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Suitable for a range of readers, including students and scholars in the fields of American literature, film, and gay studies, this book challenges widely held assumptions about postwar gay male culture and politics.

A biography of Henry Roe Cloud (c. 1884-1950), a Winnebago educator, scholar, and minister who was one of the most renowned Native Americans of his time.

Offering a study of American cultural production from the colonial era onwards, this book takes up the loose ends of popular American narratives to craft a theory of narrative closure.

When Jack London died in 1916, he was one of the most famous writers of his time. This book analyses the nature of his appeal by examining how the struggling young writer sought to promote himself in his early work as a sympathetic, romantic man of letters whose charismatic masculinity could carry more significance than his words themselves.

Focuses on US citizens' democratic impulse: their ability to imagine and to work with others to create democratic publics while taking divergent views into account. This book contends that citizens of the early US were encouraged to locate this social impulse not in associations with others but in the turbulent interiors of their own bodies.

Reveals how late nineteenth-century Latino migrant writers developed a prescient critique of US imperialism: a critique that prefigures many of the concerns - about empire, race, and postcolonial subjectivity - animating American studies.

Documents the contributions of Native Americans to the notion of American nationhood and to concepts of American identity at a crucial, defining time in US history. This book examines the rhetoric and writings of nineteenth-century Native Americans, including William Apess, Black Hawk, George Copway, John Rollin Ridge, and Sarah Winnemucca.

Studies the stirring literature of "Red Power," an era of Native American organizing that began in 1969 and expanded into the 1970s. This title shows instead that the movement engaged historical memory and oral tradition to produce more enabling knowledge of American Indian lives and possibilities.

Examines what happens to our paradigms of the American south if we understand the south hemispherically, to include Latin America and the Caribbean. This work presents work by scholars in comparative literature, American studies, and Latin American studies.

A state-of-the-art portrait of the field of American studies -- its interests and methodologies, its interactions with the social and cultural movements it describes and attempts to explain, and a compendium of likely directions the field will take in the future.

Investigates the complex histories and conflicting desires that are generally concealed behind the term "democracy."

Although in recent years scholars have explored the cultural construction of masculinity, the ways in which masculinity intersects with other categories of identity, particularly those of race and ethnicity, have largely been ignored. This title includes essays that address this concern and focus on the social construction of masculinity.

From the 1820s to the 1870s, Lydia Maria Child was as familiar to the American public as her Thanksgiving song, "Over the river and through the wood, / To grandfather’s house we go," remains today. Hardly a sphere of nineteenth-century life can be found in which Child did not figure prominently as a pathbreaker. She crusaded against slavery and racism, combated religious bigotry, championed women’s rights, publicized the plight of the urban poor, and campaigned for justice toward Native Americans. Showing an uncanny ability to pinpoint and respond to new cultural needs, Child pioneered almost every category of nineteenth-century American letters—historical fiction, the short story, children’s literature, the domestic advice book, women’s history, antislavery fiction, journalism, and the literature of aging. This rich collection is the first to represent the full range of Child’s contributions as a literary innovator, social reformer, and progressive thinker over a career spanning six decades. It features stories, editorials, articles, and letters to politicians culled from rare newspapers and periodicals and never before published in book form; extracts from her trailblazing childrearing manual, history of women, and primer for the emancipated slaves; and a generous sampling of her best-known writings on slavery, the Indian question, poverty, and women’s rights. Witty, incisive, and often daringly unconventional, Child’s writings open a panoramic window on nineteenth-century American culture while addressing issues still relevant to our own time. In this anthology, the editor of Harriet Jacobs’s Incidents in the Life of a Slave Girl reemerges in her own right as one of the nation’s greatest prophets.

Suitable for students and scholars working in the areas of race, gender, and identity theory, as well as US history and literature, this book offers a perspective for studying the construction and meaning of personal and cultural identities.

National narratives create imaginary relations within imagined communities called national peoples. But in the American narrative, alongside the nexus of belonging established for the national community, the national narrative has represented other peoples (women, blacks, "foreigners", the homeless) from whom the property of nationness has been removed altogether and upon whose differences from them the national people depended for the construction of their norms. Dismantling this opposition has become the task of post-national (Post-Americanist) narratives, bent on changing the assumptions that found the "national identity." This volume, originally published as a special issue of bounrary 2, focuses on the process of assembling and dismantling the American national narrative(s), sketching its inception and demolition. The contributors examine various cultural, political, and historical sources--colonial literature, mass movements, epidemics of disease, mass spectacle, transnational corporations, super-weapons, popular magazines, literary texts--out of which this narrative was constructed, and propose different understandings of nationality and identity following in its wake. Contributors. Jonathan Arac, Lauren Berlant, Robert J. Corber, Elizabeth Freeman, Kathryn V. Lingberg, Jack Matthews, Alan Nadel, Patrick O'Donnell, Daniel O'Hara, Donald E. Pease, Ross Posnock, John Carlos Rowe, Rob Wilson

