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In this book, the author of "Seven Gothic Tales gives a true account of her life on her plantation in Kenya. She tells with classic simplicity of the ways of the country and the natives: of the beauty of the Ngong Hills and coffee trees in blossom: of her guests, from the Prince of Wales to Knudsen, the old charcoal burner, who visited her: of primitive festivals: of big game that were her near neighbors--lions, rhinos, elephants, zebras, buffaloes--and of Lulu, the little gazelle who came to live with her, unbelievably ladylike and beautiful. The Random House colophon made its debut in February 1927 on the cover of a little pamphlet called "Announcement Number One." Bennett Cerf and Donald Klopfer, the company's founders, had acquired the Modern Library from publishers Boni and Liveright two years earlier. One day, their friend the illustrator Rockwell Kent stopped by their office. Cerf later recalled, "Rockwell was sitting at my desk facing Donald, and we were talking about doing a few books on the side, when suddenly I got an inspiration and said, 'I've got the name for our publishing house. We just said we were go-ing to publish a few books on the side at random. Let's call it Random House.' Donald liked the idea, and Rockwell Kent said, 'That's a great name. I'll draw your trademark.' So, sitting at my desk, he took a piece of paper and in five minutes drew Random House, which has been our colophon ever since." Throughout the years, the mission of Random House has remained consistent: to publish books of the highest quality, at random. We are proud to continue this tradition today. This edition is set from the first American edition of 1937 and commemorates theseventy-fifth anniversary of Random House.

Selected by the Modern Library as one of the 100 best novels of all timeConsidered the greatest 20th century novel written in English, in this edition Walter Gabler uncovers previously unseen text. It is a disillusioned study of estrangement, paralysis and the disintegration of society.

A stirring, intimate reflection on the nature of race and American nationhood that has inspired generations of writers and thinkers, first published in 1963, the same year as the March on Washington“The finest essay I’ve ever read.”—Ta-Nehisi Coates, #1 New York Times bestselling author of the National Book Award winner Between the World and MeWith clarity, conviction, and passion, James Baldwin delivers a dire warning of the effects of racism that remains urgent nearly sixty years after its original publication. In the first of two essays, “My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation,” Baldwin offers kind and unflinching counsel on what it means to be Black in the United States and explains the twisted logic of American racism. In “Down at the Cross: Letter from a Region in My Mind,” Baldwin recounts his spiritual journey into the church after a religious crisis at the age of fourteen, and then back out of it again, as well as his meeting with Elijah Muhammad, the leader of the Nation of Islam. Throughout, Baldwin urges us to confront the oppressive institutions of race, religion, and nationhood itself, and insists that shared resilience among both Black and white people is the only way forward. As much as it is a reckoning with America’s racist past, The Fire Next Time is also a clarion call to care, courage, and love, and a candle to light the way.

Introduction by Terry Tempest Williams Afterword by T. H. Watkins Called a "magnificently crafted story . . . brimming with wisdom" by Howard Frank Mosher in The Washington Post Book World, Crossing to Safety has, since its publication in 1987, established itself as one of the greatest and most cherished American novels of the twentieth century. Tracing the lives, loves, and aspirations of two couples who move between Vermont and Wisconsin, it is a work of quiet majesty, deep compassion, and powerful insight into the alchemy of friendship and marriage.

Introduction by China Miéville Long acknowledged as a master of nightmarish visions, H. P. Lovecraft established the genuineness and dignity of his own pioneering fiction in 1931 with his quintessential work of supernatural horror, At the Mountains of Madness. The deliberately told and increasingly chilling recollection of an Antarctic expedition's uncanny discoveries-and their encounter with untold menace in the ruins of a lost civilization-is a milestone of macabre literature. This exclusive new edition, presents Lovecraft's masterpiece in fully restored form, and includes his acclaimed scholarly essay "Supernatural Horror in Literature." This is essential reading for every devotee of classic terror.

A Modern Library Paperback OriginalDuring the first years of the twentieth century, the British plant collector and explorer Frank Kingdon Ward went on twenty-four impossibly daring expeditions throughout Tibet, China, and Southeast Asia, in search of rare and elusive species of plants. He was responsible for the discovery of numerous varieties previously unknown in Europe and America, including the legendary Tibetan blue poppy, and the introduction of their seeds into the world's gardens. Kingdon Ward's accounts capture all the romance of his wildly adventurous expeditions, whether he was swinging across a bottomless gorge on a cable of twisted bamboo strands or clambering across a rocky scree in fear of an impending avalanche. Drawn from writings out of print for almost seventy-five years, this new collection, edited and introduced by professional horticulturalist and House & Garden columnist Tom Christopher, returns Kingdon Ward to his deserved place in the literature of discovery and the literature of the garden.

Written in elegant and precise prose, Don Vicente contains two novels in F. Sionil José''s classic Rosales Saga. The saga, begun in José''s novel Dusk, traces the life of one family, and that of their rural town of Rosales, from the Philippine revolution against Spain through the arrival of the Americans to, ultimately, the Marcos dictatorship.        The first novel here, Tree, is told by the loving but uneasy son of a land overseer. It is the story of one young man''s search for parental love and for his place in a society with rigid class structures. The tree of the title is a symbol of the hopes and dreams--too often dashed--of the Filipino people.         The second novel, My Brother, My Executioner, follows the misfortunes of two brothers, one the editor of a radical magazine who is tempted by the luxury of the city, the other an activist who is prepared to confront all of his enemies, real or imagined. The critic I. R. Cruz called it "a masterly symphony" of injustice, women, sex, and suicide.        Together in Don Vicente, they form the second volume of the five-novel Rosales Saga, an epic the Chicago Tribune has called "a masterpiece."

William Shawn once called The Talk of the Town the soul of the magazine. The section began in the first issue, in 1925. But it wasn''t until a couple of years later, when E. B. White and James Thurber arrived, that the Talk of the Town story became what it is today: a precise piece of journalism that always gets the story and has a little fun along the way.The Fun of It is the first anthology of Talk pieces that spans the magazine''s life. Edited by Lillian Ross, the longtime Talk reporter and New Yorker staff writer, the book brings together pieces by the section''s most original writers. Only in a collection of Talk stories will you find E. B. White visiting a potter''s field; James Thurber following Gertrude Stein at Brentano''s; Geoffrey Hellman with Cole Porter at the Waldorf Towers; A. J. Liebling on a book tour with Albert Camus; Maeve Brennan ventriloquizing the long-winded lady; John Updike navigating the passageways of midtown; Calvin Trillin marching on Washington in 1963; Jacqueline Onassis chatting with Cornell Capa; Ian Frazier at the Monster Truck and Mud Bog Fall Nationals; John McPhee in virgin forest; Mark Singer with sixth-graders adopting Hudson River striped bass; Adam Gopnik in Flatbush visiting the ìgrandest theatre devoted exclusively to the movies; Hendrik Hertzberg pinning down a Sulzberger on how the Times got colorized; George Plimpton on the tennis court with Boris Yeltsin; and Lillian Ross reporting good little stories for more than forty-five years. They and dozens of other Talk contributors provide an entertaining tour of the most famous section of the most famous magazine in the world.