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A full exploration of Galdos's treatment of questions relating to the creation and distribution of wealth in the modern money-centred society of Restoration Spain.Winner of the 2017 Peter Bly Award of the Asociacion Internacional de Galdosistas Rich and Poor follows Galdos's narrative of the ascent of the bourgeoisie in the speculative climate which resulted from the economic policies of the liberal State. The book also considers the way he portrays the consequences of these policies on the people left behind by the development of capitalism in Spain. Ridao Carlini brings recent scholarshipon nineteenth-century Spanish history together with a wealth of contemporary material--journalism, essays, pamphlets and costumbrista sketches of manner. In this way Galdos's novels are shown to participate in the varied currentsof critical thought - both conservative and socially radical--which questioned the theoretical basis of the Spanish liberal system from the mid-nineteenth century onwards. To this day no other critical work on Galdos has analysed the financial and economic aspects of Galdos's mature novels in the depth they deserve. Ridao Carlini shows that these aspects are central, both to the novels' narrative and to Galdos's understanding of Spanish society as the nineteenth century drew to a close. She also reveals Galdos's perception--one which he shares with other contemporary authors--that he was living through a time of unforeseeable social transformation. Galdos's work appears particularly relevant to us today, since we, like him, live in a time marked by a perception of social and economic uncertainty. Inma Ridao Carlini is a Teaching Fellow in Hispanic Studies, University of Leicester.

Este libro ofrece la primera revision en forma de volumen monografico de las transferencias culturales de Gran Bretana a Espana en el siglo XVIII. A close reading of the cultural exchanges between England and Spain in the18th century as seen in the periodical press.Este libro ofrece la primera revision en forma de volumen monografico de las transferencias culturales de Gran Bretana a Espana en el siglo XVIII, centrandose en particular en el genero mas novedoso del setecientos, la podica. Para ello, explora el fenomeno hasta ahora difuso de la anglomania - moda de las ideas, influencias y estilos ingleses que domino la Europa del setecientos - y su fenomeno opuesto, la anglofobia, en tres tipos de prensa bien diferenciados, todo ello en conjuncion con la propia coyuntura nacional y el programa de reformas borbonico. Ademas, esta obra enfatiza la labor de estos periodistas y periodicos, asi como sus conexiones con el poder, a la vez que los situa como agentes fundamentales de esa red europea de intercambios materiales e intelectuales que sustento la Republica de las Letras. Con todo ello, este volumen contribuye a la serie de debates dedicados a la reevaluacion de la Ilustracion espanola que buscan situarla en el mapa de las Luces Europeas de entonces y de ahora. LETICIA VILLAMEDIANA GONZALEZ es Profesora Titular en el Departamento de Modern Languages and Cultures, University of Warwick. This book constitutes the first monographic study of the cultural transfers from Great Britain to Spain through 18th-Century periodical press, one of the most innovative genres of the period. It exploresthe notion of anglomania - the craze for all things English which spread throughout all Europe - and its reactive phenomenon, anglophobia, offering a contextualised analysis of the transmission, reception and adaptation of BritishEnlightened ideas and reforms in three different types of Spanish periodicals. In so doing, this volume brings to the fore the work of some understudied writers and journalists and situates these important periodicals and their connections to power as a key part of a wider European context of material and intellectual exchanges that sustained the Republic of Letters. This in turn, contributes to recent scholarship arguing for a central place of Spain in the intellectual map of the Enlightenment. LETICIA VILLAMEDIANA GONZALEZ is a Senior Teaching Fellow in Hispanic Studies at the University of Warwick.