Throughout the era of the Cold War a consensus reigned as to what constituted the great works of American literature. Yet as scholars have increasingly shown, and as this volume unmistakably demonstrates, that consensus was built upon the repression of the voices and historical contexts of subordinated social groups as well as literary works themselves, works both outside and within the traditional canon. This book is an effort to recover those lost voices. Engaging New Historicist, neo-Marxist, poststructuralist, and other literary practices, this volume marks important shifts in the organizing principles and self-understanding of the field of American Studies. Originally published as a special issue of boundary 2, the essays gathered here discuss writers as diverse as Kate Chopin, Frederick Douglass, Emerson, Melville, W. D. Howells, Henry James, W. E. B. DuBois, and Mark Twain, plus the historical figure John Brown. Two major sections devoted to the theory of romance and to cultural-historical analyses emphasize the political perspective of "New Americanist" literary and cultural study.Contributors. William E. Cain, Wai-chee Dimock, Howard Horwitz, Gregory S. Jay, Steven Mailloux, John McWilliams, Susan Mizruchi, Donald E. Pease, Ivy Schweitzer, Priscilla Wald, Michael Warner, Robert Weimann

Investigates the complex histories and conflicting desires that are generally concealed behind the term "democracy."

Suitable for students and scholars working in the areas of race, gender, and identity theory, as well as US history and literature, this book offers a perspective for studying the construction and meaning of personal and cultural identities.

Alan Nadel provides a unique analysis of the rise of American postmodernism by viewing it as a breakdown in Cold War cultural narratives of containment. These narratives, which embodied an American postwar foreign policy charged with checking the spread of Communism, also operated, Nadel argues, within a wide spectrum of cultural life in the United States to contain atomic secrets, sexual license, gender roles, nuclear energy, and artistic expression. Because these narratives were deployed in films, books, and magazines at a time when American culture was for the first time able to dominate global entertainment and capitalize on global production, containment became one of the most widely disseminated and highly privileged national narratives in history.Examining a broad sweep of American culture, from the work of George Kennan to Playboy Magazine, from the movies of Doris Day and Walt Disney to those of Cecil B. DeMille and Alfred Hitchcock, from James Bond to Holden Caulfield, Nadel discloses the remarkable pervasiveness of the containment narrative. Drawing subtly on insights provided by contemporary theorists, including Baudrillard, Foucault, Jameson, Sedgwick, Certeau, and Hayden White, he situates the rhetoric of the Cold War within a gendered narrative powered by the unspoken potency of the atom. He then traces the breakdown of this discourse of containment through such events as the Bay of Pigs invasion and the Free Speech Movement at Berkeley, and ties its collapse to the onset of American postmodernism, typified by works such as Catch–22 and The Man Who Shot Liberty Valence. An important work of cultural criticism, Containment Culture links atomic power with postmodernism and postwar politics, and shows how a multifarious national policy can become part of a nation’s cultural agenda and a source of meaning for its citizenry.

Increasingly in the last decade, macropolitics—a consideration of political transformations at the level of the state—has become a focus for cultural inquiry. From the macropolitical perspective afforded by contemporary postcolonial studies, the essays in this collection explore the relationship between politics and culture by examining developments in a wide range of nineteenth-century writing. The dozen essays gathered here span the entire era of colonization and discuss the British Isles, Europe, the United States, India, the Caribbean, and Africa. Addressing the works of Wordsworth, Shelley, Dickens, Melville, Flaubert, Conrad, and Charlotte Brontë, as well as explorers’ reports, Bible translations, popular theater, and folklore, the contributors consider such topics as the political function of aesthetic containment, the redefinitions of nationality under the pressure of imperial ambition, and the coexistence of imperial and revolutionary tendencies. New historical data and new interpretive perspectives alter our conception of established masterpieces and provoke new understandings of the political and cultural context within which these works emerged. This anthology demonstrates that the macropolitical concept of imperialism can provide a new understanding of nineteenth-century cultural production by integrating into a single process the well-established topics of nationalism and exoticism. First published in 1991 (University of Pennsylvania Press), Macropolitics of Nineteenth-Century Literature is now available in paperback. Offering agenda-setting essays in cultural and Victorian studies, it will be of interest to students and scholars of British and American literature, literary theory, and colonial and postcolonial studies.Contributors. Jonathan Arac, Chris Bongie, Wai-chee Dimock, Bruce Greenfield, Mark Kipperman, James F. Knapp, Loren Kruger, Lisa Lowe, Susan Meyer, Jeff Nunokawa, Harriet Ritvo, Marlon B. Ross, Nancy Vogeley, Sue Zemka

