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Horror films revel in taking viewers into shadowy places where evil resides, whether it is a house, a graveyard or a dark forest. This title leads us inside these haunted spaces to explore them and the monstrous antagonists who dwell there.

Examines the troubled relationships between women, Islam and cinema. This title explores the role of women as spectators, images and image constructors in the cinemas of the countries where Islam is the predominant religion, focusing on Iran and Turkey from the Middle East, drawing parallels from Kazakhstan and Uzbekistan.