Presents research conducted in three difficult-to-access Cuban archives with rare textual resources, upon which very little analysis has ever previously been published.This book offers an innovative and provocative analysis of the much-studied Cuban Revolution by reminding us that Fidel Castro's was actually the second of the island's twentieth-century revolutions. By bringing 1959 into criticalcommunication with the revolution of 1933, the book explores Cuba's trajectory from colony to republic to revolution, not as a linear inevitability, but as a rite of collective passage punctuated by turning points in which publicdebate turned to almost obsessive reflection on national 'identity' and national 'destiny'. In re-reading important works of many of Cuba's most significant intellectual and political figures, whilst also revealing little known but truly transcendental contributions to the collective narrative during both revolutionary periods, this book makes a major contribution to a more complex, nuanced and sophisticated understanding of Cuban cultural history and Cuban national identity in the twentieth century. In both periods, the book reveals revolutionary zeal challenged by dogged ambivalence, nihilism undercut by remembrance, the teleological pursuit of 'The End' of the national narrative displaced by 'An End', always and forever 'to be continued'. STEPHEN M. FAY is a Lecturer in Spanish at Aston University.

A collection of essays on Spanish poetry honouring a distinguished British Hispanist.Trevor J. Dadson is a British Hispanist of international distinction whose remarkable scholarly range has resulted in a published output that embraces cultural, literary and social history, textual editing, literacy, book ownership and literary criticism. The twelve essays of the present volume pay tribute to his distinctive interventions in the field of Spanish poetry (early modern and contemporary); collectively they recognize the catalytic role of Professor Dadson's original research while opening up to dialogues beyond it, aiming to inspire new conversations around the topics he has inspired generations of scholars to pursue. Represented in the volume are former doctoralstudents, former colleagues and international collaborators, all of whom are also distinguished authorities in their fields. Javier Letran is Senior Lecturer in Spanish at the University of St Andrews. Isabel Torres is Professor of Spanish Golden Age Literature at Queen's University Belfast.

An in-depth study of the presence and representation of Jews in contemporary Argentine film, focusing on films shot since the year 2000.Runner-up for the AHGBI-Spanish Embassy Doctoral Publication Prize for 2017 Notwithstanding the current visual prominence of Jewish life and Jewish culture on the Argentine big screen, surprisingly little has been written about Jewish film characterization in academic scholarship. In order to fill this lacuna, Portrayals of Jews in Contemporary Argentine Cinemaexplores the depiction of the Jews of Argentina in modern Argentine cinema with particular attention to the ways in which Jews and Jewishness interact with issues of national identity. The central aim of the book is to investigate how Argentine cinema negotiates the argentinidad of Jewish Argentines, thereby adding to the mosaic that is the imagined community of Argentina. To this end, key films by both Jewish and non-Jewish directors are scrutinized, shedding light on three main areas: the masculinity of the Jewish gaucho, the effects of the 1994 AMIA bombing and family relations, including fatherhood and the intermarriage between Jews and Gentiles. Organized around these topics, the book comprises four chapters and with the exception of the first, which is a historical exposition of Jewish presence in Argentina and Argentine film, all subsequent ones take a theme-centered approach. Mirna Vohnsen is a faculty member in Spanish and Latin American Studies at Maynooth University.

Why has Portugal's vibrant and creative cinema industry not been more commercially successful?This book traces the evolution of Portuguese cinema between the beginning of the New Cinema movement in 1960 and the height of the economic crisis in 2010 from a socio-cultural and economic perspective. It aims to explain why this vibrant and creative industry has not been more commercially successful and pays especial attention to questions of financial viability, domestic consumption, international distribution, and the effects of legislation. It shows how film-makers have responded to historical difficulties and material obstacles and how market conditions have influenced aesthetics. Drawing on quantitative and qualitative data, film theory, and history, the book assesses the place of Portuguese cinema within Portuguese culture as well as the wider film world. While focussed on the case of Portugal, it also sheds light on problems faced by other peripheral film cultures in the international marketplace and on the festival circuit.

The first comprehensive study of Tirso de Molina and his work in English

César Vallejo paradoxically discounted the modernist significance of his avant-garde masterpiece, Trilce, published in 1922. Yet, in these poems, the renowned Peruvian writer played with the Spanish language.