Bøker i Literary Criticism and Cultural Theory-serien

Presenting detailed readings of literary works about downclassing or 'vital contact' from the 1840s to the 1930s, this book measures these fictional representations against the broader historical evolution of American attitudes toward class cooperation.

Examines poetic address and in particular apostrophe (the address of absent or inanimate others) in the work of four post-World War II American poets, with a focus on loss, desire, figuration, audience, and subjectivity. This book offers an insight into both contemporary lyric and the lyric genre more generally.

American literary realism burgeoned during a period of tremendous technological innovation. This work looks at how the realists tried to forge an ethical position between the two poles of science and sentimentality, attempting to create an alternative mode of speech that, avoiding the trap of codifying iteration, could enable ethical action.

This interdisciplinary study examines four major British and American novels in view of key concepts from the mainstream tradition of neo-classical economics. Authors studied include Defoe, Mary Shelley, Melville and Theodore Dreiser

This work examines eight Virginia novels against the background of the political and social concerns of the Jacksonian years in which they were written. It argues that authors used familial processes as metephors to discuss critical issues.

First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

The first major collection of essays on the contemporary British short story cycle, this volume offers in-depth explorations of the genre by comparing its strategies for creating coherence with those of the novel and the short story collection, inquiring after the ties that bind individual short stories into a cycle. A section on theory approaches the form from the point of view of genre theory, cognitive literary studies, and book studies. It is followed by investigations of hitherto neglected aspects of the generic tradition of the British short story cycle and how they relate to the contemporary outlook of the form. Readings of individual contemporary cycles, illustrating the formΓÇÖs multifaceted uses from the presentation of sexual identities to politics and trauma, make up the third and most substantial part of the volume, placing its focus squarely on the past decades. Unique in its combination of a focus on the literary traditions, politics and markets of the UK with a thorough examination of the genreΓÇÖs manifold formal and thematic potentials, the volume explores what is at the heart of the short story cycle as a literary form: the constant negotiation between unity and separateness, collective and individual, of coherence and autonomy.

This volume of critical essays meditates on the evidence and representation of the ghostlyin the visual, literary, and cultural imagination of Britain, Europe, America, and Asia fromthe nineteenth century to the contemporary.

This collection of essays examines how Virginia Woolf¿s iconic figure and canonical oeuvre is recycled in contemporary art, literature and popular culture.

Explores the significant intellectual impact the philosopher Jean Wahl had on the directions Gilles Deleuze took as a philosopher and writer of a philosophy of experimentation. This book presents the significance of Deleuze's emphasis on "la pragmatique", inspired by Wahl's writings and his fascination with American pluralism and pragmatism.

This original collection of essays explores the work and life choices of Spanish women who through their writings and social activism addressed social justice, religious dogmatism, the educational system, gender inequality, and tensions in female subjectivity.

This book seeks to unfold the complexity within the works of Dambudzo Marechera and presents scholars and readers with a way of reading his works in light of utopian thinking. Writing during a traumatic transitional period in Zimbabwe's history, Marechera witnessed the upheavals caused by different parties battling for power in the nation. Aware of the fact that all institutionalized narratives - whether they originated from the colonial governance of the UK, Ian Smith's white minority regime, or Zimbabwe's revolutionary parties - appeal to visions of a utopian society but reveal themselves to be fiction, Marechera imagined a unique utopia. For Marechera, utopia is not a static entity but a moment of perpetual change. He rethinks utopia by phrasing it as an ongoing event that ceaselessly contests institutionalized narratives of the postcolonial self and its relationship to society. Marechera writes towards a vision of an alternative future for the country. Yet, it is a vision that does not constitute a fully rounded sense of utopia. Being cautious about the world and the operation of power upon the people, rather than imposing his own utopian ideals, Marechera chooses instead to destabilize the narrative constitution of the self in relation to society in order to turn towards a truly radical utopian thinking that empowers the individual.

This book by examines the imperial spectacles and startling reversals of fortune related in History of the Conquest of Mexico (1843) and History of the Conquest of Peru (1847), and investigates how Prescott's histories inspired fictional adaptations by George A. Henty, H. Rider Haggard, and George Griffith.