Bøker i Material Readings in Early Modern Culture-serien

This collection is the first to historicise the term ephemera and its meanings for early modern England and considers its relationship to time, matter, and place. It asks: how do we conceive of ephemera in a period before it was routinely employed (from the eighteenth century) to describe ostensibly disposable print?

Focusing on six examples of printed letters from the period, in this study Diana Barnes develops a genealogy of epistolary discourse in early modern England. She considers how the examples-from the writings of Gabriel Harvey and Edmund Spencer, Angel Day, Michael Drayton.

Marginalia in early modern and medieval texts - printed, handwritten, drawn, scratched, colored, and pasted in - offer a crazy quilt composed of fragments of how people, as individuals and in groups, interacted with books and manuscripts over often lengthy periods of time.

The volume contains eleven case studies exploring the production, collection, and use of early modern mathematical texts across different social milieus.

Focusing on the postclassical discourses that Ovid's poetry stimulated, this study explores how Ovid's English proteges - including Isabella Whitney, William Shakespeare and Michael Drayton - replicated and expanded upon the Roman poet's distinctive and frequently remarked 'bookishness' in their own adaptations of his works.

The various manifestations of authority have enforced, or acted to prevent, the distribution of books, pamphlets and other print matter in Europe during the late medieval and Renaissance period. This volume analyzes how readers, writers and printers have sometimes rebelled against the constraints and restrictions of authority.

Perhaps more than any other kind of book, manuscript miscellanies require a complex and 'material' reading strategy. This collection of essays models and refines the study of these complicated volumes. Using extensive textual and bibliographical evidence, it offers stimulating new readings of literature.

Considering multiple elements of Nashe's varied works, including print and performance cultures, histories of sexuality and pornography, urban culture and the changing nature of literary patronage, these essays characterize the current state of Nashe scholarship and shape its emerging future.

Revisiting Elizabethan literary culture through the lenses of popularity, this collection allows us to view the subject from an angle unfamiliar to modern eyes, but fundamental for early modern readers. Throughout, the aim is to unpack assumptions about the popular.

Considering the variety of charts, diagrams and other kinds of images with which early modern printed books are copiously illustrated, this volume interrogates how visual rhetoric affected verbal expression. The genres of illustration considered include military strategy and tactics, garden design, instrumentation, Bibles, scientific schema.

Considers railing plays and pamphlets as participating in a coherent literary movement that dominated much of the English literary landscape during the late Elizabethan/early Jacobean period. This title considers how these crisis-ridden texts were encouraged and supported by the emergence of the professional theater and print pamphlets.

Marginalia in early modern and medieval texts ¿ printed, handwritten, drawn, scratched, colored, and pasted in ¿ offer a crazy quilt composed of fragments of how people, as individuals and in groups, interacted with books and manuscripts over often lengthy periods of time.

The early modern period inherited and refashioned a culture of remembrance deeply-ingrained in the customs of Christian community. The Arts of Remembrance in Early Modern England maps the new terrain of remembrance in the post-Reformation and charts the creative re-fashioning of remembrance in material, textual and performance culture.

The early modern period inherited and refashioned a culture of remembrance deeply-ingrained in the customs of Christian community. The Arts of Remembrance in Early Modern England maps the new terrain of remembrance in the post-Reformation and charts the creative re-fashioning of remembrance in material, textual and performance culture.

The eight essays within this volume offer the first sustained analysis of the ways that consumers read and understood Songes and Sonettes (1557), a radically new and highly influential form of poetic collection compiled by printer Richard Tottel. Embracing a broad range of critical and historical perspectives.