film critic Gonzalo Aguilar offers a lucid and sophisticated analysis of Argentine films of the last decade. This is the most complete and up-to-date work in English to examine the 'new Argentine cinema' phenomenon. Aguilar looks at highly relevant films, including those by Lucrecia Martel and Sergio Rejtman.
Cubans today are at home in diasporas that stretch from Miami to Mexico City to Moscow. The Portable Island: Cubans at Home in the World offers a stunning chorus of responses, gathering some of the most daring Cuban writers, artists, and thinkers to address the haunting effect of globalization on their own lives.
This book explores manifestations of physical disability in Spanish American narrative fiction and performance, from Jose Marti's late nineteenth century cronicas, to Mario Bellatin's twenty-first century novels, from the performances of Guillermo Gomez-Pena and Coco Fusco to the testimonio and filmic depictions of Gabriela Brimmer.
This is the first book to comprehensively examine Latin America's literary response to the deadly HIV virus. Proposing a bio-political reading of AIDs in the neoliberal era, Lina Meruane examines how literary representations of AIDS enter into larger discussions of community, sexuality, nation, displacement and globalization.
This is an illuminating discussion of guilt, fear, violence and aesthetics from a global perspective. Herlinghaus evaluates new Latin American novels, films and music through the lens of some of Walter Benjamin's controversial writings on violence and religion.
Reality Effects brings together the reflections of leading film scholars and critics from Latin America, the UK and the United States on the re-emergence of the real as a prime concern in contemporary Argentine and Brazilian film, and as a main reason for the acclaim both cinematographies have won among international audiences in recent years.
The essays in "Velvet barrios" collectively intervene in the field of popular culture studies to examine the various ways in which the ideologies of sex - maleness and femaleness - as well as the ideologies of gender - femininity and masculinity - are produced and consumed.
Reality Effects brings together the reflections of leading film scholars and critics from Latin America, the UK and the United States on the re-emergence of the real as a prime concern in contemporary Argentine and Brazilian film, and as a main reason for the acclaim both cinematographies have won among international audiences in recent years.
This collection examines Cuban cultural production during the Special Period of the 1990s, following the collapse of the Soviet Bloc. Contributors address the cultural forms; and the associated ethics and practices of labour, leisure, and bureaucratic organization that arose in the transformation of the socialist cultural infrastructure.
This volume looks at the shifting role of aesthetics in Latin American literature and literary studies, focusing on the concept of 'ethical responsibility' within these practices. The contributing authors examine the act of reading in its new globalized context of postcolonial theory and gender and performance studies.
This collection examines Cuban cultural production during the Special Period of the 1990s, following the collapse of the Soviet Bloc. Contributors address the cultural forms; and the associated ethics and practices of labour, leisure, and bureaucratic organization that arose in the transformation of the socialist cultural infrastructure.
This book looks at the relationship of literary criticism to the social construction of race in Brazil. Isfahani-Hammond considers Gilberto Freyre's model of master/slave synthesis and examines what "multiculturalism" means after the turn of the century.
This collection presents a comparative study of the impact of slavery on the literary and cultural imagination of the Americas, and also on the impact of writing on slavery on the social legacies of slavery's history.
Jose Marti, Cuban national hero, was one of Latin America's most influential litereary and political figures. Jose Marti: An Introduction offers such an introduction to Marti's most pertinent, enduring ideas, exploring his writing on race, gender, the relationship between Cuba and the US, and issues of displacement and bilingualism.
However, Mexican cultural trends in literature, art, the sciences, and in journalism were inciting an atmosphere of sexual curiosity that was in search of the right turn of events to ignite a discursive explosion and focus interest on what was not a new phenomenon, but what was about to become a new concept: homosexuality.
This is first intellectual history of the Caribbean written by a top Caribbean studies scholar. The book examines both the work of natives of the region as well as texts interpretive of the region produced by Western authors. Stressing the experimental and cultural particularity of the Caribbean, the study considers major questions in the field.
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