Bøker i Meridian: Crossing Aesthetics-serien

This book, written out of Derrida's long-standing friendship with Jean-Luc Nancy, examines the central place accorded to the sense of touch in the Western philosophical tradition.

This is the definitive edition (including drafts, notes, and ancillary materials) of Paul Celan's Meridian, the most important poetological manifesto of the second half of the twentieth century.

The three essays collected in this book offer a succinct introduction to Agamben's recent work through an investigation of Foucault's notion of apparatus, a meditation on the intimate link of philosophy to friendship, and a reflection on the singular relation with one's own time that we call contemporariness.

Technics and Time, 3 furthers Stiegler's critique of technics, working (back) through Kant in order to examine the nature of "cinematic time" relative to phenomenology and hypertechnology.

In this book, Agamben investigates monasticism from its beginnings up through the Franciscan movement in an attempt to find a new form-of-life that escapes from the logic of Western politics as put forth in his Homo Sacer series.

The final volume in Homo Sacer, Giorgio Agamben's wide-ranging investigation of the foundations of Western politics and culture.

One of Italy's most original philosophers aims to connect the problem of pure possibility, potentiality, and power with the problem of political and social ethics in a context where the latter has lost its previous religious, metaphysical, and cultural grounding.

This is the definitive analysis of art as a social and perceptual system by Germany's leading social theorist of the late 20th century. It combines three decades of research in the social sciences, phenomenology, evolutionary biology, cybernetics, and information theory with an intimate knowledge of art history, literature, aesthetics, and contemporary literary theory.

The powerful thesis of this book is that in order to achieve full selfhood we must all repeatedly and endlessly kill the phantasmatic image of ourselves instilled in us by our parents-the projection of the child our parents wanted.

This is a pioneering attempt to rearticulate the relationship between music and the problem of mimesis, of presentation and re-presentation. Four "scenes" compose this book, all four of them responses to Wagner: two by French poets (Baudelaire and Mallarme), two by German philosophers (Heidegger and Adorno).

This volume presents three essays by the French philosopher and theorist Jacques Derrida on the ethical, political and linguistic issues posed by the act of "naming"

This volume collects twenty-three interviews given over the course of the last two decades by Jacques Derrida. It illustrates the extraordinary breadth of his concerns, touching upon such subjects as the teaching of philosophy, sexual difference and feminine identity, the media, AIDS, language and translation, nationalism, politics, and Derrida's early life and the history of his writings.

Aristotle contrasted beings formed by nature with man-made objects, which did not have the source of production within themselves. This book, the first of three volumes, develops an innovative assessment whereby the technical object can be seen as having an essential, distinct temporality and dynamics of its own.

In this work, begun during the German occupation, the eminent French poet and philosopher began to turn away from the small, perfect poem toward a much more open form, a kind of prose poem that recounted its own process of coming into being along with the final result.

In his new collection of essays, Giorgio Agamben addresses the most urgent themes of his recent research.

In this book, literary critic and political theorist Werner Hamacher shows how Hoelderlin's late poetry develops and enacts a radical theory of meaning that culminates in a unique, unprecedented, and still revolutionary concept of revolution that begins with a groundbreaking understanding of language.

This book, by one of the most innovative and challenging contemporary thinkers, rethinks community and the very idea of the social. Nancy's fundamental argument is that being is always "being with," that "I" is not prior to "we," that existence is essentially co-existence.

A collection of articles, lectures, and interviews whose apparent variety, touching on social criticism, psychoanalysis, philosophy, poetry and science, among others, is actually strongly focused on one main idea: that of autonomous, creative action at the individual and collective levels.

Taking Benedict XVI's abdication as his point of departure, Italian philosopher Giorgio Agamben offers some reflections on the unresolved dialectics of political theology and the continued relevance of eschatological thinking.

This book consists of transcripts from two lecture courses on ethical relation Levinas delivered at the Sorbonne. In seeking to explain his thought to students, he utilizes a clarity and an intensity altogether different from his other writings.

This latest collection of texts, which focus on the "mystery" of literature, as well as on language as a laboratory for conceiving an ethical-political perspective that places us beyond sovereign power, offer a window onto Giorgio Agamben's most current research.

Technics and Time 2: Disorientation continues Stiegler's interrogation of prosthetic and ortho-thetic memory in light of the crisis that arises when speed and delay are irreconcilable, the crisis of "human being" itself.

Cacciari discusses Vienna at a crucial turning point in Western thinking, as the 19th century ended, treating this extraordinarily rich concentration of people and events as the hub upon which wheeled into the 20th century.

The 13 essays in this volume-touching on ethics and philosophical questions concerning politics, language, and religion-investigate the possibility that the word "God" can be understood now, at the end of the 20th century, in a meaningful way. Nine of the essays appear in English for the first time.