Throughout the era of the Cold War a consensus reigned as to what constituted the great works of American literature. Yet as scholars have increasingly shown, and as this volume unmistakably demonstrates, that consensus was built upon the repression of the voices and historical contexts of subordinated social groups as well as literary works themselves, works both outside and within the traditional canon. This book is an effort to recover those lost voices. Engaging New Historicist, neo-Marxist, poststructuralist, and other literary practices, this volume marks important shifts in the organizing principles and self-understanding of the field of American Studies. Originally published as a special issue of boundary 2, the essays gathered here discuss writers as diverse as Kate Chopin, Frederick Douglass, Emerson, Melville, W. D. Howells, Henry James, W. E. B. DuBois, and Mark Twain, plus the historical figure John Brown. Two major sections devoted to the theory of romance and to cultural-historical analyses emphasize the political perspective of "New Americanist" literary and cultural study.Contributors. William E. Cain, Wai-chee Dimock, Howard Horwitz, Gregory S. Jay, Steven Mailloux, John McWilliams, Susan Mizruchi, Donald E. Pease, Ivy Schweitzer, Priscilla Wald, Michael Warner, Robert Weimann

Cultures of United States Imperialism represents a major paradigm shift that will remap the field of American Studies. Pointing to a glaring blind spot in the basic premises of the study of American culture, leading critics and theorists in cultural studies, history, anthropology, and literature reveal the "denial of empire" at the heart of American Studies. Challenging traditional definitions and periodizations of imperialism, this volume shows how international relations reciprocally shape a dominant imperial culture at home and how imperial relations are enacted and contested within the United States.Drawing on a broad range of interpretive practices, these essays range across American history, from European representations of the New World to the mass media spectacle of the Persian Gulf War. The volume breaks down the boundary between the study of foreign relations and American culture to examine imperialism as an internal process of cultural appropriation and as an external struggle over international power. The contributors explore how the politics of continental and international expansion, conquest, and resistance have shaped the history of American culture just as much as the cultures of those it has dominated. By uncovering the dialectical relationship between American cultures and international relations, this collection demonstrates the necessity of analyzing imperialism as a political or economic process inseparable from the social relations and cultural representations of gender, race, ethnicity, and class at home.Contributors. Lynda Boose, Mary Yoko Brannen, Bill Brown, William Cain, Eric Cheyfitz, Vicente Diaz, Frederick Errington, Kevin Gaines, Deborah Gewertz, Donna Haraway, Susan Jeffords, Myra Jehlen, Amy Kaplan, Eric Lott, Walter Benn Michaels, Donald E. Pease, Vicente Rafael, Michael Rogin, José David Saldívar, Richard Slotkin, Doris Sommer, Gauri Viswanathan, Priscilla Wald, Kenneth Warren, Christopher P. Wilson

Explores the role culture plays in legitimating, unsettling, and contesting America's aggressively interventionist foreign policy since 9/11.

Examines what happens to our paradigms of the American south if we understand the "south" hemispherically, to include Latin America and the Caribbean

A state-of-the-art portrait of the field of American studies -- its interests and methodologies, its interactions with the social and cultural movements it describes and attempts to explain, and a compendium of likely directions the field will take in the future.

Although in recent years scholars have explored the cultural construction of masculinity, the ways in which masculinity intersects with other categories of identity, particularly those of race and ethnicity, have largely been ignored. This title includes essays that address this concern and focus on the social construction of masculinity.

"One rarely sees a body of documentation as richly varied in important themes. This is a cross-disciplinary treasure, especially since so many of Child's concerns foreshadowed issues now central to our time."--Sterling Stuckey, University of California, Riverside

National narratives create imaginary relations within imagined communities called national peoples. But in the American narrative, alongside the nexus of belonging established for the national community, the national narrative has represented other peoples (women, blacks, "foreigners", the homeless) from whom the property of nationness has been removed altogether and upon whose differences from them the national people depended for the construction of their norms. Dismantling this opposition has become the task of post-national (Post-Americanist) narratives, bent on changing the assumptions that found the "national identity." This volume, originally published as a special issue of bounrary 2, focuses on the process of assembling and dismantling the American national narrative(s), sketching its inception and demolition. The contributors examine various cultural, political, and historical sources--colonial literature, mass movements, epidemics of disease, mass spectacle, transnational corporations, super-weapons, popular magazines, literary texts--out of which this narrative was constructed, and propose different understandings of nationality and identity following in its wake. Contributors. Jonathan Arac, Lauren Berlant, Robert J. Corber, Elizabeth Freeman, Kathryn V. Lingberg, Jack Matthews, Alan Nadel, Patrick O''Donnell, Daniel O''Hara, Donald E. Pease, Ross Posnock, John Carlos Rowe, Rob Wilson